VALUTAZIONE IMDb
6,5/10
844
LA TUA VALUTAZIONE
Quando un gruppo di pensionati viene a sapere che le loro case stanno per essere demolite, agiscono. Un tentativo di scoraggiamento sfocia presto nell'assassinio di operai edili.Quando un gruppo di pensionati viene a sapere che le loro case stanno per essere demolite, agiscono. Un tentativo di scoraggiamento sfocia presto nell'assassinio di operai edili.Quando un gruppo di pensionati viene a sapere che le loro case stanno per essere demolite, agiscono. Un tentativo di scoraggiamento sfocia presto nell'assassinio di operai edili.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
William 'Billy' Benedict
- Watchman
- (as William Benedict)
Recensioni in evidenza
Are you a "grumpy old man" or a "sweet old lady"? Yeah? Then chances are good that you will empathisize with the characters in this film. Are they sinister, misguided or simply nostalgic - perhaps desperately so? Watch and find out for yourself!
This is a macabre story about good people doing bad things. Well, mostly they're good. But they are certainly all old and dedicated to the status quo of their sunset lifestyle. And their apartment building.
Desperate circumstance often calls for desperate action. This is just such a film. An action film, albeit of a geriatric quality.
Will you have fun watching? You betcha. Will you be gruesomely inspired? Perhaps. Say... is that the sound of a wrecking ball working nearby?
Neighbor be warned. Neighbor beware.
This is a macabre story about good people doing bad things. Well, mostly they're good. But they are certainly all old and dedicated to the status quo of their sunset lifestyle. And their apartment building.
Desperate circumstance often calls for desperate action. This is just such a film. An action film, albeit of a geriatric quality.
Will you have fun watching? You betcha. Will you be gruesomely inspired? Perhaps. Say... is that the sound of a wrecking ball working nearby?
Neighbor be warned. Neighbor beware.
Grim, sad, nihilistic drama about abandoned elderly people who pull together to preserve their home and dignity. That's the soft sell. The hard sell? After uncaring developers condemn a building and threaten to toss the aged residents onto the street, the residents retaliate with murder.
For a drama, there's plenty of horror here, and there's much food for thought, too. The harsh way we treat our elderly citizens is directly addressed, as is the issue of the limted tenure we all have on this planet. An interesting message buried here-in is that the young underestimate the old at their peril because the old are smarter, more sly, more patient and more experienced.
The performances are excellent, as is the direction, photography and music. The murders are cleverly conceived and executed with grim resolve, and one scene involving permanent incarceraton in concrete is a showstopper.
When I first saw this film, I was struck by its cold, depressing tone and I admired it for its recognition of real problems associated with aging. The idea of the old killing the young is a novel one and employed to great effect in "Homebodies".
It's a silver-haired classic.
For a drama, there's plenty of horror here, and there's much food for thought, too. The harsh way we treat our elderly citizens is directly addressed, as is the issue of the limted tenure we all have on this planet. An interesting message buried here-in is that the young underestimate the old at their peril because the old are smarter, more sly, more patient and more experienced.
The performances are excellent, as is the direction, photography and music. The murders are cleverly conceived and executed with grim resolve, and one scene involving permanent incarceraton in concrete is a showstopper.
When I first saw this film, I was struck by its cold, depressing tone and I admired it for its recognition of real problems associated with aging. The idea of the old killing the young is a novel one and employed to great effect in "Homebodies".
It's a silver-haired classic.
I watched this movie with my grandmother when I was about 6 years old. The movie was PG, so I could get away with watching it then. What a hoot! We managed to watch that movie every time we could catch it on and the last line in the movie kept us laughing for the longest: It's me, Mattie.
I know that a movie about old folks killing to keep their homes may be totally horrific to today's society that salivates over brutality performed on perky-breast blonds, pencil-waist brunettes, and their associated blockhead boyfriends. The irony of "Homebodies" is that you're force to have to acknowledge those old folks for what they were doing -- whether you liked it or not. They refused to be pushed around and their tactics were crude, yet effective.
Having said that, I watched it again recently and I found it just as funny, but with a better understanding. While I could say that the murders were truly without warrant, they were in better context than what you see in most slasher flicks nowadays, where the killings are for shock value and good measure.
I know that a movie about old folks killing to keep their homes may be totally horrific to today's society that salivates over brutality performed on perky-breast blonds, pencil-waist brunettes, and their associated blockhead boyfriends. The irony of "Homebodies" is that you're force to have to acknowledge those old folks for what they were doing -- whether you liked it or not. They refused to be pushed around and their tactics were crude, yet effective.
Having said that, I watched it again recently and I found it just as funny, but with a better understanding. While I could say that the murders were truly without warrant, they were in better context than what you see in most slasher flicks nowadays, where the killings are for shock value and good measure.
I saw this movie when I was about 8 and it gave me a serious case of the heebeejeebies. So much so that here, over 20 years later, I still remember it. Its horror value isn't based on a lot of gore, or startles, but just plain creepy situations. It's worth renting, although it will probably seem pretty tame by today's standards.
This one is truly original. A Cult film for the Geriatric crowd. It is good to see that I am not the only one who was impressed with this obscure film from when HBO was in its infancy (channel 6 anyone?) There are some very good actors associated with this project for anyone who was conscious in the 60's and 70's. From Ruth McDevitt to Ian Wolfe you have seen them before in many supporting roles, here you get to see them lead. The film almost has a strange aura similar to The Sentinel (1977) although without the supernatural aspects. Here we have a social satire which focuses on the geriatric crowd affirming their rights in the face of oppression. Coming out of the era of civil rights don't think this subject matter wasn't a projection of society in which many sub-cultures where finding ways to be empowered. This film takes that premise and twists it into some very humorous and macabre situations. The cement pouring scene is a memorable one which stands alongside any early giallo for inventiveness. Dated but still worth it if you can find it if cult is your thing.
Lo sapevi?
- QuizPaula Trueman did chin-ups at her audition for the filmmakers to prove she was in good enough condition to act in the movie.
- BlooperWhen they put Miss Pollack in the wheelchair, she sits upright the entire time without any support. If she was deceased, she would have no muscle control to keep her head up.
- ConnessioniFeatured in Movie Macabre: Homebodies (1984)
- Colonne sonoreSassafras Sundays
Music by Bernardo Segall (as Bernardo Segáll)
Lyrics by Jeremy Joe Kronsberg (as Jeremy Kronsberg)
Sung by Billy Van
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Dettagli
Botteghino
- Budget
- 500.000 USD (previsto)
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