VALUTAZIONE IMDb
6,4/10
6087
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA master swordsman and former soldier and his hunchbacked assistant hunt vampires.A master swordsman and former soldier and his hunchbacked assistant hunt vampires.A master swordsman and former soldier and his hunchbacked assistant hunt vampires.
- Regia
- Sceneggiatura
- Star
Recensioni in evidenza
Now I'm a big horror fan, but ironically enough I finally decided to give this one a go because of the western and swordfighting angle it has (I'm a big fan of both spaghetti westerns and chambaras). And therein lies the power of Captain Kronos: it's more than your typical Hammer vampire entry. It manages to be both serious and tongue-in-cheek, both atmospheric and visceral, and thus operates on a whole other level than earlier Hammer vampire flicks which I find very formulaic.
Captain Kronos is a swashbuckling vampire hunter, a mixture of the spaghetti western cool anti-hero and the antagonist of evil that is usually the Van Helsing character. In true Clint Eastwood fashion, he smokes a stump, swaps the poncho for an 18th century army jacket and the six shooter for various swords (including a katana). His sidekick is the witty vampire expert Professor Grost and along with Carla, a gypsy girl they pick along the way (played by Caroline Munro), they're called upon to solve a case of vampirism in rural England.
What strikes me about Captain Kronos is the exceptional cinematography. Director Brian Clemens employs some very inventive angles to photograph the action, leaving more to the mind's eye through use of shadows and eliptical editing. Highlights include the shadow of a cross coming to life and the shadow of a man being hanged seen through a window. The exterior shots are all well composed, with the thick black soil, the trees and the bleak weather all coming together as the perfect setting for the vampires to wreak havoc. There are also some very chillng moments (like the hooded vampires in the forest and a very creepy old lady), so don't be mistaken: Captain Kronos might take its cue from action movies, but it's still essentially a horror flick at heart.
Of course it's not without its flaws. Horst Janson (Captain Kronos) is by no means a physical actor so the action scenes leave a lot to be desired. His swordfighting as seen in the cemetery scene is lamentably bad. It's no wonder that the best scene of him using a sword is in the tavern where he teaches three bullies a lesson. His slashing there is composed in the editing room. OK this is Hammer, not Toho or Daei, and Janson couldn't possibly dream of equalling a Mifune or Nakadai, but still a couple of swordfighting lessons wouldn't have been such a bad idea. What's worse is that Janson is not a good actor period. His range involves little more than trying to look cool. Even at that, his boyish face and blonde hair don't help at all. He's more stiff and wooden than "badass" cool. A more charismatic lead would have done wonders for Captain Kronos.
Anyways, this is a movie that deserves to be rediscovered by all sorts of 70's b-movie fans. I'm not a vampire fan by any means, so it's very refreshing to see a movie playing with the conventions and clichés of the sub-genre (which I find tiresome for the most part) in entertaining ways.
Captain Kronos is a swashbuckling vampire hunter, a mixture of the spaghetti western cool anti-hero and the antagonist of evil that is usually the Van Helsing character. In true Clint Eastwood fashion, he smokes a stump, swaps the poncho for an 18th century army jacket and the six shooter for various swords (including a katana). His sidekick is the witty vampire expert Professor Grost and along with Carla, a gypsy girl they pick along the way (played by Caroline Munro), they're called upon to solve a case of vampirism in rural England.
What strikes me about Captain Kronos is the exceptional cinematography. Director Brian Clemens employs some very inventive angles to photograph the action, leaving more to the mind's eye through use of shadows and eliptical editing. Highlights include the shadow of a cross coming to life and the shadow of a man being hanged seen through a window. The exterior shots are all well composed, with the thick black soil, the trees and the bleak weather all coming together as the perfect setting for the vampires to wreak havoc. There are also some very chillng moments (like the hooded vampires in the forest and a very creepy old lady), so don't be mistaken: Captain Kronos might take its cue from action movies, but it's still essentially a horror flick at heart.
