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IMDbPro

Amarcord

  • 1973
  • T
  • 2h 3min
VALUTAZIONE IMDb
7,8/10
50.057
LA TUA VALUTAZIONE
Maria Antonietta Beluzzi and Magali Noël in Amarcord (1973)
Three Reasons Criterion Trailer for Amarcord
Riproduci trailer1: 24
1 video
99+ foto
CommediaDrammaSatira

Una serie di aneddoti comici e nostalgici ambientati in una cittadina costiera dell'Italia degli anni '30.Una serie di aneddoti comici e nostalgici ambientati in una cittadina costiera dell'Italia degli anni '30.Una serie di aneddoti comici e nostalgici ambientati in una cittadina costiera dell'Italia degli anni '30.

  • Regia
    • Federico Fellini
  • Sceneggiatura
    • Federico Fellini
    • Tonino Guerra
  • Star
    • Magali Noël
    • Bruno Zanin
    • Pupella Maggio
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,8/10
    50.057
    LA TUA VALUTAZIONE
    • Regia
      • Federico Fellini
    • Sceneggiatura
      • Federico Fellini
      • Tonino Guerra
    • Star
      • Magali Noël
      • Bruno Zanin
      • Pupella Maggio
    • 154Recensioni degli utenti
    • 90Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 20 vittorie e 9 candidature totali

    Video1

    Amarcord: The Criterion Collection
    Trailer 1:24
    Amarcord: The Criterion Collection

    Foto143

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 138
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    Interpreti principali65

    Modifica
    Magali Noël
    Magali Noël
    • Gradisca
    • (as Magali' Noel)
    Bruno Zanin
    Bruno Zanin
    • Titta
    Pupella Maggio
    Pupella Maggio
    • Miranda
    Armando Brancia
    Armando Brancia
    • Aurelio
    Ciccio Ingrassia
    Ciccio Ingrassia
    • Teo
    Nando Orfei
    • Patacca
    Luigi Rossi
    • Lawyer
    Gianfilippo Carcano
    • Baravelli
    Josiane Tanzilli
    Josiane Tanzilli
    • La Volpina
    Maria Antonietta Beluzzi
    Maria Antonietta Beluzzi
    • Tobacconist
    Giuseppe Ianigro
    • Grandpa
    Ferruccio Brembilla
    • Fascist
    Antonino Faà di Bruno
    Antonino Faà di Bruno
    • Count
    • (as Antonino Faa' Di Bruno)
    Mauro Misul
    • Philosophy Professor
    Nando Villella
    • Prof. Fighetta
    • (as Ferdinando Villella)
    Antonio Spaccatini
    • Federale
    Aristide Caporale
    • Giudizio
    Gennaro Ombra
    • Biscein
    • Regia
      • Federico Fellini
    • Sceneggiatura
      • Federico Fellini
      • Tonino Guerra
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti154

    7,850K
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    Recensioni in evidenza

    rogierr

    Four seasons in Fellini's life as he remembers theirimpact

    I never thought of this movie as carnivalesque, but you could argue about that. I like to think it is surrealistic in the way that your memory can distort history and all that you once dreamed of or was scared of. Those memories evolve into caricatures of persons, their behaviour and caricatures of situations. We not only see Federico's memories, but also the supposed memories of people once surrounding him.

    Also this is said to be Fellini's most accessible film. Well, I was 15 when I saw it first, and it is still one of my favorites. About 10 Fellini-films later I read that this won the academy-award for best foreign picture, which I never expected, but think is quite rightly. The many surrealistic scenes stick to the mind for decades. Hilarious, tragic, oppressive (upcoming fascism: so most of it must take place just before ww2), nostalgic, poetic: there's something for everyone (and every age) to appeal to, while Fellini makes no compromises. If this was higher-paced, you wouldn't have time to appreciate the details, the photography and the music (Nino Rota). Don't look for a plot here.

    The cinematography (Giuseppe Rotunno) has comparable feel with some films by Mike Nichols (Catch-22 (1970), Carnal Knowledge (1971), Graduate (1967)). Rotunno worked with Mike Nichols on three films: Carnal Knowledge, Regarding Henry and Wolf. And with Fellini on 9 films (e.g. City of women (1980)). I don't know if this is relevant, but Fellini is said to have had a conversation with Mike Nichols during the production of Catch-22. Otherwise I can't think of many films that are comparable with this fabulous collage of events happening apparently in spring, summer, autumn, winter and ends in spring to conclude some cycle (generation ?) accompanied by beautiful distinctive music. Why o why can't we vote 11 :(
    10middleburg

    Breathtaking images, Genuine laughter and Heartbreaking poignancy

    This film is a life journey. Filled with indelible images: The peacock in the middle of the snow, the awesome vision of the ocean liner--and the blind man crying out: "What's it like, what's it like?", the belly-laugh inducing introduction to each of the instructors at school, the beautiful people, the grotesques. Like life itself, the movie can be perplexing and enigmatic, sometimes magical, sometimes, in the face of the political climate and history, frightening as "simple people just trying to live get caught up in the times they were themselves creating". I don't think any film I've ever seen has so completely captured with such profound insight and simplicity the experience of losing a parent: The visit by the father and son in the hospital in which the mother realizes the awesome finality about to approach, and the son is blissfully unaware in his adolescent "immortality", and the total feeling of quiet and emptiness as the father sits at the dining room table, formerly filled with joyful, loud, noisy life--now emptier than could have ever been imagined before--this whole sequence comes as a powerful conclusion to a stunning film. With a final coda a la 8 1/2, Fellini embraces the audience, telling them not to worry--memories go on, life goes on, changed, altered forever perhaps, but it goes on, beautifully, enigmatically, magically.
    cinema_universe

    When I attended the premiere, I felt this was the best film ever made.

