Un urlo nelle tenebre

Yes it's true there really isn't any strange and deadly occurrence in the film--though you could argue there are several. You could also say that not much really happens in the film--despite these, I feel, truths about this still obscure movie, it's worth watching.

I saw it as an adult in a poor copy that still couldn't ruin the film. Much credit to the director and to a set up that feels like the Manson family is about to attack at any moment--but don't expect that kind of pay off as there is more dread than actual action in the film. Shows what a good cast and director can do--at least back then. Robert Stack is especially good. And the late appearance of Deliverance crazy McKinney makes the ending much more satisfying than it should be. One of the great creepo character actors at the top of his form.

Today this would be made for LIFETIME in a lifeless way. And if they did, they would cut the "headless" scene that is the horror highlight of a movie that isn't really a horror film. I suppose if you saw this as a kid you'd say it was the headless movie though that is one isolated scene with little or nothing to do with the rest of the film.

No the film is not in the same league and the great scary 70's TV movies, but it's way above par for what passes as TV thrillers currently.

Sandor Stern as one of the writers is a plus as well. This just shows what talent and craft can do with a very limited story concept.

You bet, I remember this one. As a young lad back in the day, I really dug the cool story lines of these erstwhile "Movies of the Week". If the creepy teaser ad with the "headless dummy" didn't get you to tune in, nothing would! That, and the reliable Robert Stack in the offbeat role of the head of a family being menaced by the supernatural. Between the thumpings, howlings in the night, and the weird psychiatrist hanging around the neighborhood, my heart-rate was up there, for sure. The solution to the mystery may be a bit weak, but I loved the O. Henry-style final scene. What's really sad is that when I saw "Cold Creek Manor", which had an amazingly similar plot,a much bigger budget, bigger name-stars, bigger EVERYTHING--it still didn't hold a candle to "--Occurrence". If ever you find it in your local listings, watch and compare. Trust me. TRIVIA: I was surprised to see Sandor Stern in the writing credits! Very apropos, considering later he went on to adapt and direct "Pin", another suspense featuring a "menacing dummy"--one with an even NASTIER disposition.

In THE STRANGE AND DEADLY OCCURRENCE, Michael and Christine Rhodes (Robert Stack and Vera Miles), along with their daughter, Melissa (Margaret Willock), are settling in to their new, rural home. Odd things begin happening almost immediately, like unexplained power outages, weird furnace trouble, and an eerie, heavy-breathing presence!

Christine soon learns of the house's dark past. Could some paranormal phenomena be afoot? And, who's the bizarre guy that insists on buying the house? As the inexplicable events grow more frequent and dangerous, the Rhodes' start to question the wisdom of their investment.

Michael believes that some flesh and blood perpetrator is up to no good. The Sheriff (L.Q. Jones) is unconvinced that anything serious is taking place. Then, a life is lost, and a secret is uncovered. This all leads to the big, shock finale.

This made-for-TV movie is an effective mystery / thriller with a nice, ironic ending. Both Stack and Miles are convincing in their parts.

Watch for the inimitable Bill McKinney as Pratt...

Hey guys this movie is ran all the time..... it came on TBS several times in the late 80s early 90s and recently was shown on the Turner South Network!!!!! Ive seen it probably 7 or 8 times !! im sure it will be on soon.... if i see it coming on ill tape it and maybe i can get you guys copies or something !!!!!!!!!

I've long held a great fondness for genre cinema that lays the bite on a family. I suppose because family is about the most primal, fundamental structure in society so if you really get pulling on those teeny tiny strings you can make the whole edifice feel like it's in trouble. Of course such films come in every shape and size, from the everything will be fine and nobody was ever in much danger types right through to the family itself as trunk of rot and ooze types. The Strange and Deadly Occurrence sticks mostly on the light side of the genre, but through swift pace, smart direction and determination to put everyone through the ringer with very little downtime, it manages to be a definite winner. The story is as simple as they come, a happy family in a beautiful new house are plagued by rapidly escalating unusual and menacing events. Something doesn't want them there, but why? ...Well to be honest the why isn't all that interesting. No great twists and turns, nothing too unusual or imaginative. Pretty commonplace actually. Also it renders some of what has gone before even more unlikely than it already was. Doesn't matter much though, as this is pretty small scale stuff with little in the way of ambition, just standard tightly composed TV movie thrill-chiller territory. The ending wraps everything up in suitably suspenseful fashion there are some good scares and the acting is on the mark. Robert Stack (Airplane) plays the head of the house well, determinedly hanging on in the face of the unknown but still considerate towards his wife and daughter, never brash nor intemperate but not weak either. The sort of guy you can relate to really. Vera Miles (Psycho) is equally good as his wife, somewhat more cowed by affairs but never hysterical or even especially nervous, holding herself together for the good of all. Margaret Willock comes off well as the daughter of the piece as well, the sort of role that usually drags but she manages to be perfectly likable. They work well together, and their convincing mounting fear gives the jolts that little extra push. As far as the jolts go, they are all fairly tame but a couple make their mark well, and the whole affair is boosted by quality direction from veteran John Llewellyn Moxey (City of the Dead), including various adeptly gripping sequences of fluid, roaming point of view camera-work rather similar to that of a slasher. So, as it all comes together, a decent diverting affair with some fine moments. Like most of its ilk it isn't likely to make too much of an impression on latter day audiences, being the sort of thing that mostly just freaked out kids watching it when it first aired, but its very much a solid affair and well worth a watch for fans of the eras TV chiller programming.