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IMDbPro

Kanashimi no Beradonna

  • 1973
  • VM18
  • 1h 26min
VALUTAZIONE IMDb
7,3/10
8761
LA TUA VALUTAZIONE
Aiko Nagayama in Kanashimi no Beradonna (1973)
Trailer for Belladonna of Sadness
Riproduci trailer1: 32
1 video
99+ foto
Adult AnimationAnimeHand-Drawn AnimationTragedyAnimationDramaFantasy

Un malvagio signore feudale violenta una ragazza del villaggio durante la sua prima notte di nozze e procede a rovinare la sua vita e quella di suo marito.Un malvagio signore feudale violenta una ragazza del villaggio durante la sua prima notte di nozze e procede a rovinare la sua vita e quella di suo marito.Un malvagio signore feudale violenta una ragazza del villaggio durante la sua prima notte di nozze e procede a rovinare la sua vita e quella di suo marito.

  • Regia
    • Eiichi Yamamoto
  • Sceneggiatura
    • Jules Michelet
    • Eiichi Yamamoto
    • Yoshiyuki Fukuda
  • Star
    • Aiko Nagayama
    • Chinatsu Nakayama
    • Masaya Takahashi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    8761
    LA TUA VALUTAZIONE
    • Regia
      • Eiichi Yamamoto
    • Sceneggiatura
      • Jules Michelet
      • Eiichi Yamamoto
      • Yoshiyuki Fukuda
    • Star
      • Aiko Nagayama
      • Chinatsu Nakayama
      • Masaya Takahashi
    • 37Recensioni degli utenti
    • 88Recensioni della critica
    • 70Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 candidature totali

    Video1

    Belladonna of Sadness
    Trailer 1:32
    Belladonna of Sadness

    Foto135

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    + 127
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    Interpreti principali20

    Modifica
    Aiko Nagayama
    • Jeanne
    • (voce)
    • …
    Chinatsu Nakayama
    • Narrator
    • (voce)
    Masaya Takahashi
    • The Lord
    • (voce)
    Masakane Yonekura
    Masakane Yonekura
    • The Priest
    • (voce)
    Katsuyuki Itô
    • Jean
    • (voce)
    • (as Katsutaka Ito)
    Shigako Shimegi
    Shigako Shimegi
    • The Lord's Mistress
    • (voce)
    Masaaki Tsukada
    • Walla
    • (voce)
    Hatsuo Yamaya
    Hatsuo Yamaya
    • Walla
    • (voce)
    Reiko Niimura
    • Walla
    • (voce)
    Akio Hayashi
    • Walla
    • (voce)
    Masakazu Yamaguchi
    • Walla
    • (voce)
    Yozo Isozaki
    • Walla
    • (voce)
    Masashi Ishibashi
    • Walla
    • (voce)
    Orio Yoshiro
    • Walla
    • (voce)
    Machiko Ito
    • Walla
    • (voce)
    Hitoshi Gôko
    • Walla
    • (voce)
    Kikuchi Kenyukai
    • Walla
    • (voce)
    Tatsuya Nakadai
    Tatsuya Nakadai
    • Devil
    • (voce)
    • Regia
      • Eiichi Yamamoto
    • Sceneggiatura
      • Jules Michelet
      • Eiichi Yamamoto
      • Yoshiyuki Fukuda
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti37

    7,38.7K
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    10

    Recensioni in evidenza

    10Red-Barracuda

    Visually and aurally incredible piece of cinematic art

    Wow. Sometimes something comes along that really genuinely blows me away and the viewing of this movie is one such very rare occasion. It's a film that was released in 1973 in an era when the adult cartoon was a new concept, typified by the likes of Fritz the Cat (1972), but Belladonna of Sadness by contrast attracted mainly negative criticism and it then seemed to more or less fall off the radar for many, many years. Having just seen it I can only say that this is a criminal state of affairs and that it is pretty seriously unfortunate, to say the least, that something so overwhelmingly artistically beautiful was disregarded and cast aside. The amount of artistic imagination and creativity on display here is pretty monumental.

    Its regarded as a very early example of Japanese anime but it's like no other anime I have ever seen. While it definitely does have some material that would go on to be associated with the manga branch of Japanese anime, it is executed in a somewhat experimental manner. This is quite honestly more of an art film than an actual story. Many folks seem to have taken all manner of things away from this one in terms of its content, such as a feminist message and such. And while I agree that this is there, the sheer beauty of the artistry is so overwhelming that the contents of the story were completely overshadowed by the visceral sensory experience of watching this one. Despite its Japanese origins this one is set in the Middle Ages in Europe and it begins with a wedding of a young couple. The groom cannot pay the marriage tax so the baron exercises his 'rights' and rapes the bride. This trauma deeply affects the young couple and the woman turns to witchcraft.

