Una donna chiamata moglie

I had read the book, and was looking forward to the movie.

Happily, I wasn't disappointed.

Zandy's Bride is the story of an unsociable, uncivilised, isolated man who sends for a mail order bride.

He has little experience around women other than his mother and treats his new wife rather badly.

It is an interesting character study of two people thrown together, and how they adapt to their new life together.

By 1974, when he was assigned ZANDY'S BRIDE, Swedish director Jan Troell had recently come into considerable fame as a hard-hitting, realistic portrayer of life in Sweden with his 1971 masterpiece, THE EMIGRANTS, starring Max von Sydow and the extremely beautiful Liv Ullmann.

Very wisely, Troell picked as male lead (Zandy) a facially non-descript actor, Gene Hackman, who also had recently risen to stardom with his Oscar for the role of Popeye Doyle in THE FRENCH CONNECTION. Hackman looks rugged and rough, the very type to raise cattle and live off the earth in 19th century rural USA, with little concern for social morés, a measure of respect for his father (whose wife treatment example he obviously endorses), and apparent disregard for his mother.

As the action goes, Zandy comes across a newspaper advert that a woman wishes to get married and he duly parts with $2 for a marriage license, and feels entitled to pretty much own the said woman to the point of slavery.

It is the dignity and self-respect of that woman, superlatively played by Ullmann, that spares her complete subjugation and captive status. Zandy sees her as a work mule and a womb to be fertilized so in time he can have male hands to help him around the farm. Nothing in Zandy's mindset detracts from the importance of money and of holding power over his woman.

No doubt feminists will find much to recriminate about ZANDY'S BRIDE, foremost the rape scene. As tragic and indefensible as his actions are, the fact that the film relates them so realistically and without pulling any punches should leave ashamed any man of any basic worth. They are a lesson on what to avoid in any relation with any human being, and in particular the female gender.

I have always found Ullmann one of the most beautiful women ever. Her eyes carry so much perseverance, determination, selflessness - and, ultimately, love - in this film that at times I felt I was in the same woodshed with her, watching her travails.

Excellent script, resting on sharp, clear and logical dialogue, by Forslund and Troell. Superb cinematography, especially of the countryside, including a memorably difficult horse ride by the sea.

Recommended viewing. 8/10.

I really enjoyed this movie. It reminds me of some of the romance novels that I've read, especially those by Maggie Osborne. She writes very nice western themed romances. Like hers, this movie starts off with an unlikely pair who fall in love eventually after the usual stuff...cheating, overcoming stubbornness, and so on. Just a nice, entertaining and endearing movie that should be thought of and viewed as just that.

Overlooked and HIGHLY underrated.

Gene Hackman and Liv Ullman are both superb in this film. Gene Hackman's performance is especially noteworthy.

I saw ZANDY'S BRIDE years ago, shortly after it was first released. It stuck with me. It's even better than I remembered.

I had trouble hunting down a copy as it hasn't been released on DVD. Like another terrific film, THE GREY FOX, a DVD really should be produced. Locating a VHS copy was worth the effort.

I definitely recommend checking it out if you are a fan of either actor.

This is a profoundly realistic and perfectly-acted story that goes much beyond the previous commenter's assertion. It is a portrait of far west ranch life at its most primal and difficult. Love was not the issue in that world. The cinematography and direction were also great. Gene Hackman and Liv Ullman are subtle actors who deliver in this overlooked but wonderful film. Although I only saw it once, the dramatic intensity and truthfulness of the tale stayed with me. I've always remembered this film, as standing outside the norm. The visual memory is black and white, though I think the film is in color. The few but intense human connections were poignant, the imagery lasting.