Son of Dracula

According to David Morgan's fine book, Monty Python Speaks, both Graham Chapman and Douglas Adams worked together to create new dialogue for this movie. Based on the version you see, who knows?

I know I have seen this film years ago - memories are vague but I remember seeing it after watching it again on YouTube. It's been years. I'm guessing it was a late night movie on some station in the 1980s when I watched this film the first time.. it's cool to watch it again on YouTube. This movie has never been released to DVD which surprises me. I don't know what kind of a cult following there is for this film - if any at all but it's a film you would think has gathered a following no matter how small the the following.

The music is good in this film. I really enjoy hearing Harry Nilsson sing and play. Harry is Count Downe a musician that falls in love with a mortal woman and he is the Son of Dracula (Dracula is played by Dan Meaden).

Keep in mind this film is a musical comedy if you chose to watch it - a musical comedy horror/fantasy to be more exact - the film does not take itself seriously, it's made for fun/comedy - to entertain.

Also keep in mind this movie is NOT a remake of Son of Dracula (1943) starring Lon Chaney Jr. - it has zero to do with the 1943 film. The only thing that is the same is the title - that's it.

Look for this film on YouTube.

5/10

Imagine "Rocky Horror" with every drop of vitality, wit and cinematic talent sucked out by a toothless vampire, and you begin to approach the experience of watching "Son of Dracula." As a die-hard Nilsson fan (is there any other kind?), I can't even recommend this film to fellow completionists who simply *have* to see this movie. You really aren't missing much. Ringo, buried under a mass of grey hair, long beard and pointy wizard's hat, is unrecognizable - that is, until he opens his mouth and his completely inappropriate Liverpool accent slurps out. (How's this for a sample of dialogue poor Ringo must spout: "Mercury, my Mercury, you are subdued tonight... To what import might you tonight transcend?") Nilsson's line delivery is so limp and monotone I was convinced someone else had dubbed his voice from a bad Japanese horror flick. He displays none of the energy and humor which so defines his music, even when lip-synching to his own songs. There is zero camp value here; I can't believe anyone could classify this as a comedy. The storyline is utterly pointless ("biological" son of Dracula must decide whether to become lord of the Netherworld, or undergo a procedure to become human so he can feel love for groovy chick), with werewolves, mummies and Frankenstein's monster thrown in for no discernible reason. I give it 2 stars, one for the fact that the picture is visible, and one for the fact that the dialogue is audible. I hate to advise obsessive collectors like myself to stay away, but if you never manage to hook up with a copy of this off the internet, trust me, you are missing very little.

I'd heard a lot about this film and even though I love Nilsson, I expected very little of it. Out of curiosity, I found a copy on Ebay and bought it. When i watched it today, it was everything i'd expected, but I really enjoyed it.

It's the type of film that needs to be taken for what it is: rock musicians doing a campy horror film in the 70's.

So the plot was weak, but the music was excellent. The acting was not awesome, but I didn't think it would be.

If you really like high quality movies that require a lot of brainpower, I'd suggest passing this one up. But if you just want something fun and some great tunes, I'd check it out.

I'm giving this a "six" because anybody who seeks out this movie will know, more or less, what he or she is getting into. The Nilsson songs do work with the melancholy of this plot: Dracula's son, who was conceived with a non-vampire woman, wants to cease being a vampire so he can experience love. Nilsson's performance isn't demonstrative and I found his remoteness appropriate. Ringo was a wizard in MAGICAL MYSTERY TOUR and he's Merlin here. He's not emoting incredibly, but he is playing a comic role straight, and this, too, works for me. (By the way, check out THAT'LL BE THE DAY, in which Ringo plays a down-and-out Holiday Camp musician. It is truly a serious performance. Also, consider the part in A HARD DAY'S NIGHT with Ringo walking by the river, throwing sticks and kicking stones. He can act when he wants to.) The other actors deliver the archaic dialogue in almost classical style. Again, there is a melancholy to all of this. It is nowhere near as self-conscious as most deliberately extreme movies. The reason for this is that the director, Freddie Francis, born in 1917, had been directing for many years and had a lot of experience. There are some really interesting camera angles. The plot is nuts, but the filming is almost hallucinatory. At one point one of the mad doctors is in his office and the camera backs up to show a portrait in oils, in a gilded frame, of what appears to be the Frankenstein monster in a three-piece suit. There's a close-up of it a minute later and it resembles the Kaiser. I had a grainy copy of this movie and am wondering if the painting was one of these optical-illusion things people used to put on their walls (such as the one where, at first glance, you see people sitting at a table with candles and another look reveals a giant skull) or if the grainy quality of the DVD made me see it wrong. Even if I was wrong about it being the Frankenstein monster, I am amused at the fact that a picture of the Kaiser is on the scientist's wall in a movie taking place in 1974. (And Frankie DOES appear later on.) Yes, it's sub-par. But there's a certain genius in it nonetheless. And the music is sweet.