    Some may be taken aback by certain aspects of this one. Firstly, despite being an animated work, much of the story is told by still paintings and drawings. There are many elaborately detailed tableaux which the camera pans across and in so doing expands upon the narrative. There are many still pieces of art of varying styles, such as landscape watercolours, comic-book style figures and surrealism. These visual ideas are interwoven with early 70's styles such as psychedelia and transgressive underground comics. There are animated sections too, which make even more impact because they only appear every so often. There seems to be a general split where the narrative is depicted using stills and the inner working of the protagonists mind are animated. Consequently, this leads to the extended animated sequences being more dreamlike and surreal in nature. Accentuating all of this is an excellent soundtrack which works fantastically well with the imagery on screen. It's quite an eclectic score which features what could best be described as Japanese folk-pop and some out-and-out prog-rock.

    As I said before, this isn't a film for everybody. Aside from its experimental approach, some may find the sexual content difficult. There are many examples of sexual imagery, although I wouldn't say it's exactly in erotic territory on account of its highly stylised presentation but also due to the disturbing nature of much of it. But despite the dark undercurrents to the material this is a film of enormous visual and aural beauty. In my personal opinion this has to go down as a stonewall classic and a great example of what the animated movie format is capable of.
    8iuasdhfu9

    Belladonna of Sadness was the product of an animation studio that knew it was doomed.

    "It becomes apparent early on when viewing Belladonna of Sadness that this film is quite unique. Certainly the first, and possibly the only animated film that might be classified in the pinku genre. But even though the film is supposedly animated, nothing seems to be moving at first. You instead see a series of elegantly designed still drawings depicting a harmonious wedding between a peasant couple in 14th century France, as a woman sings her narration in the soulful style of a 70s rock opera. This is the film's only joyous scene, as moments later the new groom is pleading with the local land baron to reduce the marriage tax he can't afford. The baron instead decides to exercise his "droit de seigneur" with the bride. It is here, several minutes into the film, that full animation is finally used, in order to depict the rape of the virgin bride with metaphorical imagery much more disturbing than what a literal depiction of the same events could provide. A sign of things to come, as this is only the first in a series of tragic events that push this woman, through desperation, into the world of witchcraft." ...
    6DonaldDooD

    Underwhelming, But Unique

    When I started the film, I was lured in by its bleak narrative and erotic imagery. If it weren't for the language, Belladonna would be unrecognizable as anime, with its realistic proportions, faded colors, sexual themes, and psychedelic imagery/soundtrack. I quickly emphasized with our lead's suffering, and the allure of Satan himself when all joy and hope is dead.

    Unfortunately, while the initial premise was fascinating and sensual, Belladonna lacks the depth to make it a masterpiece. There is no real development. There are no likable characters. Jean doesn't ascend from her demons. Her downfall isn't particularly evocative. Its half emotional torture porn, half stoner fuel.

    The animation is also kind of bad. Heck, most of the time, you're only given stills. Some shots are beautiful, but others seem very cheap. Others are nonsensical, immature pieces of graffiti that somehow snuck into an art film.

    Belladonna seems disjointed between two opposite demographics and isn't good enough for either one. I wish someone could do this story better justice. But it was an interesting movie, especially for its time. Because of a few scenes and overall unique place in animation, I'd recommend it to those who are into more "art house" film. I wouldn't to those who want strong character and narrative.
    8max4movie

    Brilliant Art Come To Life For A Gruesome Story

    Full Review on my blog max4movies: Kanashimi no Belladonna (international title: Belladonna of Sadness) is an experimental animation movie for an adult audience. Its plot focuses on Jeanne, a young and beautiful woman, who after being raped, has visions of the devil. It features extreme graphic content, like naked women, rape scenes, and an orgy with animals. This, alongside with Jeanne being mostly naked and the omnipresence of phallic imagery, will be appalling to some - although the movie never indulges in voyeuristic pleasures like other erotic movies. Still, the movie features undeniably beautiful images with a unique art style, ensuring that the colorful depictions of rape and torture not only fascinate but also highlight the rich underlying thematic concepts, like open sexuality, criticism against religion, and a social commentary about totalitarian regimes.
    8Irishchatter

    Tragic, disturbing and colourful!!!

    Yeah.. There were a lot of extremely disturbing scenes which involved rape, 99.9% of nudity, sexism, betrayal, murder, corruption, you blooming name it!

