VALUTAZIONE IMDb
6,3/10
357
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn crime-ridden 1970s New York City, cops Willie and Cy have had enough. Along with other disgruntled people, they decide to take matters into their own hands - only to realize too late that... Leggi tuttoIn crime-ridden 1970s New York City, cops Willie and Cy have had enough. Along with other disgruntled people, they decide to take matters into their own hands - only to realize too late that they're in over their heads.In crime-ridden 1970s New York City, cops Willie and Cy have had enough. Along with other disgruntled people, they decide to take matters into their own hands - only to realize too late that they're in over their heads.
- Regia
- Sceneggiatura
- Star
Joseph Ragno
- Peter
- (as Joe Ragno)
Edward Grover
- Capt. Malloy
- (as Ed Grover)
William Richert
- Desk Sergeant
- (as Bill Richert)
Recensioni in evidenza
It's a weird thing about this comedy-drama. I first saw it as a kid back in 1975 where it played almost constantly on HBO and was one of the first movies I ever recall seeing on cable TV. At the time I thought it was damn funny and ever since it became somewhat of a lost film until Anchor Bay released it to DVD several years ago. I couldn't wait to see it again. But when I finally revisited it on disc, I'd found that much of the magic had gone and I didn't think it held up quite as well. It's worth watching for sure if you're a fan of Carroll O'Connor or Ernest Borgnine, but still stacks up as kind of a slightly lost opportunity.
In this movie, O'Connor is a cab driver (and doing his usual Archie Bunker routine even though I think he was trying to prove he wasn't typecast) and Borgnine is his longtime best friend and a struggling hairdresser who owns his own salon (how's that for bizarre casting?). Karen Black is cast as Ernie's ditzy and belligerent employee, the best hair stylist he's able to find. Dwelling with their heads just barely above water in a typical '70s crime-infested New York City, the men become fed up with it all and decide to become auxiliary cops in order to help straighten the neighborhood out from the wrath of drug dealers, burglars and street scum. They get more than they bargained for in the end, which is the best part of the film, and a very strong climax.
While this team-up would seem to be a sure-fire winning combination and set-up, the "story" as it's presented is practically non-existent and all over the place, which is kind of a shame. Golden moments and funnies do show up in odd places, but these share the screen time with all sorts of plot holes and different, undeveloped ideas. Worth a watch anyway if you can see it, but this could have been a lot better. **1/2 out of ****
In this movie, O'Connor is a cab driver (and doing his usual Archie Bunker routine even though I think he was trying to prove he wasn't typecast) and Borgnine is his longtime best friend and a struggling hairdresser who owns his own salon (how's that for bizarre casting?). Karen Black is cast as Ernie's ditzy and belligerent employee, the best hair stylist he's able to find. Dwelling with their heads just barely above water in a typical '70s crime-infested New York City, the men become fed up with it all and decide to become auxiliary cops in order to help straighten the neighborhood out from the wrath of drug dealers, burglars and street scum. They get more than they bargained for in the end, which is the best part of the film, and a very strong climax.
While this team-up would seem to be a sure-fire winning combination and set-up, the "story" as it's presented is practically non-existent and all over the place, which is kind of a shame. Golden moments and funnies do show up in odd places, but these share the screen time with all sorts of plot holes and different, undeveloped ideas. Worth a watch anyway if you can see it, but this could have been a lot better. **1/2 out of ****
I thought this was a decent film; not a classic, but entertaining enough. The basic premise for me is that sometimes you get in over your head trying to be something that you are not. Guess you'd call this a dark comedy. Excellent acting, gritty scenes of New York life when it wasn't so pleasant, and a shockingly brutal ending makes this worth a look.
Having not seen this film for over 20 years, and remembering how great it was as a kid seeing it on cable, I was very happy (and surprised!) to see it released on DVD and picked it up immediately. I discovered it was a lot funnier when I was a kid, although making up for that was watching two great stars like Carroll and Ernest, as well as all the NYC locations, as I've always been a fan of NYC films, my hometown.
One interesting thing is, this being a motion picture, Carroll O'Connor is upstaged in every scene by movie star Ernest Borgnine. And not that Carroll is bad, not at all, he's actually decent, and the two actors make a good pair with some good chemistry (a re-pairing in a future film would have been great even!). But on the silver screen Carroll doesn't have the immense presence he has on the tube as Archie Bunker, and Ernest is clearly the "leader" here.