Of course it's not without its flaws. Horst Janson (Captain Kronos) is by no means a physical actor so the action scenes leave a lot to be desired. His swordfighting as seen in the cemetery scene is lamentably bad. It's no wonder that the best scene of him using a sword is in the tavern where he teaches three bullies a lesson. His slashing there is composed in the editing room. OK this is Hammer, not Toho or Daei, and Janson couldn't possibly dream of equalling a Mifune or Nakadai, but still a couple of swordfighting lessons wouldn't have been such a bad idea. What's worse is that Janson is not a good actor period. His range involves little more than trying to look cool. Even at that, his boyish face and blonde hair don't help at all. He's more stiff and wooden than "badass" cool. A more charismatic lead would have done wonders for Captain Kronos.
Anyways, this is a movie that deserves to be rediscovered by all sorts of 70's b-movie fans. I'm not a vampire fan by any means, so it's very refreshing to see a movie playing with the conventions and clichés of the sub-genre (which I find tiresome for the most part) in entertaining ways.
Among the least known of the Hammer Studios horror output, Captain Kronos: Vampire Hunter is also one of its most interesting and unusual productions. As opposed to the more in-your-face Dracula series that immortalized Christopher Lee, CK:VH knows that it is just a cinematic comic book and works with itself in a restrained, somewhat lighthearted way that is, off and on, quite effective. This film never really tries to outright scare you which, I think, is extremely cool. Instead, it sets an atmospheric table at which your imagination is invited to partake. This suave slant is the work of Director Brian Clemens who was largely responsible for the legendary '60's British TV series, The Avengers; the original, with Patrick Macnee and Diana Rigg. If you remember that series, you'll recognize some of its essential look and feel in this film. Viewed from one azimuth, CK:VH is nonsense but, if you lighten up a bit and just get into the story, the movie takes on a dreamy quality against which its more `horrific' elements play in a most interesting way.
The setting, never precisely defined, seems to be central Europe during or just after the Napoleonic Wars (from the clothes). Let's call it early 19th century. Captain Kronos himself appears to be a former officer of Dragoons, separated from service although still in uniform. The implication is that, while away in the wars, he lost his wife, and possibly his child, to vampires. Now, in the company of his good friend, a hunchbacked academic and authority on vampire lore who drives a wagon loaded with tools of the vampire-killing trade, the Captain roams the region hunting the undead.
Captain Kronos is played by the German actor Horst Janson who, with his grave, nearly too-nordic features, balanced by eyes that seem to constantly smile, brings a nice sense of mystery to the role. Kronos is aloof and taciturn, though never unpleasant. He smokes long cheroots and carries a Samurai sword that he, evidently, did not acquire at a flea market. We don't learn the history of the sword, but we see that he can definitely wield it, as does a trio of toughs fronted by the local alpha-blade (the late Ian Hendry, a prominent British character actor of the period who, interestingly, was a regular during the Avengers' first season.) Actually, they don't really see the sword. They just feel it, sort of, before collapsing in a heap. Janson plays the Captain with a certain Playboy Magazine, lady's man sense of cool, echoing a time when people were just finishing up talking about sex and beginning to actually do it. If you were around then, you'll recognize the spin. It's a nostalgia hit, for sure. You might even recognize Janson's face, which was seen in full page ads in American magazines during that period; men's apparel, liquor, etc.
The Captain and his trusty companion have arrived in the film's locale in response to rumors of bad happenings. Young women of the area are undergoing drastic reverse-makeovers, emerging from them as exsanguinated centenarians. The locals, rather superstitious rural types, are in a tizzy. Could the recently-deceased head of the local, reclusive aristocratic family, whom some suspect of not being completely dead, be involved? It's an angle definitely worth investigating. The Captain makes contact with the only person in the area still in possession of his wits - the local physician - and the hunt begins.
If most Hammer films tend to be hissing fastballs down the middle, CK:VH is an off-speed slider on the corner. There's nothing fancy here, no baroque sets or sophisticated effects. In fact, the film overall has a sparse look and feel that enhances its credibility. The hunt for the vampire proceeds as a believable combination of scientific method and lore. Much of what transpires does so in daylight which, to me, carries significant implications. Evil that does not fear sunlight carries a big stick. We, as its prey, have no real hiding place. The film balances its occasionally goofy moments by never sacrificing its dignity and, at times, is quite poignant. It also features one of the most brilliantly effective sequences ever seen in this genre, illustrating how much can be accomplished with the simplest of cinematic means. I think you'll know it when you see it. This film was produced as the first in what was hoped to be a series of Captain Kronos adventures but the concept failed to grab the required audience. Pity, but at least we have this one. It's fun, stylish, and a perfect rainy-day diversion.
