Sonar Kella

Among all the movies of the "thriller" genre, I would alsways rate this movie as amongst the top in India. Having watched it many dozens of times, I have observed that the movie and Ray's treatment of his story is unique in many ways. Firstly, given the exotic locales in the story, any director would lap up the opportunity of using stunning angles for shots around the various forts (of Jaipur, Jodhpur, Bikaner and Jaisalmer in this case), let the camera hover around the desert horizon with the sun setting or the static ripples of sand on a dune. Never for a moment had Ray let the camera linger on any stunning backdrop outside the context of the film. Even in the sunset scene at Ramdeorah railway station, the camera does not lose the subject, that was 'jatayu' loosening up after an arduous camel ride. Even more interesting is Ray's ability to stay focused to the story line again given that the climax inside the Jaisalmer fort, a classic fort with a town inside. It would be easy for any one to yield to the temptation of extending the final moments of the film in the fort in its numerous small streets that wind around the beautiful houses of the town within the fort. However, Ray stuck to telling the story as it was in the book (with some changes of course) where the "Golden Fortress" itself occupies a few minutes of the 120 minute film. The result has been a crisp story where the suspense ramps up from the first scene and never ebbs in the entire course of the film.

A brilliant adaptation of Ray's own novel. An Indian road trip movie from 70's. The story is solid. Background music is awesome and the locations are fantastic. This film is 💯% perfect in every category. The acting performances are mind blowing, specially the iconic actor 'Soumitra Chatterjee' and the child actor 'Kushal Chakraborty'. This film proves how much versatility Satyajit Ray had. The legend director and the legend actor, together they made this film an 'Evergreen Movie'.

Well those who are not aware of who Feluda the protagonist of this movie is won't be able to get the real flavor of the flick.But for a Feluda fan like me Sonar Kella is truly a masterpiece.Feluda, a private investigator is one of the most underrated detectives in the world of fiction but perhaps one of the most interesting characters of Indian novels and stories.Sonar Kella is one of his early adventures and it is the story where he and his cousin meets the brilliant Jatayu, the comic element and an author of detective stories.The greatness of the movie is that it successfully portrays the original characters so much so that you just wonder which was made earlier,the story or the movie itself,very much like The Godfather.Hardly you will come across such a successful adaptation of a novel.Soumitra Chatterjee as Feluda and Santosh Dutta as Lalmohan Ganguly(Jatayu is his pen name)are simply amazing.The supporting actors too have done a commendable job.It is not a flawless film.Still that can be forgiven as its target audience were the kids.Cinematography was brilliant,so was the selection of the locations in Rajasthan where most of the film was made.Watch it not just for its director but for its lead actors and its brilliant screenplay.Don't forget to show this to your kids.Jatayu is gonna make them laugh for sure.Good work done.

I have watched this movie after 2 decades I guess. When I was a kid for obvious reasons I liked it. Didn't know that I will enjoy watching this even today when I'm all grown up and surrounded by picturesque movies and series.

There was nothing to complain about such as this composition. Truly timeless.

First of all, I think I'll add a short introduction to Feluda stories. Among over two-hundred novels and stories Ray had written especially for teenagers, the detective stories of Feluda are by far the most popular. With calculated amounts of wit, suspense, action and humor, the stories are considered classics of modern Bengali literature. So it was not surprising that he would make one of them for the screen.

As a book, "Sonar Kella" is one of the all-time bestsellers. Now I have seen the film about ten times and what fascinated me is how Ray changed the whole structure of the book while making this film. The novel is a fantastic detection story with sharp plot twists. But Ray thought the concept of detection as a theme in this film will not make the viewers see it more than once. So he makes it more like a modern thriller -- he showed the crime and criminals at first and now the theme becomes how Feluda unfolds it. That's why crime and detection is not the only theme of this film. There is plenty of humor and excellent visionary of Rajasthan too. Ray primarily directed the film to his readers but also made sure it satisfies all kinds of audience.

Another point I want to make: if the viewer doesn't know Bengali and relies on subtitles, he/she misses a good percentage of its fun. That part lies on its extremely witty screenplay where often Ray literally played with the words. Among the actors, Soumitra Chatterjee is quite good as Feluda, at least he was the best for this part in that time. Santosh Dutta virtually created the character of Jatayu. It became his trademark role. And one must mention the flamboyant and passionate performance of Kamu Mukherjee as the villain Mandar Bose.

The film features all of Ray's trademark styles -- in artwork, in script, in the camera angles and original music. And it remains an all-time family classic in the history of Indian cinema.