I santissimi

There will be people who are able to fully identify with our two main actors (and/or the main female in this), but there may also be some who can't really get their deal entirely. I don't think the characters are or should be role models. On the other hand, the struggle is real. If you are not able to see or have a goal, what do you do? Where do you go? How do you achieve satisfaction? (very much pun intended in this case).

Now having said that, the acting is more than rock solid and while there are cringe worthy scenes (some things feel like at least sexual harassment, until the female involved caves in, like in the train), viewers may experience them differently. Especially considering the free loving decade this was shot and made in. There's a vibe here that you have to accept. Some things are easier to swallow others not so much. But while there is a lot of innuendo and a lot of sexual situation (including a lot of nudity), this is not so much titilating as it is funny. Still more of a road movie/drama, this is quite the experience and voyage one takes with those mischiefs/small time crooks ...

I only lasted through fifteen minutes of this. The first scene has the two main characters - big strong guys - chasing a middle-aged woman around a block of flats and finally cornering her. The woman is prim and prissy and no-one I'd want to know. Her behaviour is as childish as theirs. But there's two of them and only one of her, and they're stronger than her. It really disturbs me that so many people seem to find this scene, and the ones that follow, funny. I think there's a big difference between being bourgeois and having some basic compassion for the human condition. In fact the emptiness of the main characters strikes me as at least as bourgeois in its way as the people who are into glossy cars and so on. Too bad, since I love Stephane Grappelli.

This mean-spirited French comedy from the mid-seventies retains all it's freshness, even by today's standards. In fact, it's aimless structure and cynical wit would probably be more distressing to audiences now, more than ever (as vacuously preoccupied with good taste as most movies are these days). This is one of many Bertrand Blier films that tackles some of the more obtuse viewpoints on the male's pursuit of happiness. Courageous and effective filmmaking, and a very nice introduction from Gerard Depardieu. No small mention should be made of Stephane Grappelli's spare but brilliant music score. GET OUT YOUR HANDKERCHIEFS and TOO BEAUTIFUL FOR YOU will follow this gem.

I originally saw this film years ago during Cinemax Friday after dark series(back when the cable box was built like a keyboard),and it intrigued me. Even though there is a pointless aspect to the film it is well acted.The performances of Depardieu & Dewaere are very enjoyable.They have a good chemistry together & Miou-Miou makes a pink fur look breathtaking.A movie like this probably wouldn't be made in these politically correct times(at least not in the US), since it seems to sensationalize things like violence,robbery,& casual sex. This movie proves that with a talented cast & also talented directing a good movie is a good movie no matter the subject.It saddened me to find out Patrick Dewaere committed suicide & in the near future I,ll will check him out with Depardieu & Miou-Miou in Get Out Your Hankerchief.

Bertrand Blier is indeed l'enfant terrible of French cinema and in the seventies he always could shock the public. Filmed with his fave duo (Depardieu and Dewaere) and the usual dose of sex (Miou-Miou plays her typical role, at least the one from the seventies as little could we know that a decade later she would be the best French actress ever). In first "Les Valseuses" is also one of the first roadmovies as the viewer is just taken to some journeys of two little criminals. Those who only are satisfied with family life, or simply know nothing more, the movie would be quite a shocker but this movie is more than just that, it just let you think of all the usual things in life (working for the car, being bounded at work etc.). It's a sort of critic towards the hypocrite society we're living in. Great job and it just makes you wish two things : Dewaere died just too young as he was a topactor and of course Depardieu, he'd better should have stuck with French movies as he proves here that no one can beat him. Timeless classic and 20 years later it will still shock some...