Sunburst

I saw this movie, as I think most people have these days, on the out of print Academy Home Entertainment videotape under the title Slashed Dreams. I doubt that is the original title, as it appears on the screen via a bad video effect, and appears to be blocking out the original title by being placed on a large green rectangle (probably Sunburst). The videotape dates from 1986, and since Robert Englund (who later played Freddy Kreuger) appears in it (albeit briefly, towards the end), the title is probably meant to suggest A Nightmare On Elm Street (1984). None of the actors' names are mentioned on the box, although my box was cut, so maybe the names just got cut off. "Slashed Dreams" is probably also meant to suggest slasher films, but this is at most a proto-slasher; nobody gets killed, and the only slashing is of one bad guy by another.

The video box suggests that the movie starts with a skinny-dipping scene, with the characters watched by someone with a knife, and then flashes back to how they got there. In fact, it's entirely presented in chronological order, starting with a bunch of young people in college. In a class, they talk about the meaning of life, and where people have their roots; "in the earth," one suggests, "in heaven," suggests another.

One of the students, Jenny, brings up her friend Michael, who'd dropped out of college and moved into the mountains. Her boyfriend doesn't think much of a dropout, and he doesn't like Jenny's lifelong brainy friend either. At a frat party, her boyfriend gets really belligerent, and Jenny and her old friend drive off to find Michael.

On the way, they get directions at a country store. The proprietor is found in a back room, rehearsing his night club act (he says), talking and singing on a microphone. He's a former radio star who's been forgotten (played by the crooner Rudy Vallee). He's about the most chipper old man to ever warn a couple of young people not to go in the woods! He presses some Licorice Nips on them, and tries to impress on them the need for a knife.

They pass on the knife, and make their way into the woods, where they encounter a bear, and find a cabin they think might be Michael's. It's made out of rather thin branches, so that it is possible to see right through the walls. There are also windows, and at least two large holes in the roof, so that when they say they wish they could lock the door, it sounds rather funny!

There's an odd sort of rape scene, in which one of the assailants seems to be at most dry humping a sleeping bag (and he couldn't get it up either, we learn), and the other also seems to be doing some dry humping, but also does some bruising face-slapping. Later, some strange advice is given to the victim, to "push the demons out" and to find some "truth" in what happened.

The movie ends with one of the characters taking a slim illustrated hardcover book down from a shelf in Michael's cabin, and reading: "Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain.... And in the sweetness of friendship let there be laughter, and sharing of pleasures. For in the dew of little things the heart finds its morning and is refreshed." These are two different passages (on pain, and on friendship) from Kahlil Gibran's popular (more then than now, I think) book The Prophet.

Not much of a horror movie, and may not have been intended to be one. Between the opening scenes in the college classroom, and the reading from The Prophet, and some of the dialogue in between, it seems the filmmakers may have been trying to reach for something meaningful, but...

Filmed in 1975 as "Sunburst" until it was released on VHS in the eighties retitled "Slashed Dreams" to take advantage of Robert Englund's popularity during the "Nightmare on Elm Street" craze, this seventy-four minute exercise in hiking and rape is an absolute waste of film and can't even be saved by the curvaceous Kathrine Baumann's wasted nude scenes. Written by Stacy Keach's brother James, who will always be Deputy Halik from "Moving Violations" to me, "Slashed Dreams" is about two life long friends, Jenny and Robert, who go hiking into the wilderness of Northern California to visit their mutual friend Michael played by Robert Englund who doesn't show himself until the final twenty minutes of the film. Why going to see Michael is so important to Jenny and Robert is never explained only that Jenny really wants to see him. Fair enough. The first forty-five minutes consists of the two traveling north and hiking through the woods. Sound like fun? It isn't. Nothing significant happens at all so why film any of this? While Jenny and Robert go skinny dipping they are spied on by two token hillbilly mountain boys Danker and writer/actor James Keach as Levon. Once the pair set their sites on Jenny's pair, well, what do you think goes through their minds? Later that night they return to rape Jenny. Enter Michael who says little and provides next to nothing as far as support except for some hippie rambling about "driving the devil out of your house". Way to counsel Freddy Krueger. Robert tries to redeem himself by fighting the rapists but, no shock here, he doesn't succeed. Afterwards Jenny comes to the realization that all is well. End of movie. What?

