Dersu Uzala - Il piccolo uomo delle grandi pianure

It's 1902. Russian army explorer Captain Arseniev leads an expedition into the Siberian wilderness. They encounter local native hunter Dersu Uzala and recruit him as their guide.

It's a Soviet film made by the legendary Japanese filmmaker Akira Kurosawa. I'm not sure how that happened. Quite frankly, I watched the first hour without knowing about Kurosawa and was going to write that this is the best filmmaking out of the Soviet Union. The movie is over two hours and it does need to find a road map for their journey. I'm not saying that it lacks direction. It has an emotional direction. It's about the two men's relationship. I would like for more scenes of the two of them alone. They should have more heart to heart dialogue. Dersu is a great character. For example, I love the grass shelter and the two men are alone in survival mode. I'm also surprised by the tiger. The second half holds some interesting surprises. This is an interesting page in a legend's work. It won an Oscar.

A wonderful film. It showcases the natural beauty of the Taiga and presents a contrast between the technological and the pastoral. Dersu is one with the forest. He knows its ways and its moods. The Russians scoff at his ways and his 'primitive' belief system, but eventually come to rely on him, and even love him. It is a beautiful story that takes place in an world that very few of us in the West have had a chance to see. I thought the fact that the film was set in the pre-revolutionary period gave it a peculiar sort of charm - Russia before the Great War and the Russian Revolution was innocent and even naive, the same way the Russian soldiers were innocent of the wonders and the dangers of the Taiga. One of the things I loved most about this film was the cinematography - there are long, lingering shots of the landscape, the endless steppe, the forest, the rivers, the mountains. We believe ourselves to be powerful because we have been moderately successful in our attempts to harness nature for our own uses, but the film shows us that we are deluding ourselves, that nature cannot be controlled or resisted, and the truly powerful are those, like Dersu, who co-exist in harmony with nature and learn what the wilderness teaches.

Akira Kurosawa was a masterful director and powerful storyteller, Dersu has always been my favourite of his films. It was also the first I saw - on Christmas Day afternoon 1978 on UK BBC2 - would that they were as adventurous nowadays! Since then of course I've seen all of his films from Stray Dog on, Rashomon and Ran being especial favourites, but I keep on coming back to watch this one, ostensibly the simplest tale Kurosawa ever filmed.

The understanding and bonding that develops between the two men Arseniev and Dersu is wonderful to see, and over two hours holds your attention with expertly observed minutiae of character and scenic interplay. The last ten minutes cover a lot of ground (no pun intended) but it's all so logical and sad that I always need to see the end credits to recover.

So many marvellous scenes: the tiger in the forest in the morning; the phlegmatic reclusive old Chinaman; the raft; wispy blue shaded smoke from night-fires; the conclusion of course; the view of those two great men, the Moon and the Sun in the same shot. Not everyone would like Dersu, their most likely comments being "boring" - but how wrong they are they'll never know!

A film not fit to lick Dersu Uzala's metaphorical boots (or even Plan 9 from Outer Space's for that matter), Blazing Saddles was filmed the same year in America and a generation on still gets more praise than this poetic masterpiece!

Dersu Uzala is slow, serene, beautiful, but nevertheless gripping. It tells of the friendship between a nomadic Siberian native and a Russian army explorer, and how the former is able to help the latter and his team to negotiate the many obstacles presented by the Siberian wilderness. We see how traditional survival methods and intrinsic common sense can help the more urbanised army men to cope with the extremes of climate and geography. Eventually the nomad is persuaded to join the general on his trip back to a town. His ignorance of urban life is apparent, but interesting nevertheless, as we do not imagine such people nor meet them in everyday life today. Kurosawa is on top form here, letting the camera take in the vastness of Siberia, and still allowing the viewers to observe the characters closely. The story is interesting too, with a sadly ironic ending (won't say any more!). I think everybody should watch this film, because everybody will have something to learn from it.

On the face of it, Dersu Uzala would not seem like a candidate for a great film. The story is about a young Russian (Imperial Russia) officer is sent to the far east of Siberia to explore. He meets with a native of the region and they form a bond together. The territory in question is the wild, rugged eastern Siberia (north of Valdivostok). I would say that you have not lived until you have seen what Kurosawa can do filming nature in its raw splendor and magnificence. The scenes in this film like the wind rushing through the tall reeds, or the mist draping the forested hills, are images of haunting beauty.

Kurosawa, one of the greatest film directors of the 20th century, made his final masterpiece with film. The characters are well drawn, the sub-text of the story (the clash of civilization vs. nature) is nuanced, but most of all it is the wild beauty of nature which is the focus of this film. Once you see it, I don't think you will forget it, I know I never have.