Aggiungi una trama nella tua linguaAfter the original owner dies in a mental asylum, a man moves into an abandoned mansion with a sordid history. Meanwhile, a few locals conspire to steal a large amount of money, said to be h... Leggi tuttoAfter the original owner dies in a mental asylum, a man moves into an abandoned mansion with a sordid history. Meanwhile, a few locals conspire to steal a large amount of money, said to be hidden somewhere on the premises.After the original owner dies in a mental asylum, a man moves into an abandoned mansion with a sordid history. Meanwhile, a few locals conspire to steal a large amount of money, said to be hidden somewhere on the premises.
- Regia
- Sceneggiatura
- Star
- Bank Manager
- (as John Glyn Jones)
- Child on Hill
- (as Lysandra De-La-Haye)
Recensioni in evidenza
Despite some clichéd elements to the script (cynical townsfolk; noises reverberating around the house etc.) this is a film which clearly had a lot of potential on paper but it really doesn't get out of first gear until the last half hour when the central themes of the plot become clearer. The interweaving of past and present with Hardy interchanging between both Foster (present) and Marr (from the past) in certain sequences is hardly seamless and is patchily handled.
On reflection, the supporting cast don't really get that much to do considering that the 3 of them (played by Christopher Lee, Joan Collins and Herbert Lom) are all hell-bent on finding the money. Lee in particular seems to be more of peripheral figure than you would have expected.
Perhaps another thing to undermine it's psychologically thrilling aspirations is the script-writers' under-appreciation and under-usage of the story's more substantial "horror" or "thriller" elements occurring at night. It clearly dilutes the central thrills of the film.
Hardy does a decent job of portraying the gradual decline in sanity of his characterisation; and due to its little-known status this film might well be worth a look at, but to my mind, it could have been handled and executed a lot better.
I investigated systematically on the ghost genre and I can say this is one of the scariest ones. It surprised me, i didn't expected much from it, but it's very skillfully done, the way the flashbacks (or dimensional passages) start and stop are a masterwork.
It's a sort of a cheesy film but somehow, at the same time, is an excellent piece of cinema.
Here's the scariest scene of all my investigation: the one where our hero is knocking on the house's walls to find the place where the money is hidden, as he is tortured by the children voices, and they go "no, no ,no, no , no..."
You should see it if you didn't. And in the case you like it, try "The Haunting", "The Innocents" and "Picture of Jenny".
The key thing about this film is the old house at the centre, and therefore the chilling atmosphere stemming from it. Director Don Sharp has a history in horror, with a handful of films made for Hammer, as well as the excellent cult trash classic 'Psychomania' to his name, so it's quite unsurprising that this film has a horror atmosphere. The plot is well done also, with many different characters having a stake in the money at the centre of the story, and thus ensuring that the film remains interesting and varied. Dark Places features a very good cast, which makes it even more surprising that this film isn't better known. The great Christopher Lee is the biggest standout in his role as the doctor with an ulterior motive, while Joan Collins gives good support and provides some nice eye candy as his accomplice. The film also features performances from fellow British stars Robert Hardy and Herbert Lom, who also do well. Overall, this might not be a masterpiece; but it's certainly a good film and comes recommended to fans of British horror!
Lo sapevi?
- QuizThe film was shot at an old asylum near Uxbridge called St Bernard's Hospital, which originally opened in 1831. Some of the original buildings are now part of the headquarters for the West London Mental Health NHS Trust.
- BlooperAround the 82 minute when Edward Foster kills Dr. Ian Manderville there is no blood trickling out of the victim's mouth in the wider shot then there is in the close up and it's gone again in the next wider shot.
- Citazioni
Dr. Ian Mandeville: [to his sister] You dirty, filthy little slut!
- ConnessioniReferenced in Best Life by Brooke ASMR: My HUGE Movie Collection!!!! (2015)
I più visti
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Dettagli
- Tempo di esecuzione1 ora 31 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1