Stone

'Stone' was a labour of love for adman turned actor Sandy Harbutt, a biker enthusiast who took four years to get the script written by he and his pal Michael Robinson (who incidentally plays Pinball in the finished movie) on to the big screen. Many have slammed this movie as laughable, but I say look, it's a low budget exploitation movie with many non-actors in the cast, and if you take that into consideration it's a pretty good effort. Just compare it to an A.I.P. movie from roughly the same period and it's not that bad. The acting ranges from poor to above average, and while much of it is obviously dated and even a little silly at times, it manages to give a fairly realistic look at the 1970s Aussie outlaw bikie scene. It was certainly given the thumbs up by many Australian bikers at the time, and that's good enough for me. A few members of the supporting cast went on to bigger and better things (e.g. Helen Morse, Bill Hunter), but most of the major players were biker pals of Harbutt and have disappeared from the Australian acting industry. Ken Shorter (who looks a bit like the late Bon Scott at times) plays Stone, an undercover cop who joins The Grave Diggers bikie gang to try and find out who is killing them one by one. Shorter is one weak link in the movie. An ex-cop himself before acting he is pretty wooden and dull on screen. Much better is Harbutt himself who plays the Grave Diggers leader Undertaker. Also good is Rebecca Gilling who plays Undertaker's girl. Gilling was something of a TV sex symbol in the 1970s and looks beautiful, and yes, there is some brief but memorable full frontal nudity. The real stand out performance is by Hugh Keays-Byrne as Toad. Keays-Byrne was lured by Harbutt from a touring Shakespeare company and has lived and worked in Australia ever since, later playing Toecutter in 'Mad Max' and appearing in such cult favourites as 'The Man From Hong Kong', 'The Salute Of The Jugger' and 'Mad Dog Morgan'. He is terrific on screen from his opening acid freakout scene to his memorable final moments. Hugh Keays-Byrne I salute you! And I salute 'Stone', one of the most enjoyable movies ever made here in Australia. 'Stone' is a classic slice of 1970s biker exploitation and I highly recommend it.

If you're looking for the all purpose Coca Cola Universal film then this isn't it. This is a film rooted in context.

Basically this kind of film was shunted aside in the hunt for respectability of Australian film which shunned actual Australian contemporary Austraian life in favour of a white blossoming dressed vision of a genteel 100 years ago. Analyse this as you may but this vision dominated for another decade at least. MAd Max just squeaked in here.

The bikes themselves were very much of their time yet still very exciting even now. The bikers though clunky are not entirely off the mark. The plot itself has its own charm and if there is any question of its legacy 40,000 riders showed up for the 25th anniversary Stone ride.

Again this is nothing for the great Universal film like Titanic but it is still a very tasty slice of 70's Australian culture.

The seventies hold a special place in time for me. 1974 was all about (in no particular order) Motorcycles, beer, LSD, marijuana, underground comics (freak brothers), Hawkwind, my girlfriend Karen and of course Stone (the movie).

Outlaw Motorcycle clubs were a lot different in Sydney back then, riding motorcycles (and drinking beer) was our only purpose in life. Back then only an idiot would ride a Harley and the dream bike was the Kawasaki Z1 900 that had only just been released. So imagine a film like Stone blasting it's way onto the screen resplendent with custom painted Kawa 900's! We were mesmerized, personally I remember seeing it 6 times at the local cinema.

Watching it today opens the gates to memory lane, those that use the F3 freeway north of Sydney will appreciate the shots of the road in the funeral procession scene; the road was brand new then! And the shots of the lower North Shore and Pittwater are truly a piece of Sydney's history. Note the absence of traffic.

Forget the acting, when you're 18, off your nut on drugs and that Z1 starts up with the baffles removed at the beginning of the movie, it's mind blowing!!! Non bikers can turn off here :O) Midnight's black Kawa 900 was my favorite, come to think of it, how many indigenous Aussies had a real part in a movie before this? Not many I'd say...

I've now been riding bikes for 35 years now and Stone still holds a special place in my heart. 10 outa 10 for Sandy.

Cosmic flash, and there ya go...

Mick.

Back in '74 the tag line for STONE was "Take the Trip!" By the time the critics had finished savaging this bikie saga, not that many people DID and STONE was headed for cinematic 'Boot Hill.' A funny thing happened though - somewhere along the line it was never fully erased from the collective public conscience and in due course the "legend of Stone" was created - to such an extent that now it is regarded as the "Bikie's bible" and sits proudly in the "70's Hall of fame" of Aussie film-making.

It's not even a GOOD flick, either in script, acting or production values. What it DOES offer is high voltage energy and action sequences, mind you the flick is way overlong and quite tedious at times. The plot, such that it isn't, has cop Ken Shorter (at the time riding high on account of his role in YOU CAN'T SEE AROUND CORNERS) infiltrating a bikie gang to see who is knocking off their members with gay abandon. Now Shorter was about as realistic an underground cop as Mark Wahlberg would be playing Harry Potter. What the film DOES offer now in retrospect, is a cast-list not far short of the who's who of seasoned Aussie actors and actresses, all pretty much unknown then. Strictly 70's film-making it paved the way for such as MAD MAX and must be acknowledged for that. Check out the Funeral scene on the Gosford Freeway! - heady stuff!

For me personally, I will always retain a soft spot for this film. I knew Sandy Harbutt and Helen Morse (then his wife) quite well during the making of this film as they purchased my beloved 1952 Riley 2 1/2 litre sedan from me, for the princely sum of $740. (You could add a zero to that today and then DOUBLE it!) Like that beautiful car, the film now remains a classic of its time!

This movie did become something of a cult classic in the 70's, unlike a lot of people passing comment, I remember it well. Just to clarify something one of your other members had stated.....bikers did like the movie with cinemas in all capital cities being swamped by bikers. I was in Adelaide at the time and clearly recall Rundle Street, before it became a mall, with bikes on both sides of the street from King William Street to Pulteney(?). Some things fade over time, maybe the movie will be one of them but it brings back fond memories of my youth, mispent that it was.