The two head an auxiliary police force to battle the crime in their neighborhood. It's obvious a pre-Rudy Giuliani New York City, NYC being quite legendary in the 70's for it's high crime and smut. NYC isn't cast in the best light, but then again, in 1974 it just wasn't in the best light yet. (Thanks Rudy for all you've done!) Like "Cooley High," it's a bit odd to see such a downbeat ending in a comedy, but it's still a good viewing.
If you like NYC films, and want to see two old pros do their thing and take the young'uns to school, "Law and Disorder" is a good DVD buy, before it goes out of print.
One interesting thing is, this being a motion picture, Carroll O'Connor is upstaged in every scene by movie star Ernest Borgnine. And not that Carroll is bad, not at all, he's actually decent, and the two actors make a good pair with some good chemistry (a re-pairing in a future film would have been great even!). But on the silver screen Carroll doesn't have the immense presence he has on the tube as Archie Bunker, and Ernest is clearly the "leader" here.
The two head an auxiliary police force to battle the crime in their neighborhood. It's obvious a pre-Rudy Giuliani New York City, NYC being quite legendary in the 70's for it's high crime and smut. NYC isn't cast in the best light, but then again, in 1974 it just wasn't in the best light yet. (Thanks Rudy for all you've done!) Like "Cooley High," it's a bit odd to see such a downbeat ending in a comedy, but it's still a good viewing.
If you like NYC films, and want to see two old pros do their thing and take the young'uns to school, "Law and Disorder" is a good DVD buy, before it goes out of print.
8tavm
During the hiatus of "All in the Family", Carroll O'Connor starred in this feature film about a couple of New York guys who join the auxillary police force in order to clean up the neighborhood. I'll just say this film meanders quite a bit with many comic interludes of which some of the funniest involves Carroll's co-star Ernest Borgnine. Karen Black is also a hoot as Borgnine's not-so-helpful hairdressing assistant. The way it all ends is quite bittersweet. So on that note, I highly recommend Law and Disorder. P.S. This review is dedicated to the late Ann Wedgeworth-playing O'Connor's wife here-who passed a few months ago.
This movie is basically a slice-of-life drama about working class people trying to maintain some order when, as Hamlet said, "the time is out of joint". It's plotless and episodic, and the tone changes from broadly comic early on to utterly nightmarish by the end. It has tons of authentic New-York-in-the-'70's atmosphere (it would play well on a bill with TAKING OF PELHAM 123 or SERPICO), and was, of course, actually shot there. The racial tensions, the collapse of the system, the oddballs, the hopelessness -- they're all there. And the performances are quite good -- neither O'Connor nor Borgnine has ever been better.
If you know what to expect, you will probably enjoy it very much. There are a few negative reviews from people who were obviously expecting a straight comedy... that's not what this movie is.
If you know what to expect, you will probably enjoy it very much. There are a few negative reviews from people who were obviously expecting a straight comedy... that's not what this movie is.
Lo sapevi?
- QuizCo-stars Carroll O'Connor and Ernest Borgnine would eventually have the shared distinction that for each, one of their most popular roles had been originated by Rod Steiger. In the live TV anthology series The Philco Television Playhouse (1948), Steiger had first played the role of Marty Pilletti in Marty (1953), later played by Borgnine winning the Best Actor Academy Award for Marty - Vita di un timido (1955). Steiger would later win his own Best Actor Academy Award for playing Chief Bill Gillespie in La calda notte dell'ispettore Tibbs (1967), a role that--when the movie was adapted as the long-running TV series L'ispettore Tibbs (1988), starting its run more than two decades after the original film--would be played by O'Connor, that casting occurring 14 years after this film, at a time when O'Connor was already at his peak of popularity with another iconic television role, that of Archie Bunker on Arcibaldo (1971).
- Versioni alternativeIn the Anchor Bay DVD/VHS release, the scene where Cy shows Willie the hot police car he bought is cut a bit. In the original theatrical version, after Cy shows Willie the siren, Cy then shows Willie some stickers he is going to put on the car to make it look like an authentic police car, this part is missing in the home versions.
- ConnessioniFeatured in Trailer Trauma V: 70s Action Attack! (2020)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Law and Disorder
- Luoghi delle riprese
- Delancey Street, Manhattan, New York, Stati Uniti(Willie's argument with bus driver, at Suffolk Street intersection)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 1.597.866 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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