If this summary doesn't stop you from watching this mess than let me deliver the dagger to your heart in the form of Roberta Van Dere. Who is she you ask? She's responsible for singing all of the songs on the soundtrack and by singing I mean tone deaf caterwauling that is so annoying that I attempted to drive pencils into my ear canals. Her singing is so bad it defies belief that someone listened to her and said "you should do this professionally". Every song sounds exactly the same even her inappropriate howling following Jenny's rape. A cat thrown into a dryer would have sounded better than her. Do yourself a favor a leaf through and old Reader's Digest rather than waste your time on this crap.

Well, the other reviewer was right when yelling out that "Slashed Dreams" is NOT A HORROR MOVIE, but it does feature some typical exploitation trademarks. The setting is somewhat similar to the classic "Deliverance", there's the constant menace of imbecile hillbillies and, of course, the obligatory bit of sleazy images of an attractive girl skinny-dipping. So I understand how this movie ended up in the horror section of video stores, but that still doesn't tell you how irredeemably BAD it is! For the first time ever, I really can't determine the "raison d'être" of a film. Seriously, what IS the point? Is this movie supposed to teach young people that it's okay to search for the meaning of life but still always watch out for rapists? If so, that's a pretty lousy and invaluable life-lesson! Or maybe this whole production is a hiking guide to promote the rural sites of Northern California…but, of course, always watch out for rapists. The plot involves a couple as they're on their way to visit a former college friend who exchanged civilization for a spiritual life in the Californian woods. For nearly a full hour, the camera simply follows them walking up mountain paths, climbing down rocks and sleeping next to a lake! Oh, how fascinating! All this time, THE most annoying songs can be heard; performed by probably the lousiest female singer in America! It's basically the exact same song repeated 8 times, but each time the stupid lyrics are different. Eventually two local idiots rape the girl but her "heroic" friends do very little to avenge her. Then the movie ends with the couple walking towards the sunset. Have they found the meaning of life yet? Who cares! In case you're considering to rent "Slashed Dreams" because it features an early role of Robert "Freddie" Englund, well, DON'T! He only appears in the last ten minutes and his character is the biggest weakling to ever hit the screen. I guess that, after starring in this completely pointless movie, Englund decided to exclusively play villains and evil monsters. Wise choice, Robert.

I can now add this worthless thing to my worst 10 movies. It is about as thoughtless and ill conceived as anything put to celluloid. The plot and the motivations are bad enough. But there are so many distractions, I couldn't believe it. First, what's with the old gang. What about the young hothead boyfriend? Shouldn't he have shown up somewhere in all of this? Why even have him get into a confrontation with the lead. Then there's the guy they're going to see. It's Freddy Krueger, playing a nice guy who spouts philosophy. He's some skinny dork who went to the woods. What about the bad guys. How do you know, "We'll never see them again"? Shouldn't someone report the rape and get after those guys. After being accosted by the two, shouldn't someone's guard have been up a bit, just a little bit? How can one analyze something so idiotic? Suffice it to say, this isn't even campy funny. I think a good conclusion would have been an enormous meteor landing on the entire bunch. Oh. I forgot Rudy Valee. What the hell is he doing there?

Some say that this film may have inspired Wes Craven and Last House on the Left. It is a similar story, but "rapists in the woods" is not an original concept, and it Craven's film was made three years before this, so it may be the other way around.

It was the second film for Robert Englund, better known for his role as Freddy Krueger. Here is a a good and happy man living as a hermit in the woods. He is fondly remembered by two students, Jenny (Kathrine Baumann) and Robert (Peter Hooten) who set out to find him.

The film is slow to form, much of it a happy romp in the woods, and the music is continually upbeat and happy. A sign of of impending doom? Ed Bogas did all thee music. He is best know for the music for Garfield and Peanuts, and before that Fritz the Cat and Heavy Traffic.

Finally, Levon (James Keach) and Danker (David Pritchard) show. They look like a pair out of Deliverance. Nothing happens at first.

When they come back, they rape Jenny. There is nothing to see.

Michael (Englund) shows up the next day. He tries to comfort Jenny, and then he is gone again.

No real satisfaction, and Robert and Jenny go off into the sunset.