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Italoamericani

Titolo originale: Italianamerican
  • 1974
  • Not Rated
  • 49min
VALUTAZIONE IMDb
7,6/10
4062
LA TUA VALUTAZIONE
Catherine Scorsese and Charles Scorsese in Italoamericani (1974)
Documentario alimentareDocumentario storicoUn documentario

Martin Scorsese intervista sua madre e suo padre sulla loro vita a New York e sulla storia della loro famiglia in Sicilia.Martin Scorsese intervista sua madre e suo padre sulla loro vita a New York e sulla storia della loro famiglia in Sicilia.Martin Scorsese intervista sua madre e suo padre sulla loro vita a New York e sulla storia della loro famiglia in Sicilia.

  • Regia
    • Martin Scorsese
  • Sceneggiatura
    • Lawrence D. Cohen
    • Mardik Martin
  • Star
    • Catherine Scorsese
    • Charles Scorsese
    • Martin Scorsese
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    4062
    LA TUA VALUTAZIONE
    • Regia
      • Martin Scorsese
    • Sceneggiatura
      • Lawrence D. Cohen
      • Mardik Martin
    • Star
      • Catherine Scorsese
      • Charles Scorsese
      • Martin Scorsese
    • 12Recensioni degli utenti
    • 25Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie totali

    Foto27

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 23
    Visualizza poster

    Interpreti principali3

    Modifica
    Catherine Scorsese
    Catherine Scorsese
    • Self
    Charles Scorsese
    Charles Scorsese
    • Self
    Martin Scorsese
    Martin Scorsese
    • Self
    • (non citato nei titoli originali)
    • Regia
      • Martin Scorsese
    • Sceneggiatura
      • Lawrence D. Cohen
      • Mardik Martin
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti12

    7,64K
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    Recensioni in evidenza

    Bolesroor

    Memories!

    Martin Scorsese's "Italianamerican" is a documentary, really a home movie in which the legendary director sits down with his parents and listens to them reminisce about their experiences of growing up and coming to America.

    This is a beautiful, effortless film by the greatest director of all-time. It's charming, and light-hearted, and so familiar you will be able to relate to his parents whatever your ethnic background.

    As an Italian-American myself I have to admit it was like watching one of my own home movies. My grandparents were just like Charles & Catherine Scorsese... my grandmother taught me how to make sauce just like Marty's mother does in the movie. Everything about them- the look of their apartment, the way they speak and argue- made me nostalgic for my childhood days.

    At one point Catherine is in the middle of relating one of her stories and you can spot Marty in the foreground picking at the leftovers in the salad bowl... film can be this low-key, this unassuming, and be just as moving as scripted studio fare.

    Oh, for days gone by...
    10coop-16

    A film that Scorseses detractors-and admirers-should play close attention to.

    I recently read a pretty vicious attack on Scorsese in an excellent evangelical periodical, Books and Culture. It claimed Scorsese is, in a word, bloodthirsty, and still a street punk at heart.Granted, Scorsese has done his share of bloody films, but the violence which obsesses him isn't PHYSICAL, its emotional. In addition, Scorsese isnt simply obsessed with blood..hes obsessed with honor, tradition,and family. A clue to the shallowness of this critique of Scorsese could be found in the fact that the author actually thought Age of Innocence was just a studio assignment,which Scorsese agreed to do reluctantly. In fact, Scorsese obsessed over Wharton's novel for a decade after his pal, Jay Cocks, gave it to him. Everyone of Scorseses critics should watch this heart-felt, tender, and utterly bloodless film. I really hope he finally gets around to doing his long-planned feature film about his parents courtship,and his own boyhood in little Italy. P.S.the film also inspired me to buy The Scorsese Family cookbook!
    7caspian1978

    Real Italians caught on film!