    I really appreciated the art like for a 1970's anime, it did a decent job in making your brain go all over the place. The storyline was quite on point to make you go "omg" or "WTF" the whole time.

    Yeah this anime is pretty underrated and probably not to everyone's taste due to it being heavily disturbing so take note before watching!

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The last film produced by Mushi Production. They went bankrupt shortly after its release.
    • Blooper
      The end of the film references the French Revolution of 1789, but then an image is shown of Eugène Delacroix's famous painting "Liberty Leading the People." That painting - "Liberty Leading the People" - depicts the July Revolution of 1830, not the French Revolution of 1789.
    • Citazioni

      Jeanne: What ails you little one? Do you want me?

      Page: Jeanne, Don't you recognize me? I'm the Lady's page. She hates you, so I hated you too. I'm the one who slashed your green cloak.

      Jeanne: Your point, little page?

      Page: I did it because... I love her.

      Jeanne: Are you here to kill me?

      Page: I need your help, Jeanne. Hear my plea. I want to make love to her. But... I'm only a lowly page. She'd never consider me.

      Jeanne: Who cares about status?

      Page: God granted us our status. Ignoring that is against God! The Work of the Devil! Hower... I'm willing to sell myself to the devil for my love.

      Jeanne: Enough.

      [Jeanne hug the Page]

      Page: [Page gets scared] Filthy witch! How dare you!

      Jeanne: [Jeanne lauging] Very well, I'll help you.

    • Curiosità sui crediti
      There are no ending credits or a 'THE END' title; all the credits are at the beginning. The opening theme is reprized over a blank screen after the final scene. The 2015 restoration adds a copyright byline and credits for the restoration.
    • Versioni alternative
      According to the liner notes booklet contained with the Japanese DVD of the film, there are six known versions of the film.
      • The first was a draft version that was hastily created to meet a deadline that the film had to be shown to the distributor, Nippon Herald, for their perusal by August 1972. This version, which contains temporary placeholder shots made by a team separate from the main crew, has never been shown to the public.
      • The second version was completed by the end of 1972, and premiered at the 1973 Berlin International Film Festival. Aside from the placeholder shots of the first version being replaced with material created by the main team, the scene in which Jeanne makes her pact with the Devil was immediately followed by a 5-minute live-action montage shot by Daido Moriyama depicting sexual acts performed in parks and red light establishments. This version also ends with the Devil laughing in the crowd after Jeanne's execution. Because this ending was poorly-received at the Festival, Eiichi Yamamoto decided to alter it in later versions.
      • The third version was used early on during the film's Japanese theatrical release. It omitted Moriyama's live-action montage, but still retained the Devil's laughter at Jeanne's death.
      • The fourth version, created partway through the Japanese theatrical run, removed the Devil's laughter, and featured an instrumental version of the film's theme song over the ending. An edited presentation of this version was used for some TV broadcasts.
      • The fifth version was edited for an attempted 1979 re-release. In an effort to appeal to female college students, Yamamoto cut 8 minutes' worth of material from the original camera negative, removing most of the film's scenes of sexual violence. This version also made alterations to the film's ending: a newly-animated shot of female bystanders at Jeanne's execution, whose faces morph into Jeanne's visage, was added, as well as a final montage of title cards describing the role of women in the 1789 French Revolution, with the film's final shot being of Eugène Delacroix's painting "Liberty Leading the People". Some revisions were also made to the film's opening credits roll. This version was released on VHS by Pony Canyon in the early 1980s.
      • The sixth version was created in 1986 for the film's VHS re-release and first release on LaserDisc. Although otherwise based on the 1979 re-release, it reinstates all of the sexual content omitted from that version. This is the version that has remained in circulation since, and was restored in 4K for its 2016 re-release.
    • Connessioni
      Featured in MsMojo: Top 10 Animated Movies That Were Ahead of Their Time (2024)
    • Colonne sonore
      In the Pale Mirror
      Lyrics by Chinatsu Nakayama

      Music by Masahiko Satô

      Performed by Chinatsu Nakayama

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    Dettagli

    Modifica
    • Data di uscita
      • 30 giugno 1973 (Giappone)
    • Paese di origine
      • Giappone
    • Lingua
      • Giapponese
    • Celebre anche come
      • Belladonna
    • Luoghi delle riprese
      • Tokyo, Giappone(Mushi Production)
    • Aziende produttrici
      • Mushi Production
      • Nippon Herald Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 80.000.000 JPY (previsto)
    • Lordo in tutto il mondo
      • 378 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 26 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.33 : 1

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