La nave maledetta

I read that this is the weakest of the 4 Blind Dead movies, but it isnt that bad. I found it on the cheapo Brentwood 4 film DVD set called Horror Rises From The Grave - in this set the film is titled Zombie Flesh Eaters. Found in the cheapo bin at a huge chain video store inhabiting 99% of all shopping malls. The print is passable, but not great. The title sequence is partially missing (probably to accommodate the name change), the lack of gore and nudity make me think that this version is a TV edit, but until they release a Criterion version, this one is OK.

Typical ghost ship story, with a couple of twists. Namely the ghost ship is full of Templars. Creepy scenes with the bearded Templars running around in their grubby oilskin robes are so well done that they excuse surreally wooden dialog, huge plot holes and the all time goofiest burning toy ship in a bathtub scene you will ever see. Classic!!

This is one of the entries in Ossorios' Templar zombie series. The Templars were witches burned alive at the stake thousands of years ago. They are back as skeletal zombies. This one is the best of the series. Atmospheric and spooky it's worth a look. Don't expect digital effects like your modern so called horror film, but expect an actual HORROR FILM!! If you like this one check out the other Templar films, Tombs Of the Blind Dead, Return Of the Evil Dead or Fangs Of the Living Dead(not easy to find). Digital effects are destroying horror films, if your not a fan of the older stuff, go to your local video store, look in the old horror section, and rent some REAL STUFF!!

I saw this movie for the first time about 15 years ago under the title of "Ship of Zombies". Some of the special effects aren't very good i. e. ( certain scenes of the ghost ship from a distance look like a toy boat.)The ship itself when it gets boarded looked spooky and eerie enough and the models in the movie were nice to look at ( Cathy ). Not a bad late night movie to kill time with.

I saw this for the first time recently. Have enjoyed the first two but this one is a disappointment. This film is the third in Ossorio's Blind Dead series. This is the weakest one n nothing compared to the first two. It has some genuine atmosphere n claustrophobic feel along with a solid ending. The templar's horses' r missing n the film moves at a very slow pace, more slower than the zombies. Some of the scenes r shot in the dark which is annoying.

A pair of models lose contact with the ad agency while busy shooting on a boat in the middle of the ocean. They cross a dimension n board a mysterious dilapidated ship covered by thick fog. A friend of one of the models contacts the agency regarding the whereabouts but is abducted by the boss of the agency. She unwillingly takes part in the rescue op along with the businessman, his secretary, his bodyguard n a scientist in their search for the missing models and their boat.

The Knights Templar, the hooded blind dead brought to life so vividly in Tombs of the Blind Dead and The Return of the Blind Dead by Amando d'Ossorio, are back to reek their vengeance upon the living. This time the setting is a galleon from the 16th century that only appears to small watercraft. The plot is pretty typical as a pair of models on a boat hook up with the galleon as it comes out of a consuming fog and mist. They disappear and others go after them. We eventually learn that the ship is centuries old traveling in its own time field. The prey, as with most Ossorio films, is filled with beautiful, bikini-clad women warbling out their death-screams, thus alerting their predators of their whereabouts. Atmosphere over plot to be sure here, and the film does pretty good as a suspense vehicle. The special effects...well they are not too special. The ship is quite effective in close-ups and mid-shots, but long shots reveal that it is nothing more than a model. The acting is pretty typical of such films, but certainly not detracting in any way. All in all this is a fine edition to the Blind Dead series....not the best...but entertaining nonetheless.