É tempo di uccidere detective Treck

This is a 10 out of 10, amazing black action film from 1974. Pre-Scientology Isaac Hayes acts plain ig'nant as bad ass bounty hunter Mack "Truck" Turner. The movie is brimming with action, great music, and hilarious dialogue and situations. There are almost too many great things about the movie. Yaphet Kotto is one of the most underrated actors ever, and he's amazing as the evil pimp Velvet Blue! Lt. Uhura from Star Trek as a merciless female pimp! A white pimp with a diamond studded eyepatch! This is a movie that every adult in America should see, seriously. I could never find words to describe how absolutely amazing and entertaining this movie is. SEE IT, NOW!!!!!!! I'm surprised that this movie isn't more well known and celebrated in the world of blaxploitation.

Truck Turner and his partner Jerry are bounty hunters for bail bonds men. Turner has a reputation for being an intimidating and confident force and can command top dollar for the jobs nobody else is willing to take. When the job of retrieving pimp Gator Johnson turns sour, Tuner has to kill Gator and invokes the ire of his girl Dorinda. While Dorinda tries to hold her stable of girls together in a male dominated industry, she offers up a significant business share in her girls to the man who is able to kill Turner for her revenge.

I have taken recently to watching some Blaxploitation films mostly because I find the genre to be agreeably trashy and in a way the weaknesses can be accepted and almost enjoyed as part of the experience that you have come for. Trashily made, violent, tough black male leads, gorgeous females with lots of sass, funky soundtrack, solid action and unintentional laughs – all of these things sort of come with the territory. Truck Turner actually stands out as one of the more enjoyable of the genre, while still very much being a genre film with all the staples in place. The film is built on the usual sense of tough cool in the packaging and in the lead character and the plot pretty much does what you expect as a revenge plot provides plenty of gun battles and bright red blood squibs going off – none of it particularly thrilling but none of it dull either.

Where it actually benefits is in the casting. Hayes is not the best actor of course but he does have a lazy cool charm about him and he leads the film well. He is totally out-acted though by Nichelle Nichols who is not only sexy but is convincingly full of murderous rage – as others have said, it is a world away from her character on Star Trek but she really dominates the screen here with a marvellously over the top and driven house-mother harpie. Kotto is not quite as good but he is a very good presence and deserved to be used a bit better than he was. That said he still rocks most of his scenes and is rewarded with a memorable final scene. Weeks is funny, Chase is cute and beyond that everyone is par for the genre course, with plenty of bad hair and overacting in the men and lots of flesh in the women.

Truck Turner is still a genre film of course and it needs to be met on those terms but it does stand out as a good example of the genre – tough, cool, good performances, lots of pimp etc stereotypes and plenty of silly gun action. Far from being a great film, it is still a very good genre piece.

In Los Angeles, the tough bounty hunter Mac 'Truck' Turner (Isaac Hayes ) and his partner and friend Jerry (Alan Weeks) work for Nate Dinwiddie (Sam Laws) hunting down fugitives from the law. When the drug dealer and pimp Richard Leroy 'Gator' Johnson (Paul Harris) is murdered by Turner, Gator´s woman Dorinda (Nichelle Nichols) hiresthe gangster Harvard Blue (Yaphet Kotto) and his professional killers to kill Turner. Will they succeed?

"Truck Turner" is another full of action blaxploitation movie from the 70´s. The tall Isaac Hayes is funny in the role of a tough bounty hunter and former football player hard to be killed and the film is highly entertaining. My vote is seven.

Title (Brazil): "Truck Turner"

Truck Turner is an ex-football star, built like a Mack truck. Fortunately his name IS Mac (though why they released it as BLACK BULLET in Australia is beyond me) which makes for a sensible nickname. There is practically nothing else remotely sensible thereon in, when Mac goes head-to-head with a bunch of no-good…well, macks (pimps).

It is a typically paradoxical blaxpolitation film. It serves as both a reminder why the genre were so enjoyable - brazen heroes and villains, loads of sexy chicks for each, a top soul soundtrack - and why it had to die eventually - the burden of uninspired cashing in, here there and everywhere.

BLACK BULLET is as b-grade as they come, and it's surprisingly nasty in places. With a similar cast and crew to the far-superior BLACK BELT JONES (a blaxploitation gem), you expect tongue in cheek, but by the time you've heard the world `bitch' a thousand times, it starts to lose its comic gleam.

But at the end of the day it's all in good fun. It's just a shame the modern gangstas didn't get the joke.

Skip tracer Isaac Hayes tracks down Paul Harris. In the ensuing chase, Harris is killed. His woman, Nichelle Nichols, who runs a stable of prostitutes, offers half her take to whoever kills Hayes.

It's a decent if unexceptional blaxploitation flick, with its strength being performers like Yaphet Kotto -- he was going through a divorce at the time and needed the cash -- and Scatman Crothers, as well as Hayes doing the film score. To someone who doesn't know, it may sound like typical chik-a-boom music that infested every cop show and movie in the era, but there's a flair and drive to it that lifts it out of the ordinary.