Il vangelo della violenza

Titolo originale: La rage au poing

1975
VM18
1h 30min

VALUTAZIONE IMDb

LA TUA VALUTAZIONE

Aggiungi una trama nella tua linguaTony and Nanar, two teenagers who met in reform school, are part of a gang of idle, penniless youngsters from the Paris suburbs. Together, they go to dances and plan mischief. The muse of th... Leggi tuttoTony and Nanar, two teenagers who met in reform school, are part of a gang of idle, penniless youngsters from the Paris suburbs. Together, they go to dances and plan mischief. The muse of the gang, B.B. La Brune, organizes leisure activities when she's not up to no good. Unemploy... Leggi tuttoTony and Nanar, two teenagers who met in reform school, are part of a gang of idle, penniless youngsters from the Paris suburbs. Together, they go to dances and plan mischief. The muse of the gang, B.B. La Brune, organizes leisure activities when she's not up to no good. Unemployed and penniless, they all dream of consumption and possession. Until the day a fight turn... Leggi tutto

Regia
- Eric Le Hung
Sceneggiatura
- Tony Gatlif
- Eric Le Hung
Star

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

5,9/10

LA TUA VALUTAZIONE

Regia
- Eric Le Hung
Sceneggiatura
- Tony Gatlif
- Eric Le Hung
Star

1Recensione degli utenti

Vedi le informazioni sulla produzione su IMDbPro

Foto5

Recensioni degli utenti1

5,918

Recensioni in evidenza

6searchanddestroy-1

Rage in the streets

An unknown and totally lost and forgotten film from the mid seventies which was not a crime movie but a crime drama instead, social story emphasizing of the young punks. Acting not so good as it will be twenty or thirty years later, here the players overplay in such a manner that it is not as realistic as in LA HAINE for instance or COMME UN AIMANT. Lousy directing too, hesitating between tragedy and lighter moments. It was written by a young Tony Gatlif, the gypsy director. Some harsh sequences obliged the censors to postpone its released not before 1975, the film being shot in 1973, and for under 18 audiences. One of the earliest on this subject, though there were some in the fifties and sixties too, but not in the same manner, with such intensity.