La regina del male

I don't think any of the people who have commented on this film have seen it. I have the pleasure of buying the original video for this film at $5 (Amazon sell its for a laughable $20), and I wasn't disappointed.

Oliver Stone, the legend, the man, Vietnam Viet, makes his directing debut with this great horror flick about a writer (Jonathan Frid from Dark Shadows), who keeps having his nightmares that he is about to die, along with the rest of his family. This is a great flick, lots of suspense, some gore, and a twist at the end.

I have no doubt this flick inspired movies like "Nightmare On Elm Street" with it's emphasis on evil, illusions and nightmares that come to life.

Very hard to find, but it's well worth.

Oliver Stone can do it all.

Oliver Stone's first film was this unpleasant but fascinating and clever thriller, which blurs the line between dreams and reality in a way that would later become very popular in the "Nightmare On Elm Street" films. The film is technically unpolished, with a crummy look and often inept editing. But it is also a disturbing experience that offers no easy redemptions, and as such it is recommended especially to people who enjoy films like "Alice, Sweet Alice". (**)

Oliver Stone's feature film debut concerns a horror author named Edmund (played by Dark Shadows' Jonathon Frid) who is plagued by nightmares. When he and his wife have a bunch of guests up to their isolated house for a relaxing weekend. After a few go missing, Edmund's friends and family are confronted with three awful beings who are manifestations of his nightmares. The guests are either killed or forced to go through a series of tests to see who deserves to live. Can anyone put a stop to this hellish nightmare? What a strange film! It's obviously very low-budget and has a distinct gritty 70s quality. The characters from Edmund's dreams are each fascinating and truly make a scene. We have the lovely Martine Beswick as the provocative and sultry "Queen of Evil," who appears to be the matriarch of the evil trio. There's also the exotic strongman giant Jackal (Henry Judd Baker) and a dwarf named Spider (none other than Hervé Villechaize!) who may be tiny but is just as evil! The trio's antics are amusing, but also very unsettling. The cast also features Troy Donahue in a random role as well as the iconic Mary Woronov, who plays a straight-forward "bored wife" role (yet still oh so very funny!), proving again that she has much more to offer than the camp factor. The score in the film is very fascinating and varied. At one point, there's a sudden persistent and deafening siren-like synth that I swear was swiped by Tarantino for "Kill Bill." While the film is eerie and unpredictable most of the time, it also has a very charming sense of humor that suits it well. I'm thrilled this rare film finally made it to DVD, but it really deserves a better treatment. The print is hard to see, especially in the nighttime scenes. Still, any fan of 70s horror should check out this quirky and original film.

Back in the spring of 1974, I was a freelance writer in Manhattan, New York. While at distributing office in New Jersey, the editor and publisher of the magazine " Castle of Frankenstein" asked me if I wanted to do an interview with Jonathan Frid, about his new film SEIZURE. Well having been a fan of both Frid and Dark Shadows, I jumped at the chance. After interviewing Frid in his apartment, I also had a telephone interview with Oliver Stone, who told me of his future projects. I, at the time was only interested in his current project, SEIZURE. Little did I know how important Mr. Stone would someday be. After meeting with and buying some photo's from the films photographer and co-star Herve' Villachaze " meeting him was a treat in itself" I did the article. After 6 month the film was released in New York. The best and only safe place to see it was, believe it or not, the Lyrick theatre of 42nd street. Now, not that Seizure was a masterpiece, but,in a time where horror films were almost non-existent this was a nice treat. The music, photography and editing were all top notch, as well as the entire cast, who all played their parts as over the top as humanly possible. Seizure was a high guilty low budget film, that to this day has gone nowhere. In the late 80's the film was released on video, but was soon pulled off the market mainly due to Oliver Stones objections. Too bad, with all of the high budget c.g.i. horror films out today, it would be nice to see a tale like Seizure, a low budget film that is packed with high quality acting and writing.

Historically important as the first filmmaking effort for the young Oliver Stone, "Seizure" will likely not appeal to certain genre fans. There's no gore - there are always cut aways when something violent happens - there isn't much sleaze (although Mary Woronov looks mighty fetching wearing very little), and the script tends to favour talk over action. Still, if anything, "Seizure" is an interesting film. It could be argued that there's simply too much exposition, but Stone and his co-writer Edward Mann do give the film a philosophical nature. It's definitely a thinking persons' horror film, albeit one with some decent atmosphere and a respectable amount of weirdness.

'Dark Shadows' star Jonathan Frid plays Edmund Blackstone, a horror novelist who's having some friends over at his country home for the weekend. Edmund is plagued by nightmares, and soon these friends and Edmund & his family will fall prey to some characters that Edmund may have dreamed into existence. First is the Queen of Evil, played by sultry cult icon Martine Beswicke. Next is the hulking, scar faced Jackal (Henry Judd Baker). Finally, we have a malevolent dwarf named The Spider (played by Herve Villechaize of 'Fantasy Island' fame). They subject their victims to various cruel games, pitting character against character.

The acting is variable from a cast also including the super sexy Woronov, Joseph Sirola, Christina Pickles, Troy Donahue, and Richard Cox. Frid is fairly intense, and his scenes with Roger De Koven as his confidante Serge provide the film with a degree of humanity and thoughtfulness. De Koven is quite good, but it's Beswicke who steals the show; obviously she is enjoying herself. Villechaize (who was also the still photographer) is amusing, but his thick accent renders some of his dialogue hard to understand.

Worth a look for fans of Stone and his cast; it is intriguing now to see his humble beginnings.

Filmed in the Canadian province of Quebec.

Six out of 10.