Aggiungi una trama nella tua linguaA war-weary soldier who wants to die tries to convince a zealous cleric to accuse him of witchcraft and hang him instead of a beautiful condemned woman already accused of witchcraft who want... Leggi tuttoA war-weary soldier who wants to die tries to convince a zealous cleric to accuse him of witchcraft and hang him instead of a beautiful condemned woman already accused of witchcraft who wants to live.A war-weary soldier who wants to die tries to convince a zealous cleric to accuse him of witchcraft and hang him instead of a beautiful condemned woman already accused of witchcraft who wants to live.
Recensioni in evidenza
Fry wrote this in the aftermath of world war II and this production was made as the US left Vietnam. In these post Iraq days it needs to be re-released, as it catches the best and worst of humanity in a single play. There are other versions, but they miss the ache and reality that this production brings forth.
If you can see it, do so.
Our hero is war weary, our lady is an educated woman who speaks French to her poodle and kept a peacock whose cries terrified one of the serving girls such that she was sure it was the Devil himself.. Our hero wishes to die, our lady's wish is to live, and they meet in a justice's home on a memorable spring day.
If you can see it, do so.
Our hero is war weary, our lady is an educated woman who speaks French to her poodle and kept a peacock whose cries terrified one of the serving girls such that she was sure it was the Devil himself.. Our hero wishes to die, our lady's wish is to live, and they meet in a justice's home on a memorable spring day.
This play to film was very well done. Not only did it have elements of drama but of comedy as well. I loved the character of the mother. You could very well understand her confusion. I also liked the ending. I prefer pleasant outcomes.
Even though it has been thirty years, I remember this well, as do my mother and sister. I probably saw it a dozen times over it's KCET run, every time we knew it was going to be on, and loved every showing.
So many in the cast are favorites of mine that I'll refrain from going into each performance, except to say that the casting was excellent all around. Growing up in Los Angeles I was fortunate to see Richard Chamberlain on stage several times, and never better than he was in this role. Kristoffer Tabori stood out as well, as he has done so consistently throughout his career.
If you have the opportunity to see this, DO NOT MISS IT. You will not be sorry.
Message to KCET: PLEASE RELEASE THIS ON VHS/DVD!!!!!
So many in the cast are favorites of mine that I'll refrain from going into each performance, except to say that the casting was excellent all around. Growing up in Los Angeles I was fortunate to see Richard Chamberlain on stage several times, and never better than he was in this role. Kristoffer Tabori stood out as well, as he has done so consistently throughout his career.
If you have the opportunity to see this, DO NOT MISS IT. You will not be sorry.
Message to KCET: PLEASE RELEASE THIS ON VHS/DVD!!!!!
I'm not kidding. My sister had to remind me to breathe as we sat and watched this excellent drama together. As a college theater major I had worked on this production and so was totally familiar with the plot and characters - but not done this way. The production was stunning; the acting superb - the entire thing was completely riveting. I only wish it was available on DVD as I could probably watch it again and again.
Richard Chamberlain was the perfect Thomas and one could easily see how he could entrance the Allaged witch, Jennet. I also enjoyed Kristoffer Tabori as the clerk, Richard.
It has been nearly 20 years since I saw this show but it still stands out in my mind as one of my all time favorite viewing experiences. Christopher Fry, the playwright, uses language that may sound a bit archaic to the modern ear, but it soon becomes quite normal as we settle in to be absorbed by an entrancing tale.
Richard Chamberlain was the perfect Thomas and one could easily see how he could entrance the Allaged witch, Jennet. I also enjoyed Kristoffer Tabori as the clerk, Richard.
It has been nearly 20 years since I saw this show but it still stands out in my mind as one of my all time favorite viewing experiences. Christopher Fry, the playwright, uses language that may sound a bit archaic to the modern ear, but it soon becomes quite normal as we settle in to be absorbed by an entrancing tale.
Take a world-weary mercenary, and throw him into a household of mayor-uncle, convention-bound mom, two lusty, empty-headed sons, a servant, a naive girl just out of the convent and an accused witch about to be burned, put them in a setting of about 1400 AD and stir, and you get this wonderful work.
The elegant poetic language carved its way into a romantic nineteen year old's brain when I first saw this. Later versions just fall flat compared to this performance, partly because so much text was cut out of the later version I saw (a movie with Kenneth Branagh in it) that it lost its internal rhythm (yes, I READ too, and actually read the play later.) Oh, for it to be released on video or DVD!!!
The elegant poetic language carved its way into a romantic nineteen year old's brain when I first saw this. Later versions just fall flat compared to this performance, partly because so much text was cut out of the later version I saw (a movie with Kenneth Branagh in it) that it lost its internal rhythm (yes, I READ too, and actually read the play later.) Oh, for it to be released on video or DVD!!!
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- ConnessioniVersion of BBC Sunday-Night Theatre: The Lady's Not for Burning (1950)
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- Hollywood Television Theatre: The Lady's Not for Burning
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