Stone

I heard of this film about 6 months ago when Tarantino said that "it's the best Aussie exploitation film" i had to see what it was about. I am only a young guy but i appreciated the whole funeral scene on the F3, made me feel like i was actually there and could feel the bridge between the old generation who knew of this film to my generation who know nothing of this film. Sandy Harbutt used whatever he could find to make this film on such a budget could hardly be done now. Action stunts, a tad of gore, nudity and language are expressed in the film as a tad silly and over the top but it's suited for the time-frame the movie was shot in, isn't that what Exploitation is all about? Violence, Sex and Gore/Language? Barely any plot to move a story like this going? Well i thought of it that way since i am into my Cult/Exploitation and Horror, but it's good to see old Aussie films like this gem truly exist for people like us to see. A friend of mine from work knew who the spray painter of the cars was in this movie and still knows him today, so i got more of a profound idea of where this movie was shot, in NSW. Go out and see this film, low on plot and acting but high on emotions and nostalgia, Great work Sandy Harbutt.

Rated R18+ (still) For Violence, Gore, Language and Nudity

The closest equivalent of "Easy Rider"; in my view, even better than that movie.

A simple plot. Someone is systematically murdering a group of bikers, one by one. An undercover cop is reluctantly accepted by the group as a part-time member to try to find the murderer. He quickly gains a lot of credibility with the bikers; even some respect.

The plot is oversimple, the dialogue is stilted, the film is corny, the characters are totally without depth, the acting is poor. However, the same could be said of movies such as "Deliverance". But none of that matters. The "ambience" of life as a biker is what matters; and again as in movies such as "Deliverance", the 1970s "feel" of the picture, the action, the "macho": that is what is important.

To those such as I, who remember those times, it is nostalgic. To those who are too young to remember those times, a glimpse of the wilder side of life as it "used to be".

Finally, no review of this movie would be complete without some discussion of the two "on the road" scenes. The low-angle shot of the bike race; and the helicopter view of the funeral procession down the F3 freeway can both rightfully be called "classics" of the motor vehicle movie genre. Every bit as spectacular and "significant" as, for example, the chase scene in "Bullitt" or the crowded street race in "The Italian Job".

'Stone' was a labour of love for adman turned actor Sandy Harbutt, a biker enthusiast who took four years to get the script written by he and his pal Michael Robinson (who incidentally plays Pinball in the finished movie) on to the big screen. Many have slammed this movie as laughable, but I say look, it's a low budget exploitation movie with many non-actors in the cast, and if you take that into consideration it's a pretty good effort. Just compare it to an A.I.P. movie from roughly the same period and it's not that bad. The acting ranges from poor to above average, and while much of it is obviously dated and even a little silly at times, it manages to give a fairly realistic look at the 1970s Aussie outlaw bikie scene. It was certainly given the thumbs up by many Australian bikers at the time, and that's good enough for me. A few members of the supporting cast went on to bigger and better things (e.g. Helen Morse, Bill Hunter), but most of the major players were biker pals of Harbutt and have disappeared from the Australian acting industry. Ken Shorter (who looks a bit like the late Bon Scott at times) plays Stone, an undercover cop who joins The Grave Diggers bikie gang to try and find out who is killing them one by one. Shorter is one weak link in the movie. An ex-cop himself before acting he is pretty wooden and dull on screen. Much better is Harbutt himself who plays the Grave Diggers leader Undertaker. Also good is Rebecca Gilling who plays Undertaker's girl. Gilling was something of a TV sex symbol in the 1970s and looks beautiful, and yes, there is some brief but memorable full frontal nudity. The real stand out performance is by Hugh Keays-Byrne as Toad. Keays-Byrne was lured by Harbutt from a touring Shakespeare company and has lived and worked in Australia ever since, later playing Toecutter in 'Mad Max' and appearing in such cult favourites as 'The Man From Hong Kong', 'The Salute Of The Jugger' and 'Mad Dog Morgan'. He is terrific on screen from his opening acid freakout scene to his memorable final moments. Hugh Keays-Byrne I salute you! And I salute 'Stone', one of the most enjoyable movies ever made here in Australia. 'Stone' is a classic slice of 1970s biker exploitation and I highly recommend it.

This film is a bit of a classic for Australians, particularly those of us in Sydney who remember the day the biker convoy scene was shot. Though the story is a little dated and corny after all these years, it's worth another look, if only for nostalgia value.

The seventies hold a special place in time for me. 1974 was all about (in no particular order) Motorcycles, beer, LSD, marijuana, underground comics (freak brothers), Hawkwind, my girlfriend Karen and of course Stone (the movie).

Outlaw Motorcycle clubs were a lot different in Sydney back then, riding motorcycles (and drinking beer) was our only purpose in life. Back then only an idiot would ride a Harley and the dream bike was the Kawasaki Z1 900 that had only just been released. So imagine a film like Stone blasting it's way onto the screen resplendent with custom painted Kawa 900's! We were mesmerized, personally I remember seeing it 6 times at the local cinema.

Watching it today opens the gates to memory lane, those that use the F3 freeway north of Sydney will appreciate the shots of the road in the funeral procession scene; the road was brand new then! And the shots of the lower North Shore and Pittwater are truly a piece of Sydney's history. Note the absence of traffic.

Forget the acting, when you're 18, off your nut on drugs and that Z1 starts up with the baffles removed at the beginning of the movie, it's mind blowing!!! Non bikers can turn off here :O) Midnight's black Kawa 900 was my favorite, come to think of it, how many indigenous Aussies had a real part in a movie before this? Not many I'd say...

I've now been riding bikes for 35 years now and Stone still holds a special place in my heart. 10 outa 10 for Sandy.

Cosmic flash, and there ya go...

Mick.