Dracula cerca sangue di vergine e... morì di sete!!!

This film opens with a close up of Udo Keir, possessor one of the most beautiful male faces of the era, applying makeup in front of a mirror. The camera then reveals that being Count Dracula, like all vampires, he has no reflection! thus the humorous tone is set for the rest of the film. The dialogue is wild and delicious, helped along by hugely overstated accents of all kinds and exaggerated overacting and in many cases - no acting at all. The film is stunningly photographed and is often beautiful to look at when you can, but you may find it difficult to watch Dracula regurgitate gallons of impure (i.e. non-virgin) blood or watch him lick pure virgin blood from the floor. Much more easy on the eye is the sight of a naked Joe Dallesandro, the camera drinks it's fill of this guy and many close-ups of his amazing face fill the screen. There is also an excellent cameo from Roman Polanski who challenges Count Dracula to an amusing game in a bar. The climax is blood soaked and bizarre and like the whole movie, way over the top. A hugely entertaining film providing you have the stomach for it!

I was intrigued when I heard about Andy Warhol producing 'Blood for Dracula,' and 'Flesh for Frankenstein.' I planned on watching both of them, starting with 'Blood for Dracula.' This movie is just very entertaining, strange, and artistic. The story is like no other Dracula film. With Udo Kier as Dracula this was bound to be good for me. I first saw Udo in Gus Van Sant's 'My Own Private Idaho,' (which many people probably had the same experience as me.) I thought he was good at first sight. Then I watched an interview with director Gus Van Sant, where he was talking about first seeing Udo in 'Flesh for Frankenstein,' and 'Blood for Dracula.' Naturally, I had to see them. It was exciting to know that this movie existed. So this was interesting. I don't think it was great, I don't think it could've been better, it's just good the way it is. You just kind of have to see it yourself.

This very free and rather deranged interpretation of Bram Stoker's legendary Dracula tale by Paul Morrissey is one of the best independent vampire stories I've seen so far. The sheer brilliance of this film completely lies in the characterization of the bloodsucking count. Dracula no longer is a vile and overruling monster here, but a sickly and almost pathetic weakling. He and his assistant (Renfield with brains!) flee from the Romanian castle to settle in rural Italy where families are believed to be particularly religious. This is essential to the count because he can only feed on virgins' blood. The count and his assistant are homed by a family with 4 four marriageable daughters, pretending to be wealthy. However, the girls aren't as 'pure' as they're supposed to be (these cuties like to screw around with the revolutionary servant boy) and the impure blood of the girls only causes to the count to get weaker. Despite of its filthy reputation, this film isn't that gory or nauseating. The finale is pretty blood-soaked but the film is overall more absurd and eccentric than it is gore. Blood for Dracula is an outstanding trash-film! The humor is black as the night itself and the substance is essential viewing for every cult cinema admirer. Udo Kier is terrific as the needy count while pretty boy and Morrissey regular Joe Dallesandro has the time of his life portraying the manly skirt-chaser. The budget of Blood for Dracula was low (almost non-existing), yet the set pieces and atmosphere-creating elements are great! The musical score in particular is beautiful and contains a few gripping piano compositions.

In conclusion, Blood for Dracula is outrageous fun and a must-see for everyone whose tired of the same old unsatisfying horror films. It might not fit for all audiences but I'm sure the more developed genre lovers will love seeing Udo Kier licking a virgin's blood of the floor. Equally recommended is the Morrissey variant on that other classic tale, Frankenstein. That film is even more extravagant and a whole lot nastier. You can either take that as a recommendation or a warning.

A well done film and Warhol's best improvement at making a film than just showing people with skin and fornicating all the time as whenever I saw his flicks it drove me nuts as it was so damn twisted! Of course we have Joe Dallesandro who plays a character who works for a mansion and molests some of the women there but ends up being a hero in the end and his acting is starting to improve as he was so awful in his past work (Probably he was getting off of drugs at this time) and he moved on to acting in non-Warhol films afterwards and doing well for himself. Scream king Udo Kier is great as Dracula and got alot of fans from this film. A film worth checking out and done in Italy where the horror population really lies for films.

While I rate Paul Morrissey's 'Flesh For Frankenstein' just a little higher than this one, it is without a doubt a vampire trash classic, and highly recommended viewing. Morrissey once again teams the legendary Udo Kier ('The Story Of O', 'Suspiria') with Warhol superstar Joe Dallesandro, and the creepy Arno Juerging (Otto from '...Frankenstein'), and adds to the strong supporting cast Italian veteran Vittorio De Sica, and even a cameo from director Roman Polanski. '..Dracula' features a similar mixture of horror and camp to the earlier movie, but this time the emphasis is more on sex and decadence than gore and humour. Dallesandro's performance is below par as a Communist servant, but Kier once again excels in the title role, creating some genuine sympathy as the sickly, desperate Count who can't get enough "wer-gins" blood to sustain himself. 'Blood For Dracula' is essential viewing for all 1970s cult movie buffs.