Tutta una vita

Loved it when it came in 1974, at 15 the fateful romance theme was intoxicating. Seeing it for the second time a few decades later, there was a slow stirring of emotions until the last 20 embarrassing minutes of which i had no recollection. Was relieved to read other user's reviews on this site, which explained the CD showed the unedited version. Now i know that i don't have Alzheimmer's. Heavy on the Schmaltz and platitudes, this time around i enjoyed rediscovering the songs of Gilbert Becaud. The lyrics of "Et maintenant" somehow sum up the movie and my relationship to it: the cherish memory of it has departed. At one point Sarah, (the main character) observes that one should not see again the people we have loved , and the same might apply to this movie.

I have seen the film just a few nights ago.I agree that the futuristic part is enigmatic but it is also magic. Leloush couldn't give it up for the best reasons,and it is very dramatic to the story/legend that he is trying to tell us here. That part was taken at turkey,on the biblical site in the goreme valley, a cave town called the "The Witches Chimney's"- directly referring the Holocaust. Also, it is both futuristic & prehistoric land. This is the birthplace of nations in the bible. A place not far from Eden and Arrarat mountain. His point of view is panoramic and spectacular in that sense, and vital to the film which is an allegory before everything else. He points us the ongoing clash of traditions, nationalities,international politics and genders in one film which makes it a masterpiece to me. He also rewrites a totally different story of a man & woman, his classic, in historic context, only after 8 years.

This is my lifetime favorite movie too, replacing its predecessor of early years, IF. I don't know how many times I've seen it, more than 20. I like the music, the evolution of film portrayed in the techniques used, the love at first sight but you need to know the history to understand why it happens theme, the fact that the movie he's making in the movie is the movie you're seeing, the intricacy, the detail, the irreverence. The last scene through the airplane window when he notices she takes the mythical extra lump of sugar always makes me cry. I rarely see this film around in video stores anymore. I want to see it again. Haven't seen it in maybe a decade.

I loved this film when it first appeared in 1974 and I had waited a long time to see it again. It was just as wonderful as the first time with a big caveat. Reviewers here mention the fact that the version of this film now distributed on DVD in the US contains content that was not part of the film's original release in the US in the 1970's. Someone at IMDb who knows a lot more about this than I do -- should clearly explain this in the capsule summary on the film's front page. To be precise, the ending of the film in the "unedited" or better, "re-edited" version includes a ghastly ending sequence that ruins the ending. The version shown in the US in the 1970's showed a view through the airplane's window that was perfectly timed with the beginning of the credits rolling. That view through the plane window was both under-stated, elegant, and wonderful enough that it was my most stirring memory of this film and I was sadly disappointed to find it gone!

I've loved this movie since I first saw it in 1974. I've been waiting to show it to my wife for years and was delighted to find it had been put on DVD. It went along wonderfully until what I had known as to be the end suddenly jumped into an additional 20 minutes containing a futuristic (for 1974) pessimistic segment of the story. Although it tied into an earlier scene in the film (also left out of the original release), it was easy to see why this had been left out (in the US at least)...IT WAS STUPID. Furthermore, it changed the entire context of the film. What had been a wonderfully romantic story showing how two people destined to find each other after the events of their lives have shaped them had now become some bizarre cut rate version of Soylent Green. Such a shame. At least when a movie like this is released on DVD they could have made the "unedited version" optional, as was done on the My Darling Clementine DVD. All it shows me is that the editor is usually right from the start and giving the director's a chance to re-cut their film does not always result in an improvement.