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Jakob der Lügner

  • 1974
  • 1h 40min
VALUTAZIONE IMDb
7,1/10
1461
LA TUA VALUTAZIONE
Armin Mueller-Stahl and Vlastimil Brodský in Jakob der Lügner (1974)
CommediaCommedia darkCrimineDrammaGuerra

Aggiungi una trama nella tua linguaA Jewish ghetto in central Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe... Leggi tuttoA Jewish ghetto in central Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few po... Leggi tuttoA Jewish ghetto in central Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in ... Leggi tutto

  • Regia
    • Frank Beyer
  • Sceneggiatura
    • Jurek Becker
    • Frank Beyer
  • Star
    • Vlastimil Brodský
    • Erwin Geschonneck
    • Henry Hübchen
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    1461
    LA TUA VALUTAZIONE
    • Regia
      • Frank Beyer
    • Sceneggiatura
      • Jurek Becker
      • Frank Beyer
    • Star
      • Vlastimil Brodský
      • Erwin Geschonneck
      • Henry Hübchen
    • 18Recensioni degli utenti
    • 8Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 2 vittorie e 2 candidature totali

    Foto3

    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali45

    Modifica
    Vlastimil Brodský
    Vlastimil Brodský
    • Jakob Heym
    Erwin Geschonneck
    Erwin Geschonneck
    • Kowalski
    Henry Hübchen
    Henry Hübchen
    • Mischa
    Blanche Kommerell
    Blanche Kommerell
    • Rosa Frankfurter
    Manuela Simon
    • Lina
    Dezsö Garas
    • Frankfurter
    Zsuzsa Gordon
    • Mrs. Frankfurter
    Friedrich Richter
    • Dr. Kirschbaum
    Margit Bara
    Margit Bara
    • Josefa
    Reimar J. Baur
    • Herschel Schtamm
    Armin Mueller-Stahl
    Armin Mueller-Stahl
    • Roman Schtamm
    Hermann Beyer
    Hermann Beyer
    • Wachhabender
    Klaus Brasch
    • Najdorf
    Jürgen Hilbrecht
    • Schwocj
    Paul Lewitt
    • Horowitz
    Fritz Links
    • Fajngold
    Edwin Marian
    • Abraham
    Hans-Peter Reinecke
    Hans-Peter Reinecke
    • Soldat vor Latrine
    • Regia
      • Frank Beyer
    • Sceneggiatura
      • Jurek Becker
      • Frank Beyer
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti18

    7,11.4K
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    Recensioni in evidenza

    Erb502

    My feelings on this award winning movie.

    Jacob the Liar

    I liked this movie, and I think it had good lessons to learn from. I liked Lena's character. She was completely innocent throughout the entire movie, and I felt that she showed not everyone had lost hope during the time. Even at the end, she was excited that they were going away, and she had no clue where. She was just being a kid, and going anywhere is exciting when you are young. Jacob starting telling stories about the Russians and other things he knew about the war. The reality was that he knew nothing more than anyone else. In a way, it did help the people's spirits though. But in the end, everyone was unhappy because their optimism was crushed with the sign that said everyone was to gather together with less than 5 kilos in luggage so they could `go away'.

    I think my favorite scene was when the old man thought he heard voices in the freight car. While I was watching the movie, I thought he was crazy and apparently so did everyone else. They all thought he was just hearing things that weren't there. The reality was that there was someone in the car, but they never showed who and a guard shot the old man before he could tell anyone. The scene sparked my curiosity on who it was exactly in the car and why that person was being held in there, or if they were being held in the at all.

    The whole radio lie caused a lot of problems in the movie, and that's why I said above that there were some good lessons to be learned in the movie. One lie sparked another for him, and that got him in deeper into his stories until so many people were asking about the radio that he just couldn't make anything else up and he finally told his friend. Surprisingly enough, the friend took the news very well. In a way, it almost seemed like he was expecting it all along. The movie shows that lying for whatever cause is never a good cause no matter how much you think it may help the situation. The lies turned everyone against him in the end, and they all ended up the same way anyhow unfortunately. Although this wasn't my favorite movie in class so far, I did enjoy watching it, and it kept my attention throughout the story.
    9runamokprods

    Both touching and sadly funny, a special film.

    Only a very few films have succeeded in treating the plight of the Jews under the Nazis with a sense of humor, but this is one of them. Sort of an earlier variation on 'Life is Beautiful', but this is far less saccharine, and the humor here is dry and sad, not slapstick and wacky.

