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I always wanted to see this film ever since it was released when I was in college, but just never got around to it. Just watched it now in 2018 and not disappointed. Dreyfuss really was the perfect Duddy Kravitz. Many of his subsequent roles had a "little bit of Duddy" in them. The viewer can both cheer for Duddy and also be repulsed by him, the mark of a good screenplay, script and actors. Warden, Wiseman and Lanctot lend realism to the tale and provide the other prisms through which to view Kravitz. Both a story and a character study it can be tough to watch, even if occasionally softened by touches of humor. By the end we're left to wonder if it was all worth it and we sense that Duddy is wondering the same thing.

Critically-lauded, but gloppy-looking, abrasive coming-of-age story about a Jewish kid in 1940's Montreal who hustles his way out of the ghetto. Richard Dreyfuss snuck this in between "American Graffitti" and "Jaws", but his performance is one-note and not very appealing (the film did poor business, and when it premiered on HBO, after Dreyfuss attained success, no one knew where the picture came from). Supporting cast (Jack Warden, Randy Quaid, and Denholm Elliott among them) fair a bit better, but director Ted Kotcheff seems more interested in creating a realistically squalid atmosphere rather than concentrating on building reasonably enjoyable characters. Screenplay by Mordecai Richler, from his own novel, sets up the pieces but provides very little pay-off. *1/2 from ****

The younger son of a working-class Jewish family in Montreal, Duddy Kravitz (Richard Dreyfuss) yearns to make a name for himself in society..

We start with the idea: "A man without land is nobody." From there, we get to a surreal Bar Mitzvah film, a pinball business, assorted other ventures and possible scams... all so Duddy can buy up some farmland, which he does under another name because he thinks farmers will not sell to Jewish people (although this is not clearly explained).

"Duddy Kravitz" has an important place in Canadian film history because it was the most commercially successful Canadian film ever made at the time of its release, and has thus been described as a 'coming of age' for Canadian cinema. One wonders how things have changed, because it seems that today (2017) Vancouver is one of the most-filmed cities in the world.

The most jaw dropping aspect of this film is realizing that Richard Dreyfuss was ever that young! He is perfect in the part of a pushy young man trying to get rich quick anyway he can, after all, it is what he has been raised to believe was the only goal in life. Although Duddy is pushy and brash, he is still likable and you want him to succeed, after all, he is coming from the streets without the benefit of higher education, his father is a cab driver who spends most of his days hanging out in a café with his buddies. To them money IS the goal.

I have owned this film on Video Tape for many years, and must watch it annually and always find something that I missed before. I liked the street scenes of Montreal in the late 40's, and the beautiful Adirondaks in summer. If you enjoyed Avalon, you would enjoy this film.

"A little bit of Duddy Kravitz in everyone," so the poster tells us. Yeah, I guess you could say that, although it is exaggerated in the film to get the message across (either that, or I haven't met anyone like that yet.) Dreyfuss' character is believable, and so is his father. I would have to say the only wooden character in the whole film is that of Lenny, Duddy's brother. There is a good message to get from the film--if you watch it, you won't be disappointed.