The setting, never precisely defined, seems to be central Europe during or just after the Napoleonic Wars (from the clothes). Let's call it early 19th century. Captain Kronos himself appears to be a former officer of Dragoons, separated from service although still in uniform. The implication is that, while away in the wars, he lost his wife, and possibly his child, to vampires. Now, in the company of his good friend, a hunchbacked academic and authority on vampire lore who drives a wagon loaded with tools of the vampire-killing trade, the Captain roams the region hunting the undead.
Captain Kronos is played by the German actor Horst Janson who, with his grave, nearly too-nordic features, balanced by eyes that seem to constantly smile, brings a nice sense of mystery to the role. Kronos is aloof and taciturn, though never unpleasant. He smokes long cheroots and carries a Samurai sword that he, evidently, did not acquire at a flea market. We don't learn the history of the sword, but we see that he can definitely wield it, as does a trio of toughs fronted by the local alpha-blade (the late Ian Hendry, a prominent British character actor of the period who, interestingly, was a regular during the Avengers' first season.) Actually, they don't really see the sword. They just feel it, sort of, before collapsing in a heap. Janson plays the Captain with a certain Playboy Magazine, lady's man sense of cool, echoing a time when people were just finishing up talking about sex and beginning to actually do it. If you were around then, you'll recognize the spin. It's a nostalgia hit, for sure. You might even recognize Janson's face, which was seen in full page ads in American magazines during that period; men's apparel, liquor, etc.
The Captain and his trusty companion have arrived in the film's locale in response to rumors of bad happenings. Young women of the area are undergoing drastic reverse-makeovers, emerging from them as exsanguinated centenarians. The locals, rather superstitious rural types, are in a tizzy. Could the recently-deceased head of the local, reclusive aristocratic family, whom some suspect of not being completely dead, be involved? It's an angle definitely worth investigating. The Captain makes contact with the only person in the area still in possession of his wits - the local physician - and the hunt begins.
If most Hammer films tend to be hissing fastballs down the middle, CK:VH is an off-speed slider on the corner. There's nothing fancy here, no baroque sets or sophisticated effects. In fact, the film overall has a sparse look and feel that enhances its credibility. The hunt for the vampire proceeds as a believable combination of scientific method and lore. Much of what transpires does so in daylight which, to me, carries significant implications. Evil that does not fear sunlight carries a big stick. We, as its prey, have no real hiding place. The film balances its occasionally goofy moments by never sacrificing its dignity and, at times, is quite poignant. It also features one of the most brilliantly effective sequences ever seen in this genre, illustrating how much can be accomplished with the simplest of cinematic means. I think you'll know it when you see it. This film was produced as the first in what was hoped to be a series of Captain Kronos adventures but the concept failed to grab the required audience. Pity, but at least we have this one. It's fun, stylish, and a perfect rainy-day diversion.
This was one of the best vampire films I have ever seen. It's an interesting take in which a swash-buckling English swordsman and his hunchback companion hunt vampires in 19th century pastoral England. The action is intense, the damsels are beautiful, and the ending is satisfying. This movie is like The Searchers, the Lone Ranger, and Monty Python's the Holy Grail all in one. The scene where they try different methods to kill one of their friends who will soon turn into a vampire was (I think) unintentionally hilarious. They stake him, hang him, and burn him to no avail. You can feel the "aw, shucks" attitude of the scene, even from the guy who's trying to die! The emotional level never seems to get above this level. If you like the new Mummy movie, you'll like this, although the special effects in this one are kind of weak, but the spirit is there! Find this one, you won't be disappointed.
