Get Christie Love!

It's sad this TV Movie & later a TV series never made it. It was better than some other cop shows that were on at the time. The beautiful Teresa Graves had lots of charm & charisma and made this worth watching. Watered down compared to the Pam Grier movies of the era. Funniest scene is the beginning of this TV movie where Teresa is a cop posing as a hooker and when she tells a "John" her price is $100 he calls her a nigger and she responds with "nigger lover". Try doing that today! Surprising this was 1974. Louise Sorel is a standout as a gangster's girlfriend who gets into a tussle or two with "Christie". I remember how cool I thought Teresa Graves was at the time driving around in her VW Convertible kicking men's butts and karate chopping men taller than she was. The later TV series was just as good, I don't know why it was cancelled, it was more fun than Barnaby Jones or Petrocelli or any of those other shows starring white men (how cliche). I hope they do a remastered DVD of this, the cheapie I have looks like a bad TV print transferred to DVD (snap, crackle, pop!)

Blaxploitation flicks were very popular in the early 70's. "Get Christie Love!" was a watered-down TV movie version of this genre about a female detective. It was also turned into a short lived TV series ('74-'75). It's star, Teresa Graves was the first black actress to have a one hour television series. She was featured on "Rowan & Martin's Laugh-In", appeared in some films, & was a member of the pop group The Doodletown Pipers. She also released a self-titled solo album in 1970 (songs included "Everybody's Talking'", "My Cherie Amour", "Hey Jude", & "A Time For Us" among others). In the TV movie, Christie is tracking down a drug dealer's ledger. She knocks out the bad guys with her large handbags & karate chops them unconscious. This cartoon aspect of the movie was later toned down in the TV show. I was about 14 when the series was on the air, & it was shown at the same time as the popular "Police Woman" with Angie Dickinson, which never made any sense to me. I liked both shows, so I alternated between them each week. This time slot may have added to it's downfall. (Purchase this on VHS, because the cheapo DVD's that are floating around out there, so far, are atrocious!)

Taking an honored place among the black exploitation characters of the Seventies is Teresa Graves and the indelible character she created in Get Christie Love. When she walked away from the series and later from show business all together she certainly was never forgotten.

I do remember her as a regular on Rowan&Martin back in the day and she was a talented woman with the ability to take herself not too seriously. Until she decided to become a Jehovah Witness. That was taking in to the max.

Christie Love is a LAPD policewoman who's real handy both with weapon and with fighting skills. When we first meet her she's taking down a serial rapist all by herself because her backup didn't get there on time to be of assistance. But her supervisor has bigger plans for her.

Harry Guardino playing the supervisor wants Graves to go undercover to find a ledger that drug kingpin Paul Stevens is supposed to have. Since the days of Al Capone those things are kept under the tightest of hoodlum security. Stevens certainly has one tightly secured operation. In these days before computers nothing is down on paper. All that they can learn for a while is that Louise Sorel has something to do with the books.

Teresa Graves was not alone or unique in putting religion first. Dolores Hart left movies to become a nun in the 60s. Later on Kirk Cameron made the same kind of demands on the producers of Growing Pains when he got into fundamentalist Christianity. Only Kirk came back using his celebrity for evangelism. Both Graves and Hart took a more private and more respectful approach to religion.

This was a television pilot, nothing spectacular or great about it except for Teresa Graves. She was unforgettable, RIP Teresa Graves.

When Captain Casey Reardon (played by Harry Guardino) learns that notorious gangster boss Enzo Cortino (Paul Stevens) possesses a secret ledger which could potentially be used to bring him to justice and said ledger is supposedly within the possession of his girlfriend Helena Varga (Louise Sorel), Reardon sends a brash but known for getting results, spirited and spunky young black female detective named Christie Love (Teresa Graves) on undercover assignment hoping she will be able to get to the heart of what makes Helena Varga tick so Ms. Varga will be convinced to co-operate and with her aid and possibly that of Cortino's "ledger", the police will finally be able to bring down Enzo Cortino once and for all.

Well a blaxploitation television movie had to be something somewhat groundbreaking back in 1974. Obviously this couldn't deliver the same level of violent thrills and nudity as was frequently evidenced in blaxploitation films of the period since it originally aired on television and was subject to television limitations in terms of what could and could not be shown. This element made it necessary for the plot to be more detailed than most films in the blaxploitation action vein so the focus here remains more on the mystery as it relates to Ms. Helena Varga's rather elusive past which means we see Christie actually do a surprising amount of detective work in this story. One negative element that affects the overall impact this one has is it's the subject matter seems to be aimed more towards a white audience than a black one and plays more to common expectation of non-blaxploitation detective television series from the time and era.

Personally I feel Teresa Graves does a terrific job here and really manages to convey a lot of information in a relatively short amount of time, enough to make her character one we immediately come to like and root on. All in all, this proves successful both in terms of introducing us to a lead character and providing the basic underlying set-up necessary for a TV series to follow as well as most any other TV Pilot I've ever seen and they must have done something right because a TV Series followed shortly thereafter.

I recently watched Get Christie Love! (1974) on Prime. This TV movie, which later launched a television series by the same name, follows a charismatic police detective in search of her next big break. She believes she's found it when she uncovers clues leading to a drug lord. Can she bring down the drug lord and finally gain recognition for her work?

Directed by William A. Graham (Return to the Blue Lagoon), the film stars Teresa Graves (That Man Bolt), Harry Guardino (The Enforcer), Louise Sorel (Days of Our Lives), and Darlene Conley (The Bold and the Beautiful),

Set in the heart of the blaxploitation era, alongside the peaks of icons like Pamela Grier and the Cleopatra Jones pictures, "Get Christie Love!" aligns with the content of its time. Graves, though strikingly beautiful, delivers an inconsistent performance, and her fight scenes lack authenticity, failing to resonate, especially when facing male opponents. In comparison to Grier, she falls short. Additionally, the film lacks compelling car chases and shootouts, with a notably poorly executed "fall" scene adding to its flaws.

In conclusion, Get Christie Love! Boasts a beautiful lead actress but little else. I would rate it a 4/10 and recommend it solely to dedicated blaxploitation enthusiasts.