Les ordres
- 1974
- 1h 49min
VALUTAZIONE IMDb
8,0/10
1228
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA fact-based account of ordinary citizens who found themselves arrested and imprisoned without charge for weeks during the October Crisis in 1970 Quebec.A fact-based account of ordinary citizens who found themselves arrested and imprisoned without charge for weeks during the October Crisis in 1970 Quebec.A fact-based account of ordinary citizens who found themselves arrested and imprisoned without charge for weeks during the October Crisis in 1970 Quebec.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 1 candidatura in totale
Sophie Clément
- Ginette Lavoie
- (as Sophie Clement)
J. Léo Gagnon
- L'épicier
- (as J-Léo Gagnon)
Recensioni in evidenza
This film takes place in the infamous 1970 October crisis in Québec. After a separatist movement kidnapped a minister of the government, the army is in the streets of Montreal and makes hundreds and hundreds of arrest, with the help of the police. The arrested are students, activists, syndicalists, but also people who ''look'' strange, are at the wrong place at the wrong time and really don't have anything to do with the situation..... This film shows the complete lost of control of the Canadian government (Pierre.E. Trudeau) and how they orchestrated their plan of making all separatist look like terrorist...
The acting of 'Jean Lapointe' as a textile worker and taxi driver is incredible...
In my opinion, this film ranks with Costa-Gavras's ''Z'' and the infamous 'Battaglia di Algeri' of Gillo Pontecorvo, as the top 3 best political movies of all times..... A must see!
The acting of 'Jean Lapointe' as a textile worker and taxi driver is incredible...
In my opinion, this film ranks with Costa-Gavras's ''Z'' and the infamous 'Battaglia di Algeri' of Gillo Pontecorvo, as the top 3 best political movies of all times..... A must see!
10patate-2
It really happened. it was October 1970. Wartime law was voted in Canada. Not Bosnia, not Congo, not Cosovo, not Albania. Canada. At dawn, 400 individuals were arrested in Montréal and held in jail for weeks without charges nor explanation. This masterpiece by Michel Brault tells about it. Wether you see it to understand current canadian news or to reflect on freedom or to see an excellent thriller, I doubt you'll regret it. A must for communication students.
...they took my friend away. A 16 years old high school kid whose sole mistake was going to a political rally mainly to see a performing artist. The weeks he spent in detention changed him forever. This film is a necessary testament so nobody forgets these dark times in Quebec's history.
This movie is not about action, it is not about special effects, it is about injustice. The persons portrayed in this movie did not die, nor did they suffer tremendous pain. But, for no valid reason, their liberty was taken from them because of the law instated to counter terrorist acts happening during "la crise d'octobre". You cannot compare this movie to a war film because it isn't, neither can it be compared to a drama because it is not that either. It is made in a documentary structure, sometimes showing us the people involved, sometimes, showing us the impressions of the actors playing them, and how they were disturbed by the whole idea.
This movie is based on testimonies of people detained without recourse during the crisis of October 1970. This film is meant as a reminder for everyone that, as much a government can be civilized, as much it can abuse its power to protect itself with fear.
If you watch this movie, do not expect twists and turns, do not expect violence, do not expect special effects... do not expect anything but humanity. The mere fact that someone can be deprived from freedom, even just for a few days, can leave a sour taste. I don't think this movie was made to be a statement, but rather to be disturbing, as the events it tells.
This movie is based on testimonies of people detained without recourse during the crisis of October 1970. This film is meant as a reminder for everyone that, as much a government can be civilized, as much it can abuse its power to protect itself with fear.
If you watch this movie, do not expect twists and turns, do not expect violence, do not expect special effects... do not expect anything but humanity. The mere fact that someone can be deprived from freedom, even just for a few days, can leave a sour taste. I don't think this movie was made to be a statement, but rather to be disturbing, as the events it tells.
Les Ordres: made in the infancy of Canadian cinema, as far as feature films go. Canada's official submission for the Academy Award for Best Foreign Language Film for 1974, and not nominated. It's easy to see why, and indeed, I imagine a country putting this up against the cinema of the entire non-English speaking world would have raised a few eyebrows in the Academy. Okay, so you have a historically significant event (at least significant to Canada). But that's all you have. The direction has all the creativity, imagination and style of a TV movie. That's all it looks like, it never rises above that level for the entirety of the film. The sole "innovation" you have is interviewing the actors about the characters in the film itself- but that's a stunt just ripped off from Ingmar Bergman's The Passion of Anna (1969). I didn't particularly care for it there, either, but at least Max von Sydow had something to say. None of these television actors know what they're doing here, except to say "My name is X, and I play Y..." It would have been more accurate to say "I'm nobody, and the 'character' I play is barely a character at all."
It's not enough to have a human rights violation as a subject matter (and as far as world history goes, a few days in prison is small potatoes). You have to *do* something with it to have a film.
I can see why this would have made the Toronto International Film Festival's Top 10 Canadian Films of All Time when that list was first assembled in 1984. There were a lot less good films to choose from then, and Les Ordres having inexplicably won Best Director at Cannes in 1974, I might have felt obligated to write the film in, too, for its strictly historic interest. Whether it deserved to stay on the Top 10 in the 1993 update is more debatable. Why it didn't fall off in 2004 is puzzling. The fact that it's still wasting space on the list in 2015 is laughable, especially when far worthier films like Les Bons Debarras fell off and Incendies and Mommy didn't make it at all. If this, and Mon oncle Antoine, were really the best we could do as a country, that's not inspiring- that's embarrassing.
It's not enough to have a human rights violation as a subject matter (and as far as world history goes, a few days in prison is small potatoes). You have to *do* something with it to have a film.
I can see why this would have made the Toronto International Film Festival's Top 10 Canadian Films of All Time when that list was first assembled in 1984. There were a lot less good films to choose from then, and Les Ordres having inexplicably won Best Director at Cannes in 1974, I might have felt obligated to write the film in, too, for its strictly historic interest. Whether it deserved to stay on the Top 10 in the 1993 update is more debatable. Why it didn't fall off in 2004 is puzzling. The fact that it's still wasting space on the list in 2015 is laughable, especially when far worthier films like Les Bons Debarras fell off and Incendies and Mommy didn't make it at all. If this, and Mon oncle Antoine, were really the best we could do as a country, that's not inspiring- that's embarrassing.
Lo sapevi?
- QuizOfficial submission from Canada for the 1975 Academy Awards.
- BlooperWhen Richard Lavoie is arrested, officers ask him his age and birthday. He answers he's 34 and born on January 31th, 1939. This may seem inaccurate, since the events of the movie are all set in October/November 1970, which would give him 31. However, Richard Lavoie's actor, Claude Gauthier, gave in fact his own birth date and age at the time of filming. This echoes the dual aspect of the movie, when, in the documentary part of the movie, the actors gave their real life's names and personal own anecdotes. By giving his own birth date, the actor communicates that he shares the same fate as the character, that of an artist who has espoused separatism and therefore is exposed to the repression of the federal government; he could have been the one in prison, being asked about his birth date and age.
- ConnessioniEdited into La conquête du grand écran (1996)
- Colonne sonoreLa Complainte de mon frère
Written by Philippe Gagnon
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- Budget
- 260.000 CA$ (previsto)
- Tempo di esecuzione
- 1h 49min(109 min)
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- 1.66 : 1
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