    When "Amarcord" had it's American premier at the Plaza Theatre on East 58th Street in New York, I was working as the manager of The Paris Theatre, also on 58th Street, just 2 blocks west, behind Bergdorf's and facing the front of the Plaza Hotel.

    Both theatres were part of the Cinema-5 circuit of first-run theatres in Manhattan. I often took advantage of the pass privileges that theatres extend to one another and always attended every other theatre in the city to sample their fare.

    As I often worked as 'relief' manager of The Plaza, I was well known to the the crew there and had easy access to that theatre at all times. When I first sat through "Amarcord" during it's opening, I realized that I had just seen "THE Finest Film Ever Made". When I told this to others, I was often scoffed at. I was told that the 'Finest Film' hadn't been made yet. That was until the scoffers saw the film for themselves. Every friend I brought to The Plaza to see "Amarcord" was as enchanted with the film as I was.

    During it's opening run at the Plaza Theatre in 1974, I must have seen the film at least 50 times. I next saw "Amarcord" at an art house in another city in 1980. Yes, it was still the best film. In the 6 years since it's USA premier I can't say I saw any film better than "Amarcord."

    Then, when it was at long last released on videotape in the 1990's, I purchased the tape. When I watched the tape I wept. Yes, it was STILL the finest film ever made. I DO think the world of "Nights of Cabiria", "La Strada", "La Dolce Vita" and "8 1/2". But "Amarcord" is more than just Fellini's greatest work. It is greater than ANY other film, made by any other person or group of persons. I know now, 27 years after I first saw this film, that I will certainly say, 27 years in the future: This is THE film that no film-maker can top.

    ..In my humble opinion, of course....
    8RLoeb

    Good but light.

    While this film certainly has some poignant points about life, it is mostly the work of a great artist who has reached an age where he can view his childhood memories from a detached, nostalgic point of view. Visual splendour and humor abound, and it is a thoroughly delightful watch but I still like Fellini more, when he is more personally invested in the problems of his characters, as in Dolce Vita or 8 1/2.
    8planktonrules

    Perhaps my favorite Fellini film

    I must point out right away that I am not a huge fan of the films of Fellini and I much prefer his earlier films before he became the surrealistic director. So, you probably will assume I am an idiot--that may be the case--the jury is still out on that one! However, I am not alone on IMDb, as a few others also have stated that they felt may of his films were overrated as well.

    So why did I like this film? Well, instead of the disconnnectedness and choppiness of 8 1/2 and the utterly depressing nature of La Strada (which I still liked) and Nights of Cabiria, this film was more enjoyable. I don't require films to be fun to be worthwhile, but I think all too often, depressing and unappealing films are elevated to greatness by critics simply because of these aspects. In other words, if the film makes you feel suicidal, critics ASSUME it MUST be good! So why did I enjoy this movie? Well, I liked looking into the old Italy of Fellini's childhood and observing all the interesting and quirky characters--I am a sucker for these elements. In fact, that is why I am a particular fan of the films of Marcel Pagnol--it's as if we are peeking into the private lives of ordinary but likable folks.

    Altri elementi simili

    I vitelloni
    7,8
    I vitelloni
    Chiedimi se sono felice
    7,1
    Chiedimi se sono felice
    La dolce vita
    8,0
    La dolce vita
    Mimì metallurgico ferito nell'onore
    7,3
    Mimì metallurgico ferito nell'onore
    Il ciclone
    6,8
    Il ciclone
    Le notti di Cabiria
    8,1
    Le notti di Cabiria
    La strada
    8,0
    La strada
    Senso
    7,4
    Senso
    Roma
    7,3
    Roma
    8½
    8,0
    8½
    Tre uomini e una gamba
    7,7
    Tre uomini e una gamba
    Salvatore Giuliano
    7,3
    Salvatore Giuliano

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The title is the phonetic translation of the words "Mi ricordo" (I remember) as spelled in the dialect of Rimini, the town in which the director Federico Fellini was born, and where the film is set. The correct spelling should be "A m'arcord".
    • Blooper
      The banners promoting the Mille Miglia indicate that it was the seventh event (VII). However, the seventh running of the event was in 1933, and Beau Geste (1939) was not released until 1939. The Mille Miglia was not held in 1939.
    • Citazioni

      [repeated line]

      Teo, Titta's Uncle: I want a woman!

    • Versioni alternative
      An exclusive digital restoration of the film was done by Criterion in 1995 for their laserdisc. The disc contains a before-and-after demonstration of the restoration process and has the option of either the original Italian soundtrack or the English-dubbed soundtrack.
    • Connessioni
      Edited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
    • Colonne sonore
      Stormy Weather
      (uncredited)

      Written by Harold Arlen and Ted Koehler

      This tune is heard several times during the film.

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    Dettagli

    Modifica
    • Data di uscita
      • 18 dicembre 1973 (Italia)
    • Paesi di origine
      • Italia
      • Francia
    • Sito ufficiale
      • Amarcord (1973) on Internet Archive
    • Lingue
      • Italiano
      • Greco antico (fino al 1453)
    • Celebre anche come
      • I Remember
    • Luoghi delle riprese
      • Anzio, Roma, Lazio, Italia(Exterior - Grand Hotel)
    • Aziende produttrici
      • F.C. Produzioni
      • PECF
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 125.493 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 432 USD
      • 18 ott 2009
    • Lordo in tutto il mondo
      • 197.754 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 3 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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