    In a Jewish ghetto in 1944, Jacob is brought to the police station for curfew violation. There he hears news on the radio that the Russians are advancing nearer. He uses this hopeful news to stop a fellow ghetto resident from committing sure suicide by trying to steal extra food. But in a moment of foolishness, Jacob claims he heard the news on his own secret radio. Soon the entire town is hounding him for positive news, and the shy quiet Jacob has become an unwanted celebrity and bringer of hope, forcing him into a moral quandary and more lies. The power of this simple fable is enhanced by some very touching flashbacks where we see these now beaten down characters as their lives were just a few years before – full of love, laughter, food to eat, nice homes.

    Vlastimil Brodsky is great as Jacob, even if he's unfortunately dubbed into German. He avoids the traps of sentimentality or self-pity. Right to the end this is an honest and moving tale of trying to retain one's humanity in the face of ever more overwhelming odds. The hard-to- find DVD could have a better image, but the print was apparently in bad shape from ill- storage in East Germany. (This was the only East German film ever nominated for an Oscar)
    7planktonrules

    Very good, though a tad sanitized

    This East German movie is a very unusual movie about the Holocaust because it focuses on life within the ghetto. However, the film seemed a bit sanitized in how the residents looked and how they were treated. Unlike some later films, some of the Jews in this film looked awfully well-fed and conditions didn't seem all that bad. The cattle car where the remaining Jews were placed seemed rather spacious and not all that bad either--even though in reality many died on the cars due to conditions. In addition, some of the German soldiers seemed pretty nice. Perhaps this might have been that the Soviet-dominated East Germans were more willing to talk about their sordid past but were still struggling with fully accepting it. Whatever is the case, this aspect of the film did surprise me a bit.

    Now as for the rest of the film, it was marvelous and provided an odd insight into life in the ghettos. The acting was excellent and the film is very much worth seeing, though not nearly as compelling as THE SHOP ON MAIN STREET, SCHINDLER'S LIST or AU REVOIR LES ENFANTS. I have not seen the recent remake starring Robin Williams, so I can't really compare the two, but my inclination is almost always to go with the originals.

    PS--The English captioning for this film is pretty poor. Instead of directly translating what is said, it's often summarized or even wrong. My knowledge of German isn't too bad, and several times what they said did not correspond at all to the captioning. You can't blame the film makers for this, but the company that released the film.
    gorney001

    Worthy of its awards.

    I think this film was very well done. I was drawn into the plot and characters very quickly. I would reccommend this film to anyone who would enjoy a new outlook on life. I know that is one of the things I got from watching this movie. Jakob was a very charismatic person and I could not wait to find out what would happen to him and his comrades. Though this movie was not very fast paced, there was enough going on that kept me interested during the entire movie.
    maxbolam

    Substitution of Someting Better than Reality

    Exemplary Situations of life in a Jewish Ghetto, during the reign of Hitler's forces were very much present in "Jakob der Lügner". One such occurrence of how the Jews tried to deal with their new realities involved the substitution of thoughts about reality and the invading/controlling Nazi War machine in many of their lives, for other exciting and positive experiences, of which they tried to focus. Jakob tries to focus on such an experience, which occurred in his past, before he was forced to move to the Ghetto. He thinks of his former wife, and the happy times they spent together. Through his invention of the "radio broadcasts", he helps others living in the Ghetto to think of a reality, on which they can believe, due to its similarity with their wishes for their futures and even for their reality under Nazi control to be different than it was in reality.

    Trama

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    Lo sapevi?

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    • Quiz
      'Jakob der Lügner' is the only DEFA-Film ever nominated for an Academy Award (1976, Winner: Noirs et blancs en couleur).
    • Citazioni

      [last lines]

      Lina: Remember the story?

      Jakob Heym: Which one?

      Lina: The sick princess. Is it a true story?

      Jakob Heym: Of course it is.

      Lina: The boys said it is silly.

      Jakob Heym: What is silly?

      Lina: well with cotton balls. She wanted a cotton ball as big as her pillow.

      Jakob Heym: She wanted a cloud. She thought clouds were made of cotton balls.

      Lina: Aren't clouds made of cotton balls?

    • Connessioni
      Featured in Ost-Fernsehen: 1952-1989 (1991)

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    Dettagli

    Modifica
    • Data di uscita
      • 17 aprile 1975 (Germania orientale)
    • Paesi di origine
      • Germania orientale
      • Cecoslovacchia
    • Lingua
      • Tedesco
    • Celebre anche come
      • Jacob the Liar
    • Aziende produttrici
      • DEFA-Studio für Spielfilme
      • Künstlerische Arbeitsgruppe "Johannisthal"
      • Fernsehen der DDR
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 40 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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