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L'ossessa

  • 1974
  • VM18
  • 1h 32min
VALUTAZIONE IMDb
4,7/10
800
LA TUA VALUTAZIONE
Stella Carnacina in L'ossessa (1974)
Orrore

Aggiungi una trama nella tua linguaAn art student has disturbing dreams after acquiring a religious icon. The icon exerts a demonic sexual influence, eventually coming to life and sexually tormenting her.An art student has disturbing dreams after acquiring a religious icon. The icon exerts a demonic sexual influence, eventually coming to life and sexually tormenting her.An art student has disturbing dreams after acquiring a religious icon. The icon exerts a demonic sexual influence, eventually coming to life and sexually tormenting her.

  • Regia
    • Mario Gariazzo
  • Sceneggiatura
    • Mario Gariazzo
    • Ambrogio Molteni
    • Ted Rusoff
  • Star
    • Stella Carnacina
    • Chris Avram
    • Lucretia Love
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    4,7/10
    800
    LA TUA VALUTAZIONE
    • Regia
      • Mario Gariazzo
    • Sceneggiatura
      • Mario Gariazzo
      • Ambrogio Molteni
      • Ted Rusoff
    • Star
      • Stella Carnacina
      • Chris Avram
      • Lucretia Love
    • 39Recensioni degli utenti
    • 34Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Trailer
    Trailer 1:51
    Trailer

    Foto31

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    Interpreti principali24

    Modifica
    Stella Carnacina
    • Danila
    Chris Avram
    Chris Avram
    • Mario
    Lucretia Love
    Lucretia Love
    • Luisa
    Ivan Rassimov
    • Satan
    Gabriele Tinti
    Gabriele Tinti
    • Luisa's Lover
    Luigi Pistilli
    Luigi Pistilli
    • Father Xeno
    Gianrico Tondinelli
    • Carlo
    Umberto Raho
    Umberto Raho
    • Psychiatrist
    Giuseppe Addobbati
    Giuseppe Addobbati
    • Doctor
    Piero Gerlini
    • Rev. Antonio
    Maria Teresa Piaggio
    • Mother Superior
    Edoardo Toniolo
    Luigi Antonio Guerra
    Giovanni Di Benedetto
      Lisa Mantellini
      • Gina
      • (as Elisa Mantellini)
      Ignazio Bevilacqua
      • Worker
      Paolo Celli
      Raniero Dorascenzi
      • Man Selling the Crucifix
      • Regia
        • Mario Gariazzo
      • Sceneggiatura
        • Mario Gariazzo
        • Ambrogio Molteni
        • Ted Rusoff
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti39

      4,7800
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      Recensioni in evidenza

      5The_Void

      Sexorcising horny demons, Italian style!

      After the release of The Exorcist in 1973, it was really only a matter of time before somebody realised that 'ex' sounds a bit like 'sex' and ended up coming up with a film called 'The Sexorcist'. Unfortunately that person was Mario Gariazzo; and while he may well have gone on to contribute to the script of the best Emanuelle film (Sister Emanuelle) and direct the seriously sleazy 1979 Giallo Play Motel - he apparently is not so well suited to ripping off The Exorcist, and The Sexorcist will surely go down as being one of the most pointless Exorcist rip offs of all time; and in a 'genre' that includes films such as Exorcismo and Naked Exorcism - that really is saying something! The trouble in this film starts with a strange wooden statue that is apparently Satan on a cross. It comes alive and a young theology student by the name of Danila ends up getting possessed by the devil. The Devil doesn't seem to have any particular plan in mind; he just gets the young girl masturbating and making sex offers to anyone who will listen...but hey, what else could you expect from a film that puts an 'S' in front of 'Exorcist'?

      Actually, that's one of the film's main problems. It's the SEXorcist and there's very little sex to speak of! There's a ton of scenes involving vomiting, loads of religious gabble, scenes set in churches and even a priest being whipped with a chain - but where's the sex that the title promises? Naturally the plot is really very stupid and the director makes no secret of the fact that this film exists simply to cash in on The Exorcist. The Sexorcist is not without plus points, however. The film does feature a rather sleazy atmosphere and a lot of it is set in churches, which blends well. There's also a delicious cast which is headed by the pretty Stella Carnacina - and she gets back up from the likes of Ivan Rassimov (playing the very horny Devil, no less), Gabriele Tinti and Luigi Pistilli who ends up performing the sexorcism. I mean exorcism. The scenes in which the leading lady vomits and prances around 'possessed' are also worth watching. However, at the end of the day; The Sexorcist just doesn't live up its promise and what we end up with is just a really pointless Exorcist rip-off that isn't much worth bothering with.
      7haildevilman

      Why isn't this better???

