Il piccolo principe

Stanley Donen's cinematic adaptation of Antoine De Saint-Exupery's The Little Prince is a delightful musical that will appeal to children and adults alike. The film is adequately paced at 88 minutes and will hold the attention of its young audience. The cinematography of Christopher Challis does justice to Saint-Exupery's original art work in the novelette. The stark beauty of the desert and the crisp brilliance of the night sky provide a beautiful backdrop to the sweet interaction between The Pilot and The Little Prince played by Richard Kiley and the adorable and competent Steven Warner. The film remains faithful to much of the original story except for a 1970s upgrade of the inhabitants of the Prince's neighboring planets. The drunkard, the lamplighter and the vain man of the novel are replaced by more contemporary representations of frivolously driven grown-ups. There is more than just a hint of Cold War era futility and fear flavoring these characters. In the novel, The King ridiculously rules over no one on a small empty planet. In the film, he has been replaced by a boarder patrolling royal figure demanding "Where are your papers. Where is your passport?" Another planet is home to a general commanding an army without soldiers who proudly lectures on the virtues of military discipline. In a world 30 years into the Cold War and exhausted from a decade of Vietnam, these were much more appropriate symbols of pointless and aimless grown-up affairs. In viewing these planetary visits, Challis' work is technically impressive. A majority of the scenes are shot through a circular, fish eye lens adding a claustrophobic feel to the action played out on these tiny worlds. Bob Fosse's choreography is impressive. I wish the same could be said of his performance in the film as The Snake. I wondered how he would work some of his trademark accessories into the portrayal in a subtle and intelligent manner. Instead, he looks ridiculous in chapeau, black gloves and spats dancing well worn steps from "Cabaret" among the rocks and sagebrush. I'm certain young viewers will enjoy the movie regardless but Fosse is an actor with average delivery skills who truly shines by creating in the dance studio or directing behind the camera. Several years later, he wisely turned portrayal of the thinly veiled biographical character Joe Gideon in "All That Jazz" over to actor Roy Scheider and the result was 9 Oscar nominations and 4 awards. Gene Wilder is excellent as The Fox. His gentle voice and appearance is wonderfully suited to roles in children's film and he taps into the same spirit he brought to Willie Wonka in "Willie Wonka and the Chocolate Factory". No child would fear taming this gentle creature.

In all, the film is cinematically beautiful, wonderfully told, sweet, sad and endearing. Like the novel, it should be enjoyed by film-goers of all ages.

Le Petit Prince has been, and may still be, required reading for French students. It is difficult to make a satisfactory film of such a literary icon; it is dangerous to try to make it a musical, as well. I think this film is highly under-rated, and perhaps mostly by people who are not very familiar with its original source. While much of the film could be considered "hokey", I believe that the "dance" sequence of the pilot and the Prince in the spring is sheer delight (as their finding the source of water must have been). Fosse's Snake and Wilder's Fox are phenomenal: it doesn't take long for one to actually believe that they are animals rather than people portraying animals. This is a must-see for all, especially for those with children (they seem to "get it" faster than many adults.

nice, out not very great ambition, a drawing ad usum delphini more than adaptation, charming, honest, with not inspired songs, prey of its time, not great, not impressive but subject for good entrainment. the tale of Little Prince is only soul of a book. the letters, the drawings, the delight of reading are secrets to feel the profound message or the sense of this extraordinary trip. because the work of Saint - Exupery is not comedy, drama or musical. it is a mirror. so, the great virtue of this small film is to be invitation to discover Sain-Exupery masterpiece.and Steven Warner is perfect road sign. just an instrument to a fabulous castle. out of that, a boy and his need of root. a flower, a snake, few planets, a plain and a dialog with mystics nuances. tale about truth. and freedom of elephant from hat.

This magic picture is a musical fantasy , being based on the children's classic by Antoine Saint-Exupery . It deals with an aviator (Richard Kiley , though Richard Burton was actively pursued for this role) who crashes on the barren desert of Sahara and finds a little alien (Steven Warner) who is a prince on a small planet called asteroid B612 and teaches and guides him about the secrets of importance of love and life . The little boy travels and meets a king (Joss Akland) , a businessman (Clive Revill) , a historian (Victor Spinetti), a General (Graham Crowden) a snake (Bob Fosse) and a fox (Gene Wilder).

Based on the known book considered a classic but doesn't do justice , resulting to be slow-moving , a little bit boring and including excessive songs . Great main cast featured by Richard Kiley as a pilot stranded in the desert who counsels a young boy efficiently played by Steven Warner . Excellent support cast plenty of notorious secondaries as Gene Wilder , Joss Ackland , Clive Revill , Victor Spinetti and special mention to choreographer and filmmaker Bob Fosse who carries out a splendid dancing as a snake . Marvelous and colorful cinematography by Christopher Challis , being filmed on location in Tunisia and interiors shot in Eltree studios , Hertfordshire , England. Enjoyable musical score and songs by the classics Alan Jay Lerner and Frederick Lowe . The motion picture was well produced and professionally directed by the musical expert Stanley Donen , though is a major letdown for his fans and failed at box office. Donen realized several musical masterpieces , many of them with the help of producer Arthur Freed , and this time of Alan Jay Lerner and Frederick Loewe . As he directed some of the best musicals of history such as ¨On the town¨, ¨Singing in the rain¨, ¨Royal Wedding¨ , ¨It's always fair weather¨, ¨Seven brides for seven brothers ¨, ¨Funny face¨ , among others . Rating : Acceptable and passable . Worthwhile watching .

I'm always amazed at reading reviews-- especially those where the viewers either loved or hated the film, with no one in between. Antoine de Saint-Exupery's tale of lost youth and unresolved childhood desires is the basis of this film, which one reviewer here calls "...an overlooked gem." I certainly share this view. The film is a delight but should not be compared too closely with the book. However, the basic message of the book, i.e., the innocence of youth embraces the significant values of human life and is all too soon lost, comes through nicely. The character of Kiley, as the pilot, Wilder, as the fox, and Fosse, as a delightful snake, are very suggestive of their counterparts in the story.

How successful this is as a musical, I would guess, is still up for grabs. I couldn't recall much of the music later, which is usually a good indication whether a show has legs. But, the tunes are pleasant and children seem to enjoy the fantasy of it all.

This is a splendid little film. Don't overlook it.