Madhouse

This was made around the same time as 'Vault of horror' and it shows. Vincent Price is an ageing movie star who is asked to reprise his role as a killer a few years after his wife-to-be was decapitated by a killer nobody caught. The movie within a movie is just footage obtained from Prices earlier horror flicks like 'Pit and the pendulum' and 'The house of Usher'. The movie itself has good performances from Price and Peter Cushing and the music is great! The music sets an atmosphere for good horror especially in a part where a girl is looking for Vincent Price in Peter Cushings garden. The part where Vincent Price is interviewed by Michael Parkinson adds some class to the movie and also some terror as the killer is stalking someone in the studio! Overall, the movie has a good atmosphere helped by Douglas Gamleys music and decent acting. The movie is tense with the old dark house style 'looking downstairs with a candle' and some good deaths. The only problems are with the story as this just looks like a tribute to Prices earlier movies than something original and the 70's rock music in one of the death scenes. It gives the movies age away and isn't as timeless as Prices earlier movies. If your a Price and Cushing fan you will like it but for a normal person, its a scary but dim treat. 5 and a half out of 10.

I thought this "diamond in the rough" was masterfully done. Vincent Price is his old self as the true the master of macabre. It is easy to see that this movie contains many characteristics found heavily in the modern day, surprise ending, slasher flick. With many exciting and suspenseful chase scenes, a wicked masked murderer, quick slashing deaths, and an emotionally disturbed main character, "Madhouse" reminds me of a sick mixture of "Scream" and Hitchcock's classic, "Psycho." In addition, the scenes and camera shots beautifully convey the mood and emotion of the awkward story line. Although obviously low budget, it baffles me that "Madhouse" isn't more recognized on the ongoing list of cult classics. Not the best movie in the world, but certainly worth checking out.

After a mental breakdown following the murder of his bride to be, famed horror actor Paul Toombes (Vincent Price) is persuaded to return to the Dr Death role that made him famous. He is persuaded by a writer friend of his Herbert Flay (Peter Cushing) who is also the scriptwriter of all the Dr Death movies. Soon Toombes finds his mind is again being tested as the series of mysterious deaths that plagued him before, returns. The police soon suspect Toombes of the crimes, but who is the mysterious masked and caped killer that is disrupting filming? Lots of campy and cheesy fun with some horror greats, there's actually some nice visuals too that I hadn't remembered from previous viewings. Not price's best but still good fun.

A horror movie star (Vincent Price) returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.

This is a great cast! Vincent Price as horror star Paul Toombes, Peter Cushing as his friend Herbert Flay. And even throw in Robert Quarry as Oliver Quayle. Cushing and Price alone sell a film, but Quarry (known to horror fans as Count Yorba) is a welcome addition.

This is probably the sexiest Price film. While he has had his share of female co-stars, and some of them even sort of foxy (see the Phibes films), here is the first time I know of where women are practically throwing themselves at him. Sure, he is past 60 at this point, but still a handsome man in his own right.

I also have to give credit to whoever joined Amicus and AIP together. AIP has consistently made Price a star in their films, and Amicus is a powerhouse in Britain (second only to Hammer). By combining them, that was a work of genius (and I presume why we see Cushing and Price share a screen).

Some critics have bashed the film saying "it could have been written during a lunch break", but I think it is a very touching homage to Price's career in horror, particularly with the showing of some of his past work. Howard Maxford hesitantly approves, saying it has "a fairly successful mixture of chills and humour." I concur.

There are, of course, other Price films to see first. But do not rule this one out -- it is better than some of his other work (I thought it easily topped "Cry of the Banshee") and a real treat to see him alongside Cushing. For as little exposure as this one gets, it is much better than you might think (though, the most overlooked Price film is still probably "Mad Magician").

The general consensus surrounding this film seems to be that it's a disappointment; and while I admit that Madhouse could have been a lot better considering the cast and ideas involved, in general; I'm very happy with the film. Every Vincent Price film that I haven't seen (not many left) is an automatic target for me, and this one also features a performance from the great Peter Cushing, which is a bonus. The central plot isn't all that original, but it still stands as a nice tribute to Vincent Price's career, and the way that director Jim Clark uses clips from classic Vincent Price movies such as Tales of Terror, House of Usher and The Pit and the Pendulum is good and reminds us of what a huge asset to cinema Vincent Price has been. The plot sees Price playing hammy horror movie actor Paul Toombes, famous for the role of 'Doctor Death'. When his wife is killed, Toombes vows never to play Doctor Death again; but on the advice of his friend and Doctor Death writer some years later, he reprises the role - and the murders continue.

The main problem with this movie is simply that it's not always interesting enough. Jim Clark seems content to rely on Price's star power; which is often just about sufficient to see the film through, although sometimes it could have done with something else. Peter Cushing's role isn't too much more than a cameo appearance - but it is nice to see these two great actors on screen together. As you might expect, Vincent Price slots into his self-replicating role nicely, and he seems to enjoy playing it. The story doesn't have much depth, however, and while the murder sequences are interesting and see things such as a woman being skewered with a rake and someone being crushed by an automated special effect bed. The script doesn't give much allowance for red herrings and through the one or two that there are; you don't have to be Sherlock Holmes to spot which one it is. The film attempts a double twist ending, and while it plays out nicely; both are highly predictable and derivative of other movies that have carried off the same twists to better effect. But even so, you can always count on Price movies for entertainment; and this is entertaining despite its shortfalls.