Il lupo della steppa

Max Von Sydow is perhaps one of the finest versatile actors of all time. In any film which originate in Europe, one can expect not only finally crafted and intricate drama, but also superb acting. In this complex tale, he is convincing as Herman Hess, a soul in search of himself. Tragic in his troubled journey is the fact that like his character, Max Von Sydow will always fills the bill for classic theater as he does in this dark tale. With supporting actors like Pierre Clémenti who plays Pablo and Dominique Sanda as Hermine the film is both mysterious and deep. Expect the best from both author and actor as you follow along in a surreal life man scratching for the inner man. ***

This movie communicates only bits and pieces of what the book itself does. It doesn't show well the actual character of Haller at all and, not understanding his personality well, the rest of the film doesn't pass on the original message very well except through occasional one line sum-ups of an idea by a character. This movie includes tons of lines taken directly from the book but I found that the movie uses some of the weaker lines at times while leaving out most of the best. I found the first half of this movie to be utterly boring however the second half was moderately well done. I like the feel to the second half although I barely made it through the first. That said I give this 5 stars because of the nice surrealism (really psychedelic more than just surreal) and I found the film to be overall very poor considering the material its based. I don't particularly like some of the acting selections either. Overall if you just read this book or ever have for that matter I would say don't watch this film because it leaves me with much less feeling than the book did and really calmed down some of the feelings racing in me for days after reading the book. If you've never read the book I would say watch the film but know that the book is a masterpiece and this film is not. But like I said if your into psychedelic feels to films this has plenty to offer there. All that said I believe my review is biased because of comparing it to the book and had I never read the book some of the ideas presented in the film would have really hit home. But that's not hard to do when your script is pretty much taken directly from the book. I think being disappointed is what I feel. I also particularly dislike the scene with the war against machines where in the book the attorney or whatever he was was (I forget) wasn't treated the same as in the film. I think the last few sentences of Gustav and his conversation in the book really hit at what was being said in that section and that the film didn't.

I always thought this wildly psychological Hesse book was unfilmable until I saw this movie . Even thought it contains just a portion of the ideas in the dense original, it was an amazing attempt, especially considering the technical limitations of the period. Using video techniques to pull off the kind of stuff that is done easily with cgi, Haines brings us into the surreal internal reality of Harry haller's psyche. I wish someone would clean this flick up and release it on DVD. Worth getting and watching. I think the rating it received here was really off the mark. A cult film that deserves wider recognition, Max von Sydow does a great job, as does Dominique Sanda and Pierre Clementi

I have long been a fan of Hermann Hess and have read Steppenwolf innumerable times and will most likely reread it many more times. With this kind of familiarity of a book it would normally be quite unlikely that a movie adaptation would be found to be satisfying. This movie is the very rare exception. Max von Sydow is the perfect Harry Haller! The Magic Theatre was done very well! I highly recommend this movie to all who Herman Hesse fans.

22 January 2010. Perhaps it was the primitive special effects/animation technology, but the by end of the movie the chaotic last third of the movie seemed vastly outdated, outmoded and the fantastic visions of the book seemed to pale into imitation and distortion, losing much of the emotional/surreal impact required of such a movie endeavor. The magical chemistry between the two leads (Harry Haller and Hermine) do not result in a believable intimate relationship by the end of the movie and perhaps thusly the shocking end isn't quite as meaningful nor poignant as it might be. Somehow this movie version doesn't quite have the immersive impact and the dichotomy of the book. While the basic elements of the storyline are captured, the editing and the feel seem less pungent and captivating. 6/10.