L'uomo da sei milioni di dollari

To understand the genesis of the show, watch first Harve Bennett's "The Astronaut" (1972) ---with the music of Gil Mellé-- and "Texas, We've Got a Problem" (1974). With a good, solid, realistic in treatment (psychologically and artistically), 1973 pilot produced and directed by David Irving and starring Martin Balsam as Dr. Rudy Wells (see H. G. Wells?) and Darren McGavin as the crippled cynical and manipulator Intelligent head Oliver Spencer who is also known as newspaper "Kolchak, The Night Stalker"; the show starts very well with Gil Mellé's electronic and jazzy score a la Miles Davis' "Bitches Brew", then comes a terrible second pilot "Wine, Woman and War", produced by Michael Gleason and written by Glen A. Larson with a dreadful main title and a horrible song by Dusty Springfield in which Steve Austin is a kind of reluctant second-rate James Bond whose mission ends with an atomic explosion. The series really finds its format with the third pilot: "The Solid Gold Kidnapping" with Jack Cole's famous techno medical main title (made with footages from the two pilots, video effects and body animations). During the middle of season 1, the music department decided to add sound effects from Universal's stock music library to highlight the bionic motions (some were already used in a previous series like the 1972 E.S.P. series "The Sixth Sense"---oddly enough, you can hear a noise from a missile when Austin launches an object into the air). The series had three Dr. Rudy Wells: one played by Martin Balsam (first pilot), by Alan Oppenheimer (pilot 2 & 3 and season 1 & 2) and by Martin E. Brooks (season 3, 4 & 5). The first two seasons ---produced by Sam Strangis/Donald R. Boyle and Lionel E. Siegel/Joe L. Cramer--- were in the line of the pilots and then occurs the transitory season 3 ---in 1975, the main composer Oliver Nelson and the music supervisor Hal Mooney left---, a season 4 with some drastic changes (bad writers and producers, the lead wears a ridiculous thin moustache, Goldman has a new office's decoration and the music is composed and renewed by J. J. Johnson) and therefore an un-inspired season 5 ---without Harve Bennett--- in which the protagonist wears a pre-"Fall Guy" haircut. TSMDM is basically an espionage series with a shallow sci-fi canvas (everybody remember the zoom shot bionic left eye with the frames or the infrared vision); notice the various martial music themes to grasp the concept of this pro-gov/militaryNASA/technology drama. The first pilot shows an offhand and rebel Steve Austin who refuses his injured disabled condition (even try to commit suicide) and his involvement in the scientifical department of the C.I.A. (here, O.S.O.: Office of Strategic Operation, and, later O.S.I.: Office of Scientifical Intelligence): official Oliver Spencer (later Richard Anderson as Oscar Goldman) even receivs a cold slap. From season 2, we are introduced to another bionic man: paranoid auto racing Barney Miller (with a season 3 sequel) in "The Seven Million Dollar Man", and a woman: tennis champ Jaimie Sommers, in a two-parter (with a season 3 sequel too) in "The Bionic Woman". From that point, the show slips into cheap bionic new products (Bigfoot, boy, dog) with a comic book leaning. The best episodes are those which deal with the space program/Austin's background ("The Rescue of Athena One", "Burning Bright", "The Pioneers", "The Deadly Replay": where we learn about Austin's near fatal plane accident) and the dangers of technology in the hands of America's inner enemies ("Population Zero", "Day of the Robot", "Run, Steve, Run").

"THE SIX MILLION DOLLAR MAN"-PART MAN,PART MACHINE,ALL ACTION

What was it like to be a kid growing up in the 1970's when this show came on? You see,I remember this series coming on television very well. For one,I was one of those kids who from some reason was glued to the set when this show came on Friday Nights on ABC-TV during the 1970's. I was one of those kids who for some reason went out and brought up a lot of memorabilia stuff including all of the merchandise that flew off the shelves relating to this show: Who remembers owning one of the two dolls of "The Six Million Dollar Man" action figures that were made by Mattel which featured the character with the bionic grip and not to mention his mentor who had changeable outfits,let alone tons of stuff including the GMF View-Master set of one of the episodes not to mention seeing one of your friends walking on the playground or jumping over something in slow motion....Oh yeah,that TV soundtrack to the show which had Lee Majors doing country tunes and rock and roll stuff?

For the answers to the questions depicted? YES!!! I WAS THE 1970'S! FOR ONE,WAS ONE OF THE CHILDREN WHO WORSHIP QUALITY 70'S TV PROGRAMMING! By the way,if you remember 70's TV characters like Archie Bunker,George Jefferson,Maude Findley,James and Florida Evans,Fred Sanford,Dee Pepper Columbo,Jim Rockford,and Kolchak,Baretta and not to mention Theo Kojak,then the character name of Steve Austin should come through the light!