    I got to see a clip of this documentary when Martin Scorsese came to Providence, Rhode Island to accept an award on behalf of Brown University. We got to see a small clip from every directed film that Scorsese had made in his 40 plus year career. Out of all the films, Italianamerican got the biggest laughs and the longest applause. Having been the only Italian and the only person who did not attend Brown University that got into Brown's auditorium (the security was terrible) to see Scorsese, I enjoyed the realism that Scorsese captured by watching his parents be themselves in front of the camera. All the other Irish people who attended the event enjoyed the film as well, but not as much as me.
    9dollfactory

    Every single Italian has to see Dis

    I absolutely love this DOCUMENTARY!! They spoke just like Italian people talk if you were brought up like this you will totally understand why you are the way you are They were just like my grandparents. Listening to them tell stories brought me back to the days I miss so much I could watch them for hours. I would listen to my aunts and uncles talk for hours (drinking wine and espresso)telling these stories never ending stories .. The stories were intriguing. I really felt like I belonged in this family. There's something about Marty's Mom and Dad that relaxing they can be your own parents what a gift I stumbled across.
    10wbrighenti

    If you are Italian American baby boomer, you will relate to this film

    Martin's grandfather arrived in America in 1901. My grandfather arrived in 1888, during the Great Blizzard. Martin's father recalls how Italians were treated by the Irish. During the Columbus Day parades, the Irish would make fun of the Italians, ending in a huge fist fight.

    Like his father's family, my parents grew up in poverty. There were large families living in small living places. My ancestors came to America to work for a $1 a day. As a hod carrier, my grandfather carried bricks and mortar up and down ladders all day, 12 hours a day, 6 days a week. Even when he was dying from prostate cancer, he had to work, pissing blood, to support the family.

    Life was not a bowl of cherries, yet my parents believed in the American Dream and worked hard, saving their pennies, to provide their children with a decent life.

    If you are an Italian American baby boomer, you will relate to this film.

    Altri elementi simili

    Ragazzo americano
    7,3
    Ragazzo americano
    The Big Shave
    7,0
    The Big Shave
    It's Not Just You, Murray!
    6,4
    It's Not Just You, Murray!
    Scene di strada 1970
    6,6
    Scene di strada 1970
    Che sta facendo una ragazza carina come te in un posto come questo?
    6,4
    Che sta facendo una ragazza carina come te in un posto come questo?
    Chi sta bussando alla mia porta?
    6,5
    Chi sta bussando alla mia porta?
    Public Speaking
    7,6
    Public Speaking
    Il mio viaggio in Italia
    8,2
    Il mio viaggio in Italia
    L'ultimo valzer
    8,1
    L'ultimo valzer
    New York City... Melting Point
    6,5
    New York City... Melting Point
    Alice non abita più qui
    7,3
    Alice non abita più qui
    A Letter to Elia
    7,4
    A Letter to Elia

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This film is included in the "Martin Scorsese Shorts" set, released by the Criterion Collection, spine #1,030.
    • Citazioni

      Catherine Scorsese: I remember it, one time, he had a fig tree. He used to love fig trees. My mother couldn't stand them. In the wintertime you had to cover them, very, very well; otherwise, they froze. One winter, when he did climb up, he was gettin' old, he fell off the ladder and he got hurt. And my mother was so angry. She says to him, "I hope those fig trees die. I hope they never bloom again." And, then, of course, my mother became ill and the next winter she passed away and the trees never bloomed anymore. It was just like, she took - she took them with her. And that was that.

    • Curiosità sui crediti
      The Sauce: Singe an onion & a pinch of garlic in oil. Throw in a piece of veal, a piece of beef, some pork sausage & a lamb neck bone. Add a basil leaf. When the meat is brown, take it out, & put it on a plate. Put in a can of tomato paste & some water. Pass a can of packed whole tomatoes through a blender & pour it in. Let it boil. Add salt, pepper, & a pinch of sugar. Let it cook for awhile. Throw the meat back in. Cook for 1 hour. Now make the meatballs. Put a slice of bread without crust, 2 eggs, & a drop of milk, into a bowl of ground veal & beef. Add salt, pepper, some cheese & a few spoons of sauce. Mix it with your hands. Roll them up, throw them in. Let it cook for another hour.
    • Connessioni
      Featured in Scene by Scene: Martin Scorsese (1998)

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    Dettagli

    Modifica
    • Data di uscita
      • 16 aprile 1980 (Francia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • YouTube - Video
    • Lingue
      • Inglese
      • Italiano
    • Celebre anche come
      • Italianamerican
    • Luoghi delle riprese
      • New York, New York, Stati Uniti(location)
    • Azienda produttrice
      • National Communications Foundation
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 49min
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.33 : 1

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