Ma chi te l'ha fatto fare?

Pete (Michael Sarrazin) and Henrietta Robins (Barbra Streisand) are a Brooklyn couple with money problems. Cab driver Pete hears a tip on pork bellies from his dispatcher and the couple decides to buy the futures. Nobody is willing to lend them the money and Henrietta goes to a loan shark in secret. When the debt comes due, she has to work in increasingly weirder jobs while hiding it from her husband.

It starts poor. Henry is not particularly that appealing. The pork bellies McGuffin does not taste good. I didn't like this movie at first and didn't know where it was going. Then it starts to get edgier and then it gets weirder. The silliness gets funny. Streisand is able to do stupid comedy and she eventually gets there. The movie should start silly and forget about the pork bellies. Pete is a bit of wet blanket but he does get into a funny screwball situation with a judge. This is good for a few giggles in the second half.

The first 30 minutes or so of "For Pete's Sake" are amusingly on-target: Brooklyn housewife Barbra Streisand drops her husband off at work on their motorcycle and then pops a wheelie; she proceeds to forge a battle of the bills with the grocery store cashier, the insurance company, the banker, and the telephone company exec (Anne Ramsey, pre-"Throw Momma From The Train"). All this time, Streisand is in terrific comedic form, her expressions more and more incredulous. A dinner with her husband's relatives is equally funny, but "Pete" starts to give out somewhere after this. Barbra can't pay back loan sharks and has to work as a prostitute, a bomb deliverer and a cattle rustler. This last job gives the movie its big slapstick scene, which was a groaner even in 1974. Clearly a rip-off of Streisand's "What's Up, Doc?", it features a stampede of cows down the Columbia backlot accompanied by some of the silliest "country" music I've ever heard. If the filmmakers had kept the movie on a grounded level--and kept Streisand as the perfect Everywoman--this might have been a dead-on satire of the ailing economy. As it is, it's passable fluff. **1/2 from ****

Although I have been aware of this film for a long time, it was only after watching its amusing theatrical trailer – on THE OWL AND THE PUSSYCAT (1970) DVD – that I became eager to watch it. The end result proved to be a patchy affair but, nevertheless, it does have its fair share of belly-laughs and, in any case, watching Streisand in kooky mode is always fun; Estelle Parsons and William Redfield are her hubby (Michael Sarrazin)’s well-to-do and snobbish relatives who particularly look down on Streisand.

It clearly emulates the screwball style of WHAT’S UP, DOC? (1972), parodies THE FRENCH CONNECTION (1971) – the underground station cat-and-mouse chase between Gene Hackman and Fernando Rey is performed here by a disguised Streisand and a persistent police dog! – and it also homages Buster Keaton’s GO WEST (1925) in the urban cow stampede sequence and Luis Bunuel’s BELLE DE JOUR (1967) in the role-playing encounters during Streisand’s disastrous stint as a call-girl! British action director Yates was surprisingly roped in for this, but he seems to have enjoyed the experience as his next project was on similarly zany lines – the black comedy MOTHER, JUGS AND SPEED (1976; which I’ll be watching presently).

Another notable sequence sees the heroine involved, unbeknownst to her, in terrorist activity (she’s asked to deliver a package in disguise to a similarly-dressed woman) – which eventually rebounds on her shady brother employers! Similarly, one of the best lines has Streisand’s nonchalant black maid (she hires a Hispanic woman to do her own cleaning-up!) who, admiring the former’s tenacity, tells her: “Girl, you could even sell a Confederate flag in Harlem!”

In New York, the housewife Henrietta Robins (Barbra Streisand) and the taxi driver Pete (Michael Sarrazin) have financial difficulties since they got married very young and Pete has not concluded the college education. When Pete receives an inside information from a coworker that the pork bellies will raise their price since the Americans and the Russians are negotiating a great business transaction, Pete needs US$ 3,000.00 to invest in the market. Henrietta decides to help Peter and secretly makes a loan with a mobster. However the price of the pork bellies fall and she is not able to pay the loan. The loan shark promises to kill Pete and Henrietta accepts that her debt be sold to a madame by a higher amount. After many problems, her debt is increased and sold to mobsters and then to a cattle thief. What will happen to Henrietta and Pete?

After forty-four years from its release, "For Pete's Sake" is still a very funny comedy. Barbra Streisand shows great talent performing the role of Henrietta Robins, who gets in a sequence of troubles trying to help her beloved husband. There are many hilarious situations and the film has not aged. My vote is seven.

Title (Brazil): "Nossa, que Loucura!" ('Wow, What Madness")

Barbra was 31 when she made this film. Her hair (a poor short-haired wig) was done by her then boyfriend,

Jon Peters, and her outfits remind me of her "stoney end" phase (remember that?). This movie was released in 1974. Her co-star is 'ok' but he's no Brad Pitt. He does have one sexy bathtub scene. If you look quickly when he pulls Babs into the tub you'll see he is wearing a pair of white bikini briefs (poor editing, they should have cut that).

Now a little outdated (I'm writing this in the year 2000) the film is funny overall with some greater funny moments.

Barbra shows a real flair for comedy. I wish she had done more character acting in other films because in this one she dons a blond curly wig, big yellow hat and oval sunglasses then screams and runs like a little girl. She literally had me laughing uncontrollably several times.

The plot is sort of hokey: her husband's brother and pompous wife insinuate Babs (Henry) conned her husband into an early marriage which robbed him of a good college education and a decent job (he's a taxi driver). They get an inside stock tip on 'pork bellies' and she borrows $3,000 from the mob. The tip doesn't pay off at first and her contract is sold to more and more crooks - and with each sale she screws up her assignments. She goes to work for a little old lady (Mrs. Cherry) who sends men clients to her apartment and Babs accidently breaks the nose of her first client then nearly kills the second, a judge who is taxi'd to the N.Y. apt by her husband. This second client is hidden in a trunk and revived in the back of a flower delivery truck then placed back in the taxi when Henry's husband isn't looking.

The whole movie goes on like this - and she ends up in several funny situations, even unwittingly carrys a bomb (the wig, hat and glasses). She turns the package over to an undercover cop and is promptly arrested but runs away screaming through Central Park claiming he is a pervert (the cop is dressed in identical women's clothing)

Eventually her contract is sold to a cattle rustler who fills up a motor-home with stolen cattle for delivery in downtown N.Y. She has an accident and the one lone bull and all the cows get lose running through New York streets and into shops. By the end of the picture the stock tip pays off and they end up rich and happy.

If you like Barbra you'll like this movie. I say 'thumbs up'!