Gold - il segno del potere

Interesting picture based on fictitious events packed with gritty adventure , romance , action , thrills , violence , explosions and spectacular African outdoors. Dealing with a South African gold mine manager discovers a plot hatched by the mine owners and London bankers to flood the mine in order to curb gold production and consequently manipulate its price on the stock markets . There's only one man can stop the complex plan , he's Rod Slater (Roger Moore) the newly appointed General Manager of the Sonderditch gold mine, as he confronts the world's most daring conspiracy against the world's most precious metal. Along the way , he falls in love with the wife (Susannah York) of his nasty boss , Manfred Steyner (Bradford Dillman). Everything they touch turns to pure excitement!

This colorful film packs adventure , romance , large-scale blow-up , flood , plot-twists , routine script and lots of intrigue for the most part . It's a comfortable mix of adventure, thriller and suspense genre with a love story . Grand-scale adventure/thriller/action yarn about a scheming plot to control price of gold on world market by destroying South African mine , being its central plot adequately depicted on film, where a mining disaster would manipulate in recognized commodity the stock market ; in this case, gold shares . It was based on the non-fiction novel, "The Great Gold Conspiracy" by Wilbur Smith, featuring a plot to flood a gold mine and screenplay by Stanley Price and author Wilbur Smith himself. Stars attractive Roger Moore as a foreman become the chief of a powerful company , a stalwart hero who's duped into a twisted conspiracy carried out by the unscrupulous owners to make a set-up in the international gold market. Being one of four Africa set and shot movies in which Roger Moore performed during the 1970s. The others being : Wild Geese (1978) by Andrew V. McLagen , Shout the devil (1976) also directed by Peter R. Hunt , and The spy who loved me (1977) by Lewis Gilbert . Roger Moore is well accompanied by a notorious cast giving fine acting , such as : Susannah York, Ray Milland, Bradford Dillman, John Gielgud, Tony Beckley , Simon Sabela and brief appearance of Patsy Kensit as a little Girl at Christmas Party , among others.

It displays a rousing and thrilling musical score by classic composer Elmer Bernstein. As well as brilliant and breathtaking cinematography by Ousama Rawi filmed in Panavision. The overlong motion picture was professionally directed by Peter R. Hunt, though it has some flaws and gaps . Hunt was a notorious editor and occasionally filmmaker . Hunt had a long career as a cinematic editor . Having started out in the film industry as a clapper boy , by the 40's he was working in the editing department and by the 50's he was an assistant editor then a fully fledged editor. In 1962 as editor on the first James Bond film , "Dr No" . And shooting some films as ¨Shout at the Devil¨, ¨Gold¨, ¨Gulliver's travels ¨, being his biggest hit the only James Bond film starred by George Lazemby titled ¨ On her Majesty's service secret¨. Rating : 6 , this good adventure/thriller will appeal to Roger Moore fans.

Technically, "Gold" is rather uneven at best. There are quite a number of underground scenes that are simply too dark. Another problem is scenes that go on far too long drag on the film. The whirlwind romance between Roger Moore and Susannah York takes up too much time and could have been tactfully trimmed, thus tightening the overlong run time of 120 minutes. On the plus side, is an interesting plot to flood a South African gold mine, which would cut world production by 30%, and drive up the price of gold. Moore's heroic attempt to save the flooding mine and save 1000 trapped men provides plenty of excitement. .................. - MERK

An underrated and forgotten thriller that offers something authentic to a contemporary audience. It stands out for its unique backdrop and realistic, gritty feel - not a surprise given its credentials: Directed by Peter R. Hunt, who also helmed the similarly non-gimmicky, On Her Majesty's Secret Service, and produced by Michael Klinger, the man behind Get Carter. Roger Moore is largely an 'average' man, playing against type: a womaniser yes, but an under-achiever set up to take a fall. The rest of the cast is good, including Suzanna York, who holds her own in a well-rounded female role. An ideal match for Moore, their relationship is grown-up and believable. Ray Milliand is the dominant, straight-talking patriarch. John Gielgud, Bradford Dillman and Tony Beckley are all excellent in their different ways as the bad guys.

