Il piccolo principe

I'm totally mystified by the previous review. This movie is a product of its time -- 1974 -- so why blame it for that? You wouldn't criticize "Don't Look Now" because Donald Sutherland wears wide lapels.

"The Little Prince" is a pitch-perfect film, beautifully written and filmed, with an amazing sense of humor. Yes, it's totally dated, and some of the songs are horrible, but it's got an originality even "West Side Story," another classic stylish film, can't match.

If you want irony, American humor or 21st century attitude, avoid this film like the plague. But if you can appreciate brilliant little films that wear their hearts on their sleeves don't miss this film.

An added bonus: in Bob Fosse's spectacular five minute dance you can see every dance move Michael Jackson ever made.

Stanley Donen's cinematic adaptation of Antoine De Saint-Exupery's The Little Prince is a delightful musical that will appeal to children and adults alike. The film is adequately paced at 88 minutes and will hold the attention of its young audience. The cinematography of Christopher Challis does justice to Saint-Exupery's original art work in the novelette. The stark beauty of the desert and the crisp brilliance of the night sky provide a beautiful backdrop to the sweet interaction between The Pilot and The Little Prince played by Richard Kiley and the adorable and competent Steven Warner. The film remains faithful to much of the original story except for a 1970s upgrade of the inhabitants of the Prince's neighboring planets. The drunkard, the lamplighter and the vain man of the novel are replaced by more contemporary representations of frivolously driven grown-ups. There is more than just a hint of Cold War era futility and fear flavoring these characters. In the novel, The King ridiculously rules over no one on a small empty planet. In the film, he has been replaced by a boarder patrolling royal figure demanding "Where are your papers. Where is your passport?" Another planet is home to a general commanding an army without soldiers who proudly lectures on the virtues of military discipline. In a world 30 years into the Cold War and exhausted from a decade of Vietnam, these were much more appropriate symbols of pointless and aimless grown-up affairs. In viewing these planetary visits, Challis' work is technically impressive. A majority of the scenes are shot through a circular, fish eye lens adding a claustrophobic feel to the action played out on these tiny worlds. Bob Fosse's choreography is impressive. I wish the same could be said of his performance in the film as The Snake. I wondered how he would work some of his trademark accessories into the portrayal in a subtle and intelligent manner. Instead, he looks ridiculous in chapeau, black gloves and spats dancing well worn steps from "Cabaret" among the rocks and sagebrush. I'm certain young viewers will enjoy the movie regardless but Fosse is an actor with average delivery skills who truly shines by creating in the dance studio or directing behind the camera. Several years later, he wisely turned portrayal of the thinly veiled biographical character Joe Gideon in "All That Jazz" over to actor Roy Scheider and the result was 9 Oscar nominations and 4 awards. Gene Wilder is excellent as The Fox. His gentle voice and appearance is wonderfully suited to roles in children's film and he taps into the same spirit he brought to Willie Wonka in "Willie Wonka and the Chocolate Factory". No child would fear taming this gentle creature.

In all, the film is cinematically beautiful, wonderfully told, sweet, sad and endearing. Like the novel, it should be enjoyed by film-goers of all ages.

I had seen this Lerner & Loewe adaptation back when it was first released in 1974 (as a pre-adolescent elementary schooler ). I think it was either a Thanksgiving or Christmas release. The only thing from this film I recalled from that initial theatrical viewing was a song-and-dance sequence involving a therianthropic transfiguration of a snake into a man. That dance sequence by a certain man was all I recalled from this film. Years later when learning about the performing arts industry in general (both stage and screen), I realized it was Broadway icon Bob Fosse(!)...The greatest Broadway dancer & choreographer of all time...Surpassing Jack Cole and Jerome Robbins as a choreographer and even surpassing Fred Astaire & Gene Kelly as a dancer. Fosse was the only dancer who went toe-to-toe with and matched Tommy Rall (arguably the greatest modern stage dancer ever): The 'Alley Dance' from the 1955 film My Sister Eileen between Fosse and Rall is the evidence. But the thing that is absolutely mind-blowing about The Little Prince (1974) is how Bob Fosse's dance sequence in the musical number Snake In The Grass virtually defined Michael Jackson's post- 1982 performing career(!) Michael Jackson's signature dance moves for the most successful period of his performing life (1982-1997) were a direct plagiarism of Bob Fosse's Snake In The Grass sequence. This sequence has all of Michael Jackson's hallmark dance moves. And it is all genuine FOSSE(!). That this film contains the blueprint of Michael Jackson's performing career as an adult is why it is invaluable and A MUST SEE(!)

This movie might be best appreciated by those who have read the book firsthand and want to see the characters live in the flesh. While this film follows the story very closely, and features good performers (including Bob Fosse and Gene Wilder), it would be difficult for a newcomer to appreciate just how magical this classic fable is if he/she only watches this movie without reading the book. I suppose it would have come out better as an animated feature.

Still, the movie definitely has its merits. The kid playing the Little Prince does very well - why didn't he have a successful career after this? And the music is very beautiful at parts. I don't know why some say it is not up to the standards of Lerner and Leowe. The title theme (such a haunting melody) and "I never met a Rose" - both sung by the Pilot - are beautiful, and the happy song sung by the Little Prince and the Fox as they come close and dance together is charming and jaunty.

7 out of 10.

I'm always amazed at reading reviews-- especially those where the viewers either loved or hated the film, with no one in between. Antoine de Saint-Exupery's tale of lost youth and unresolved childhood desires is the basis of this film, which one reviewer here calls "...an overlooked gem." I certainly share this view. The film is a delight but should not be compared too closely with the book. However, the basic message of the book, i.e., the innocence of youth embraces the significant values of human life and is all too soon lost, comes through nicely. The character of Kiley, as the pilot, Wilder, as the fox, and Fosse, as a delightful snake, are very suggestive of their counterparts in the story.

How successful this is as a musical, I would guess, is still up for grabs. I couldn't recall much of the music later, which is usually a good indication whether a show has legs. But, the tunes are pleasant and children seem to enjoy the fantasy of it all.

This is a splendid little film. Don't overlook it.