I'm a big Hammer fan and have been wanting to see 'Captain Kronos: Vampire Hunter' for a long, long time. Now finally I own it on DVD and after watching it four times I think it could very well be my favourite from the studio. It's definitely without a doubt THE most underrated Hammer movie. It did poorly at the box office but it now has one of the most enthusiastic cult followings of any Hammer film. Quentin Tarantino is reportedly a big fan of this movie and seeing how it inventively draws upon several genres (e.g. Westerns) it's really no surprise. Hammer's long running Dracula franchise was running out of steam by the early 70s, and they were looking for a new series. Enter Brian Clemens of 'The Avengers' fame, who had previously written 'Dr. Jekyll And Sister Hyde' for the studio. He came up with some innovative ideas and he thought that this would be the first of many movies to feature the Captain Kronos character. Sadly it wasn't to be, and attempts to spin off a TV series also fell through. Watching it thirty years later I just can't understand why! Anyway, German actor Horst Janson plays Captain Kronos, the enigmatic, sword wielding, dope smoking action hero, and John Cater ('The Abominable Dr. Phibes') is his hunchback assistant Professor Grost. These are two fantastic characters, and I would love to have seen further adventures by them! Horror buffs will also get a kick out of the rest of the cast. The gorgeous Caroline Munro ('Maniac') is a gypsy girl who falls for Kronos, John Carson ('The Plague Of The Zombies') is Kronos' old doctor buddy, Shane Briant ('Frankenstein And The Monster From Hell') is a local young gentleman, and Wanda Ventham (Colonel Virginia Lake in the cult series 'UFO') plays Briant's invalid mother Lady Durward. On top of that there's a fantastic cameo by Ian Hendry ('Repulsion', 'Theatre Of Blood'). Hendry had been one of the original stars of 'The Avengers' playing John Steed's first partner in the little seen early episodes. A hard drinker, his career eventually suffered because of his vices, but he is terrific confronting Kronos in one of the best scenes of the movie. I really find it hard to fault this film. I think it's a forgotten horror classic, and why anyone would even bother contemplating watching the likes of 'Blade' or 'Van Helsing' when 'Captain Kronos: Vampire Hunter' is sitting on the shelf waiting to be rediscovered is beyond me! I wholeheartedly recommend this movie to every horror fan. I can't see how any fan of the genre couldn't help but love this unfairly overlooked Hammer gem!
Wow, was Hammer Studios going in a different direction with this film! While it is once again a horror film (the bread & butter for this film company), it's so unlike all their other films! While it's a vampire film, you see no trace of Christopher Lee or even Peter Cushing--and the style is so totally unlike their films. Instead, the film stars a very hot guy (Captain Kronos) and he always seems to have a hot lady in tow. This vampire hunter, however, is NOT to be confused for Dr. Van Helsing. Not only does he look nothing like Cushing, but how he kills the vampires and the types of vampires are all-new! These vampires are not so much blood drinkers but creatures that suck the youth out of people--and you then see them age rapidly when they fall prey to these new vampires. And, since the vampires are different, so is killing them. Many different ways are used--some of which are wacky and new--such as impaling, hanging and burning one (wow--he was tough to kill!!). And, finally, the story is just so very different.
According to IMDb, Hammer was planning on a new series of Kronos films but canceled it due to the poor reception this film received. I can't really understand it, as the film was quite good and sexy--and an invigorating change--with a wild ending!
According to IMDb, Hammer was planning on a new series of Kronos films but canceled it due to the poor reception this film received. I can't really understand it, as the film was quite good and sexy--and an invigorating change--with a wild ending!
Lo sapevi?
- QuizThis was to have been the first in a series of films. The poor box office cancelled those plans. The poor returns also contributed to the decline in the box office track record of Hammer Films.
- BlooperAt time 1:04:40, as the young girl puts the lamp down on the table, you can briefly see the electrical cord fall to the ground from under her arm, where it was hidden while she walked down the steps.
- ConnessioniFeatured in Rear Window: Dracula: The Undiscovered Country (1993)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Captain Kronos: Vampire Hunter?Powered by Alexa
Dettagli
Botteghino
- Budget
- 160.000 £ (previsto)
- Lordo in tutto il mondo
- 442 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Capitan Kronos - Cacciatore di vampiri (1974) officially released in India in English?
Rispondi