The Gardener

Face it, if you're at all interested in looking up a movie like "Seeds of Evil" in the first place, you ought to see it. IF you can find it...our video store had a Unicorn Video print, in the dustiest corner of the dustiest shelf.

The music on the soundtrack is disconcertingly cheery...some of the acting is horrendous...some isn't bad and a couple of the actors have a curious appeal. For instance, James Congdon is like a poor man's Burt Reynolds.

Not as bad as some other viewers have indicated...again, if you are interested in looking at ratings for this one, just go watch it.

Warhol entourage beefcake Joe Dallessandro portrays Karl, a gardener in the employ of a wealthy but neglected housewife(Katharine Houghton, miles downstream from her earlier success in GUESS WHO'S COMING TO DINNER). His command of the botanical arts is impressive, but his references are tough to check considering most of his previous employers have died. Suspiciously.

Houghton's garden is soon the envy of her upper-crust clique, and her reserved and perpetually bare-chested gardener becomes the object of much lustful flutter among her female friends. The household staff(native to the South American environs where this is set and filmed) are less enthusiastic about Karl's presence, and they warn their housemistress of his evil wizardry. Shrugging off this superstitious cautioning, she becomes increasingly drawn to Karl...but when people around her begin to die mysteriously, she comes to suspect a tenebrous connection to the flora cultivated by her brooding and sexually Svengali-like greenskeeper. The bizarre eventuality of this mystery is the manifestation of Karl's true nature. It seems he is...quite literally...a tree.

While THE GARDENER is a semi-creditable example of an under-the-radar horror film ethos, it's not likely to have strong appeal to a mainstream viewing integer. Sluggishly paced and lacking 'comme il faut' shocks and bloodshed, it does otherwise manage to build an obfuscous atmosphere of weblike mystique.

A mellow horror high for some, probably a harsh toke for others...5/10

Last night I saw this film, which missed the possibilities of developing an interesting story, with endless dialogs and bad performances. But I wouldn't put the blame on Joe Dallesandro. After all he plays a tree or something like that, so he delivers his line as plant-like as possible. He is a beautiful tree to look at, though, and I believe this is what this film is all about, including his legendary derrière. Poor Katharine Houghton tries to deliver a dramatic performance in the line of a giallo fatal heroine to no avail; James Congdon as her husband is rather boring (especially with Little Joe around), and Rita Gam is simply having a good time. I lived in Puerto Rico when this film was shot, but I did not hear anything about it being made. It was fun to watch a few theater people that were my friends, playing minor roles (Esther Mari, the cook; or Orlando Rodríguez and Janet Gómez as the couple Houghton visits).

SEEDS OF EVIL is one obscure film and the better for it. I love watching films that have been, for whatever reasons, forgotten or simply dismissed with time. Watching them always brings a special kind of feeling: that your watching something few people have seen. On rare occasions I "discovered" a couple of hidden gems by doing this. But most of the time there's a good reason why so many films are forgotten: they're just not good on any level.

SEEDS OF EVIL is one of those obscure films people have forgotten and though it's not a true hidden gem, it's a real find nonetheless. There's something unique about it which I've rarely seen in any film I've seen up to now: it basically creates a new genre, of the psychic connections between plants and humans and the potential for evil. It's forward thinking enough to be seen as contemporary and yet the film has a quaint charm to it which reminds me of movies of the past.

Though made in 1975, SEEDS OF EVIL is decidedly straddled between the films of sex and gore of the 1970s and the spooky, non-violent horror films made just a decade ago (like THE HAUNTING or THE INNOCENTS). The sex is provided in the form of Joe Dallesandro, who's shirtless and wearing barely there hip-huggers, or just plain naked throughout the movie. And the quaintness is mainly due to the fact that there's little violence in SOE and the soundtrack is very flowery and has that "whoo-hoo-hooo" kinda of feel to it, which is probably more suited for a horror film of the 1950s or 60s than one from the 1970s.

The direction is not bad. The camera glides around smoothly. The film is never boring even though nothing much really happens in the movie. The 1970s fashion and interiors are a sight to behold. The acting is surprisingly good for this kind of film, with Rita Gam stealing the show. The exception being Joe Dallesandro. Joe is one bad actor. So much so that the director consciously avoided having Dallesandro acting on screen for extended periods of time. Dallesandro, with his compact and sculptured body, was simply used as "special effects" for the film. And the genre (psychic attachment to plants, also explored in THE KIRLIAN WITNESS in 1978) is an interesting one and though not 100% successful here, it does bring a fresh outlook to where evil might lurk.

Anyone looking for gore or violence, or female nudity will be sorely disappointed with SOE. But for fans of obscure films, even though there's nothing earth-shattering about it, SEEDS OF EVIL is a nifty little find.

I picked this movie up in the USED section at my local Record shop and I have to say, by the cover artwork and synopsis on the back, I was excited to take it home and pop it in. The whole project is really well-done in that way. But that's about it. The film was very 70's, which for me, is a good thing. For most viewers though, this would prove to be a cheesy example of an era that might be better off forgotten. The music is pretty bad and so are the clothes. It's not stylish, its like the Brady Bunch.

There is no good gore in this movie. The acting is decent and the guy who plays "The Gardener" is semi-creepy, but the plot just fails. It's not scary in the least bit and the only good scene in the film is the very last one.

I had high hopes, I really did. I wanted to like it more, and I still do. I've watched it three times now and I still fail to see how this is a horror movie. It's more like an off-beat romantic drama with a twist. If I had to compare it to something else, I'd say a mix between "Rosemary's Baby," "Play Misty for Me," and "Alice in Wonderland" (the live one) but not as good as any of those films.

4 out of 10, kids.