Unlike similar movies of the time, the production values hold up well, in part due to being filmed on location in South Africa, with a lack of green screen. In the mine scenes, you feel like you're under the ground - it's oppressive and claustrophobic - because that's where it was partly shot. That contrasts well with the action above ground, including some spectacular aerial work. The plot is fine, occasionally lacking pace, but engaging and entertaining, giving an insight into the gold industry and market. There is little social commentary: one of the villains of the story is a white racist; one of the heroes, a black man; there is a shadowy London-based elite. Overall, it does its job with some great set pieces - my favourite, a mountain-top scene with a Rolls Royce.

The apartheid regime setting - controversial, when the film was shot - makes it a rare and interesting watch. Aside from actually being made in the country, there is very little that is objectionable specific to the film. Proceedings are captured in a matter-of-fact, almost fly-on-the-wall style, which includes the gold mines, city life and the beautiful surrounding landscape, with some authentic African dance scenes. There are no awkward verbal faux pas, as there can be from this period. Generally - wisely, perhaps - it doesn't make any strong political statements. The backdrop is presented as more a slice of life, with bigger themes going uncommented on and of less concern than its own particular story. It was not aiming to be on the right side of history - or the wrong side - it was just trying to be entertaining. It does that but also works on a relatively neutral, documentary level.

I hadn't seen Gold for 20-30 years. The film stayed with me from my childhood but has largely disappeared from our screens, partly due its age but almost certainly because of where it was filmed (there was even a trigger warning on Talking Pictures TV). I don't fully understand the controversy as it is now more of a monument to its time, like being transported back to the 1970s - both literally and fictionally - without the social commentary or agenda that biases so much contemporary work. An initial choice for director was Steven Spielberg who probably wouldn't have given the film the same hard edge as Hunt. Laughably - for political reasons - Wales was put forward to double for South Africa, something that would have produced a hollow counterfeit of what the film is. Released between Moore's first two Bond films, it stands the test of time better than either.

Gold is still very watchable and, with the passing of several decades and all that has happened since, has the added benefit of being an interesting and genuine historical work. Well worth your viewing time.

This is not a great film, but it has its moments. In 1974 probably not too many people knew much about South Africa and the gold mining process, so for that reason it was educational. The mine sequences are interesting although undoubtedly filmed on a studio set. For me the most interesting action sequence though is when the hero is trying to land a plane on a tailings pile at a speed low enough to almost stall out. Most interesting of all, thirty years ago it was almost unheard of to see frontal nudity in a major film. When Susannah York's breast appeared out of the suds in the bathtub scene, my jaw dropped open. I couldn't believe I was really seeing it. For sheer surprise it ranks right up there with Charlton Heston kissing a black woman in that science fiction film that I think was called The Omega Man. Today of course such things are commonplace.

Shirt-shedding Roger Moore (as Rodney "Rod" Slater) works in a Johannesburg, South Africa mine. After a suspicious accident, Mr. Moore gets promoted to General Manager, by nasty non-smoking Bradford Dillman (as Manfred Steyner); then, he meets Mr. Dillman's unfulfilled blonde wife, Susannah York (as Terry). Ms. York is the granddaughter of cigar-chomping mine-owner Ray Milland (as Hurry "H.H." Hirschfeld). Eventually, Moore unbuttons his shirt, then York unbuttons hers. While his wife skinny dips with Moore, Dillman plots to flood Mr. Milland's mine, drive up the price of "Gold", and collect the cash.

It's difficult to picture the suave, immaculate Moore spending years in the dirt - he sure cleans up well. But, the main problem with "Gold" lays with the boring romance - Moore and York look good together, but are saddled with a long, unexciting aboveground "who cares?" affair. The less seen Dillman and Milland are better without even kissing. And, frankly, the characters played by Tony Beckley (Stephen Marais) and Simon Sabela (John "Big King" Nkulu) seem more interesting. With at least six degrees of Oscar-connections, Maureen McGovern's non-hit "Wherever Love Takes Me" received "Academy Award" notice.

***** Gold (9/5/74) Peter Hunt ~ Roger Moore, Susannah York, Bradford Dillman, Ray Milland