Là dove non batte il sole

Lee Van Cleef stars as a rugged cowboy who arrives in the town of Monterey seeking the fortune of the Chinese Mr Wang. Blowing open the four safes in the bank, he discovers nothing more than photos of women in all four of them. But Mr Wang walks in on the fourth explosion and is killed. Van Cleef is charged with the murder of Wang and sentenced to hang. Back in China, warlords are furious to learn that Wang's money is missing and send forth Wang Ho Kian, a young warrior and Wang's nephew, in search of it... Wang Ho arrives in time for the hanging and saves Van Cleef from the noose. Together, the two form a friendship and set off in pursuit of the late Mr Wang's bounty...

The film plays as more of a kung fu action than a western, but is none the worse for it. Utilising the acting talents (and one or two other features) of various lovely ladies - and a plot device used in Dick Emery's 1972 film "Ooh... You Are Awful" (namely that the tattoos on four women's backsides hold the key to a fortune) - the film shows that while the golden age of spaghetti westerns was beginning to come to an end, the industry could still produce little gems like this.

While the final showdown isn't exactly a Dance of Death, with both bullets AND karate kicks flying you can't really go wrong, can you? Whilst the music isn't exactly memorable, and at times the dialogue is awful (yea, yea, it's all lost in the translation, I know), the majority of the action scenes are good, although at times the synchronisation of the kung fu kicking and the "Ow!"s are on par with the dubbing of the worst spaghetti western. A decent time-filler.

It looks and feels more like a western than a chop-socky movie, but THE STRANGER AND THE GUNFIGHTER is worth the admission in the sea of obscure cinema. Those who like the Shaw Brothers martial arts movies will notice that the western setting is a drawback, but thanks to star Lo Lieh, it won't be all too disappointing. He provides enough blow-by-blow techniques to make it worthwhile. Actually, the studio known for Asian martial arts films teamed up with another company in the making of this. It may be the raciest western I've ever seen as the pair must search for clues in finding the treasure by.....looking at the butts of beautiful broads!!! Somehow, it all makes sense with the story. The mighty Lo Lieh is funny at wanting to see a female's backside, but it's Lee Van Cleef who keeps his personality as a solid spaghetti western star, and both pair well. Plenty of gunslinging, kung fu, cheesecake, and laughs await in this odd, unusual, but greatly entertaining western. This one is getting too tough to find nowadays as it hasn't been currently available again in years. I'm willing to cross my fingers on a re-released special edition that could come up any time soon (i.e. FIVE DEADLY VENOMS). Highly recommended!

"Là Dove Non Batte Il Sole" aka. "The Stranger And The Gunfighter" is certainly not a very good Spaghetti Western, but it's a very funny one.

A Chinese Kung-Fu warrior named Ho Chiang comes to the American Southwest to find his late uncle's treasure. His Family is held hostage by a powerful warlord back in China until he will return with his uncle's fortune. After Ho Chiang saves a gunslinger named Dakota (Lee Van Cleef) from the gallows, the two keep on searching the uncle's fortune together. The Chinese stranger and the gunfighter soon find out that the tattooed bottoms of four ladies are the key to the secret treasure.

"The Stranger And The Gunfighter" is a Spaghetti Western with a nice touch of Comedy and Action. The characters are quite funny, especially the main villain, a psychopathic religious fundamentalist gunfighter and preacher who comes to different towns to "preach the word of God", and and shoot those whom he considers to be sinners. Lee Van Cleef (one of my personal favorite actors of all-time) stars as the gunfighter Dakota, Martial Artist Lieh Lo plays his ass-kicking Chinese buddy Ho Chiang. This Movie is great fun, especially for Spaghetti Western fans like myself. Definitely worth watching!

The movie narrates how a Chinese hero (Lo Lieh) tries to retrieve the money that a feudal lord gave up to his uncle for inversion in America . The uncle dies and the only clue to recover it is leading some tattoo messages on the butts of his fours lovers (Erika Blanc, Femi Benussi, Patty Shepard). The protagonist is helped by an American thief named Dakota (Lee Van Cleef) , both of them track down clues until discover the exciting final surprise.

The picture is a collaboration between Italian producer Carlo Ponti and Hong Kong Shaw Brothers , famous producers of Chop-Socky cinema and in charge of distribution on Asian market . The storyline is embarrassing and absurd but has its agreeable moments here and there . The violence isn't crude but slight and predominates the comedy . Lee Van Cleef is very old and with wig , his interpretation is wooden and graceless (Colonel Mortimer and Providence roles were left time ago). Special mention to secondary cast as Julian Ugarte who plays a traveler priest in a church-roulotte ; besides , three Eurotrash babes as Erika Blanc , Patty Shepard and Femi Benussi . The motion picture takes part a little genre in which during the 1970s achieved splendor and blended Spaghetti Western and martial arts with influence of David Carradine-Kung Fu series (1972-1975) , for example : ¨ Red sun ¨ by Terence Young , ¨Karate law in the west ¨ by Tonino Ricci, ¨ My name is Shangai Joe ¨ by Mario Caiano, ¨ The return of Shangai Joe ¨ by Bitto Albertini , and ¨The white , the yellow and the black¨ by Sergio Corbucci . It's a Spanish-Italian production , a Paella/Spaghetti Western , and was shot in Almeria (Spain) where during the 60s and early 70s were filmed uncountable Westerns . The adjusted cinematography was realized by expert cameraman Alejandro Ulloa (Horror express). The film was regularly directed by Anthony M. Dawson or Margheritti . Rating : mediocre but amusing.

If numbers of titles is a good sign then things look promising for this film since I picked it up as "The Stranger and the Gunfighter" but when I pressed play it said "la brute le colt et le karate" as the title but then also said "Blood Money" in brackets as an alternative title but on IMDb I found it as "El kárate, el Colt y el impostor". I came to this film because I was watching random titles from the Shaw Brothers back catalogue and suddenly found this western crossover which didn't even feature their distinctive shield on the titles even though they are listed as one of the (many) production companies behind it. The plot is a typical exploitation one which is trying to make the most of the popularity at the time of spaghetti westerns and also of kung-fu movies; in this case Ho Chiang comes to America from China to get his late uncle's money but when he arrives all he finds is some smutty photographs which gunslinger Dakota tried to rob, also thinking there was money. Ho realizes that the photos are a map, or rather photos of women who have the map tattooed onto their bottoms. Needing local help, Ho and Dakota team up to seek the bottoms and the treasure, although a deranged preacher is on their trail seeing the same thing.

On the face of it, this film is easy to dismiss as a cheap rip-off just looking to grab as many viewers as possible by combining genres that were selling at that time but there is nothing new under the sun and it is really no different from films like Rush Hour or Shanghai Noon with Jackie Chan partnered to an American star to bring several audiences and style together. Yes it does feel cheap but it is actually quite a lot of fun simply because it doesn't take itself too seriously. The plot is the first very obvious clue (it is a hunt for bottoms) but generally the tone is one of silly fun and the material generally supports this. How this humor would have played to Chinese fans I can only imagine but for me it worked pretty well as trashy entertainment. The martial arts action is very limited and they don't make the best of Lo Lieh in that sense but he is actually very good with his delivery and has good chemistry with Van Cleef. Van Cleef buys into it well even if some of his stuff is a bit silly, but again he seems to be having fun.

The Stranger & the Gunfighter (call it what you will) is not a great film. It sets its sights low but generally it does produce some genre- splicing trashy fun even if it never captures what makes both genres good in their rights – this is particularly evident in the low level of martial arts action. Ultimately it is a trashy exploitation film but, if you meet it on that level, it is a quite fun one.