La marchesa Eugenia di Maqueda, orfana allevata dalle suore, sposa Raimondo Corrao, ma la prima notte di nozze scopre che è suo fratello.La marchesa Eugenia di Maqueda, orfana allevata dalle suore, sposa Raimondo Corrao, ma la prima notte di nozze scopre che è suo fratello.La marchesa Eugenia di Maqueda, orfana allevata dalle suore, sposa Raimondo Corrao, ma la prima notte di nozze scopre che è suo fratello.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Rosemary Dexter
- Floridia di Maqueda
- (as Rosemarie Dexter)
Antonio Anelli
- Military Commander at Commemoration
- (non citato nei titoli originali)
Toni Luigi Arceri
- Soldato Siciliano
- (non citato nei titoli originali)
Renato Marzano
- Croupier
- (non citato nei titoli originali)
Luigi Tasca
- Train Controller
- (non citato nei titoli originali)
Recensioni in evidenza
Convent-reared Sicilian Laura Antonelli is wed to equally Sicilian Alberto Lionello. Before they can consummate the marriage, they discover they are actually sister and brother. Appalled, but unwilling to admit the shame, they agree to live together, but never touch each other. However, Miss Antonelli, despite her prudish upbringing, feels the constant call of the flesh.
Luigi Comencini's sex comedy is set in 1908 through 1920, so there are references to Gabriele D'Annunzio's erotic work. Yet in the words of the character played by Michele Placido, the chauffeur who seduces Miss Antonelli, everyone is confused by words; the deed is simple and natural. In the midst of all the sniggering and high-flown talk set around the lack of anything to talk about, there are a couple of good comic sequences, and Lionello is quite funny, but mostly it's all about the stupidity.
Luigi Comencini's sex comedy is set in 1908 through 1920, so there are references to Gabriele D'Annunzio's erotic work. Yet in the words of the character played by Michele Placido, the chauffeur who seduces Miss Antonelli, everyone is confused by words; the deed is simple and natural. In the midst of all the sniggering and high-flown talk set around the lack of anything to talk about, there are a couple of good comic sequences, and Lionello is quite funny, but mostly it's all about the stupidity.
Even if there is no sex. Isn't it? Well, that's pretty much what happens in the film. Until Eugenia, the character played by the unique beauty that was Laura Antonelli, meets Silvano, the character played by Michele Placido. What a beauty of a woman this Laura Antonelli is, I consider her the most beautiful woman in the world, more beautiful than all the beautiful actresses, like other Italians I have been in love with more or less, Virna Lisi, Monica Vitti, Sylva Koscina, Silvana Mangano, Anonella Lualdi, Rossana Podestà, Sophia Loren, Monica Bellucci, Claudia Cardinale, Gina Lollobrigida, Ornella Muti, Stefania Sandrelli. The film is worth seeing just for her. A little for Michele Placido and Jean Rochefort too. Alberto Lionello's acting is too exaggerated. The talented director Luigi Comencini also delighted me with other films such as: "The Scopone Game Original title: Lo scopone scientifico (1972) and "Misunderstood" Original title: Incompreso (Vita col figlio) (1966). The 10 stars are less for the film than for Laura Antonaz, known as Antonelli.
I've seen this movie 4 or 5 times. It is great and very funny! I like all actors very much especially Laura Antonelli and Jean Rochefort. This movie is kind of the parody. Sometimes it reminds me the style of Jane Austen parodies. This is about the "women decorum" or how a woman has to behave with a man in the beginning of XX century.
Luigi Comencini made a couple of mildly entertaining films: La boheme with Barbara Hendricks and L'ingorgo. Mostly the tone is bitter-sweet, the colour scheme soft, somewhat washed out and the dramatic level is low. So it is here, with Laura Antonelli (her body could revive a dead man, I sometimes think) and Alberto Lionello playing this silly charade of brother and sister. Michele Placido has some fun playing the chauffeur--and how long does it take him to get her out of her clothes so they can have sex? The plot twists and turns would take too long to recount, and I don't want to use spoilers anyway. The scenes with Karin Schubert and the ladies who obsess over D'Annunzio are really tiresome and should have been deleted.
Laura Antonelli brings whole new dimensions to the word "luscious" in this movie. She makes the seemingly stock character of the barely-reluctant virgin come alive in her scenes with Placido, thanks to her big eyes and adorably trembling lower lip. And then there's that body...
In addition, "Marriage" has a lot of wry commentary on Italy of the early 1900s. The upper class were a ragingly nationalist bunch not unlike some sectors of the U.S. populace today. (It helps the enjoyment of the film if one knows who Gabriele d'Annunzio was.) A conscript's baleful response to a officer's 'fire them up' speech is the funniest line of the film, one I haven't forgotten.
I saw this in a little independent theatre, and went back for a second helping. If you can find this one on video, rent it!
In addition, "Marriage" has a lot of wry commentary on Italy of the early 1900s. The upper class were a ragingly nationalist bunch not unlike some sectors of the U.S. populace today. (It helps the enjoyment of the film if one knows who Gabriele d'Annunzio was.) A conscript's baleful response to a officer's 'fire them up' speech is the funniest line of the film, one I haven't forgotten.
I saw this in a little independent theatre, and went back for a second helping. If you can find this one on video, rent it!
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- ConnessioniReferenced in Only in Theaters (2022)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Till Marriage Do Us Part
- Luoghi delle riprese
- Noto, Syracuse, Sicily, Italia(town in Sicily)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 50min(110 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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