      Italian soft X Exorcist clone.

      Woman buy statue of crucified thief. Said thief comes to life and turns out to be the Devil with rape fantasies.

      Ivan Rassimov plays the Devil brilliantly. Mostly due to his gift of evil looks. And Because he was never above doing nudity. Good on him.

      The actress in the lead did a decent job. Her wide eyed innocence and the fact that she looked great naked helped.

      This one has a similar plot element to most Italian horror films. The girl's parents are filthy rich, and depraved. Watch it to get the details.

      Laura Gemser's husband, Gabriel Tinti, also appears as a random stud. His part is basically phoned-in, but like a cheap beer, it did the job.

      Fault the director for its failings. This could have been a horror/sex classic.
      7Maciste_Brother

      L'OSSESSA has one of the best horror moments ever!

      L'OSSESSA, also known as THE TORMENTED or THE SEXORCIST, or the ridiculously titled THE EERIE MIDNIGHT HORROR SHOW, is a forgotten EXORCIST rip-off which contains one of the best horror moments I've ever seen. The scene is when the crucifix comes alive. This great spooky scene is unforgettable and totally effective (great FXs). It's a shame the rest of the movie doesn't maintain the level of creepiness exemplified during that scene.

      This is one of the most frustrating movies ever. Imagine the producers deciding to to make an EXORCIST copy but while making it, they actually succeed in creating something truly original (a possessed sculpture of crucified man, which is shocking when you think about it) but then completely forgets their original idea in order to make a boring and uninspired EXORCIST rip-off. Had the film continued with the possessed sculpture concept (with the characters trying to destroy it, etc), this film would have rocked. But once the girl becomes possessed by the spirit of the sculpture, she never tells anyone from where the demon came from. She, and the script, completely forgets the haunted crucifix, which is STUPID!!!

      If you like so-called "Euro-cult" movies, the first 45 minutes deliver unlike any other Euro-cult movies. But after the scene when the girl has a vision of being crucified and she gets stigmatas, the remaining 45 minutes SUCK. Boring. It goes nowhere fast as it tries to emulate (badly) THE EXORCIST. So, watch the first 45 minutes of L'OSSESSA and enjoy the 1970s fashions, the sleaze and the amazing statue-comes-alive-to-ravish-the-girl scene but after the first 45 minutes, press stop and eject, and might as well go clip your toenails.
      7dbborroughs

      Euro-trash horror film that is better than you think it should be

      Surprisingly good film made in the wake of the Exorcist concerning a young woman who becomes possessed by a spirit after she goes to a de-sanctified church to restore a life size and life like crucified man . The piece was Christ and the two thieves, however Christ was long ago sold off. Trouble starts once the figure is removed from the cross and it seems to come to life and seduce the woman. From that point on it becomes a battle for the girls soul. Creepy, scary and much better than you think the film works because its cast sells the events which are decidedly adult. It helps that these are real people who are flawed so its easier to relate to them. I really liked this film, and seeing it again for the first time in at least a decade I was shocked at how good it is. Definitely better than any of its myriad of schlocky titles makes it seem.
      7andrabem

      Danila and the Devil

      "L'Ossessa" (released in English under many titles and the eeriest of them certainly is "The eerie midnight horror show") is one of the best Italian rip-offs of "The Exorcist". To really appreciate this film you should have a sense of humor. "L'Ossessa" is at the same time sleazy (but naive), pathetic and sometimes even moving.

      Danila (Stella Carnacina), an art student, goes to an old church to see the statue she's going to restore. It's a wooden statue of Christ, a demonic Christ, maybe already overcome by evil, or fighting against it, or perhaps planning dark deeds. The face shows infinite torment. The statue dates from the 15th century. Danila is impressed by the mastery shown by the sculptor - the statue seems almost alive! She lives with her parents. Her mother Luisa (Lucretia Love) lives a dissolute life and doesn't care too much for keeping up appearances. Her father Mario (Chris Avram) observes everything with disenchanted eyes.

      The wooden statue will soon assume a human form (Ivan Rassimov) and possess Danila in the carnal and spiritual sense. An amazing scene! The poor Danila, from now on, will suffer the torments of hell.

      Danila (the lovely Stella Carnacina) was ravished, violated, possessed by the devil and now following his orders, she will try to seduce others. Ain't she emulating her sleazy mother Luisa (Lucretia Love) who feels great pleasure when her lover whips her with a bunch of roses? There is a scene so ridiculous as to be sublime and moving, when Stella Carnacina runs in despair through the narrow streets (possessed by the devil, remember?) of a small Italian town screaming her heart out. Luigi Pistilli is a very good exorcist. His performance is, as usual, intense. The exorcism scenes (particularlly the final battle) are very, very amateurish, but this will only enhance the fun (and/or emotion?) if you've really got a sense of humor.

      Stella Carnacina is beautiful and looks fresh and innocent, and that's a factor that adds to your pleasure when she's naked, but I think that the film could have explored more her natural beauty. Lucretia Love is a very good sleaze companion (her nude scene with the roses... well.:)

      Other Italian exorcist rip-offs I would like to recommend for you are:

      Malabimba (very sleazy and released uncut and digitally restored)

      "Evil Eye" (Malocchio) - "The Exorcist" was the main source of inspiration for "Evil Eye", but others films, like, for instance, "Rosemary's Baby" should also be taken into account. "Evil Eye" is completely over the top. Not that sleazy but with plenty of gorgeous Italian and Spanish actresses. You'll be drooling all over the film. The film is ridiculous, the story doesn't make any sense, but if you see it in the right mood you might feel moved! - a diabolical sect, possession, murders, despair, love, investigation and beautiful women all around. A wild ride!

      If you liked "Evil Eye", see also "Ring of Darkness" (Un'Ombra nell'ombra). This film can be found in the alternative market. Search this title in the IMDb. There are good reviews about it.

      P.S. - "L'Ossessa" has many different faces. It's exploitative, but it can also be serious and moving. It's cheap, cheesy... sleazy (but not that much) and it has an underlying "moral" message. This strange brew can sometimes be very funny. We all already know that "L'Ossessa" is an "Exorcist" rip-off so why can't we see it on its own terms? Yes, Mario Gariazzo was trying to earn a fast buck, but he was able get the most out of a shoestring budget. The story is well told, the film is atmospheric and overall the actors are committed to their roles. See the film with an open mind and you may discover two or three new things.

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      Trama

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      • Quiz
        Allegedly based on a true story.
      • Blooper
        When Luisa's Lover beats her with the rose stems, he strikes across her body, in other words, from side to side, but the scratches on her body run the opposite way, up and down, or perpendicular to how they should be if inflicted by his blows, and once the first stripes appear, they never increase, in spite of all his beating,
      • Citazioni

        Mario: [referring to her possession] Did it hurt you a lot?

        Danila: I nearly died of pleasure! It was wonderful. So good, so... oh!

        [speechless in wondrous rapture]

        Danila: I've got it! I've got an idea. Why don't you try it too, Daddy? Come on. Or do you think it would be wrong? There's no such thing as incest. It's all the invention of the priests. Make love to me!

        [Mario slaps her twice, hard]

      • Connessioni
        Featured in Terror on Tape (1985)

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      Dettagli

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      • Data di uscita
        • 6 novembre 1974 (Italia)
      • Paese di origine
        • Italia
      • Lingue
        • Inglese
        • Italiano
      • Celebre anche come
        • The Eerie Midnight Horror Show
      • Luoghi delle riprese
        • Italia
      • Azienda produttrice
        • Tiberia Film Internacionale
      • Vedi altri crediti dell’azienda su IMDbPro

      Specifiche tecniche

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      • Tempo di esecuzione
        • 1h 32min(92 min)
      • Colore
        • Color
      • Mix di suoni
        • Mono
      • Proporzioni
        • 1.85 : 1

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