Even after all of these years,"The Six Million Dollar Man" still holds up to the test of time and to this day,it has always been a personal favorite of mine as a child,and still is regarding as a vintage classic even after some 30 years later with some of the best special effects around. Ever since it premiered on ABC-TV in September of 1974,it was a runaway bonafide hit which was garnered huge ratings with the audience and was always in the top-ten of the Nielsens,where it stayed for six astounding seasons until its final episode of the series ended in May of 1978,after producing 108 episodes,which in turn took ABC to the top of the Nielsens where it was on one of the most watched shows during its run on Friday nights in its first four seasons,and from there in its last two the network moved the series from Friday nights to Sunday nights opposite the Sunday night competition:"60 Minutes",and "The Wonderful World Of Disney" until 1978,when the series ended.

About the show.................. Long before "Cyborg" became famous with Arnold Scwarzenegger in the "Terminator" films,Lee Majors was everyone's favorite cyborg,and for every fan out there,this show delivered the goods since this was indeed part science fiction/action-adventure genre mixed in with some international espionage and political intrigue for a great effect. Lee Majors' role as Steve Austin was in fact a combination of James Bond,part Buzz Aldrin/Chuck Yeager,part Road Runner and part Superman in which gave this series a nice mix of seriousness and fun. Let's face it,he was part-human,part-mechanical;the world's first bionic man. Better than he was before...BETTER,STRONGER,FASTER...............

The character of Steve Austin,who was an astronaut who suffered an accident and was rebuilt by a government agency and was under the supervision of his boss,Oscar Goldman played by Richard Anderson,and there was Dr. Rudy Wells,played by Martin E. Brooks,who was responsible for Steve's bionic parts. The chemistry between these characters were to be tested throughout the series,but as the show progressed the chemistry between them was brilliant. The sound effects which included the bionic eye looking miles ahead,or the sound of bionic legs running faster and faster is what made this show stand out beyond them all. FANTASTIC! you say? I'll say AWESOME!........

This show was just pure fantasy from the get-go with the stories truly engaging and very well written the offered variations in excitement and imagination,and during the last two seasons of the show it suffered from repetitation since the earlier episodes(from the first three seasons)and from there the ratings slipped too. The show had a mixture of guest stars of who's who in Hollywood from William Shatner,Ted Cassidy and Andre The Giant as Bigfoot(Cassidy played him first)to the guest of TV show regulars like Gary Lockwood,John Saxon,Cathy Rigby, Lindsay Wagner(who played Steve Austin's love interest,Jamie Summers which was for the inspiration to the spin off,"The Bionic Woman"),to the strange and bizarre like Sonny Bono,Larry Csonka,and so forth. Nowadays it is a crying shame that this series is no longer shown on any cable network(cable's The Sci-Fi Channel was the last to do so...an all-day marathon of this series was shown not too long ago)or any syndicated market station doesn't show this anymore,and I wonder why? Why isn't there a big-screen version of "The Six Million Dollar Man" coming to theaters? I heard rumors its going to be George Clooney.

But by the way,while during the last two decades many of our favorite TV shows(Star Trek,The Untouchables,I Spy,Mission:Impossible,McHale's Navy,The Wild,Wild West,Lost In Space,The Fugitive,Charlie's Angels,SWAT,The Brady Bunch,The Twilight Zone,Lassie,Flipper,My 3 Sons, and not to mention our animated TV favorites Scooby Doo,The Flintstones) and cartoons(Batman,Superman,X-Men,Daredevil,Spider-Man,Hulk,The Punisher)have been made into full-length feature films,so now is the time for SMDM to give it the big-screen treatment and the respect it truly deserves.

The Six Million Dollar Man was one of my favourite TV shows, a show that I enjoyed without fail each week.

Lee Majors played Col. Steve Austin, an astronaut who suffered an accident and was rebuilt by government agency, the OSI (I think it stood for Office of Strategic Intelligence). Austin was the world's first bionic man (well, not really because it later transpired that there was a seven million dollar man but that's another story). He had a bionic eye which could see for miles; he had a bionic arm and two bionic legs to help him run fast.

The show was very entertaining. The sound effects as Austin used his bionic body parts were great. The sound of the bionic eye looking miles ahead-FANTASTIC! The sound of the bionic arm breaking a door down-FANTASTIC! The sound of bionic legs running faster than any normal man-FANTASTIC! Whenever Austin jumped or ran fast, it would be done in slow motion which worked a hell of a lot better than if the scene had been speeded up.

Richard Anderson played a good role as Oscar Goldman, chief of OSI (perhaps not the big chief but some kind of chief). He had good chemistry with Lee Majors on screen and it showed.

There was also Martin E. Brooks who played Dr. Rudy Wells, the man responsible for Steve's bionic body parts. A great character who had his fair share of great storylines.

The episodes were pure 70's fantasy. Austin took on spies, robots, aliens and even Bigfoot himself (my favourite episode). The music was great, the sound effects were great. The whole show was great. Definitely worth checking out on video or DVD.

There is no question that The Six Million Dollar Man was as revolutionary a program in its prime as it is woefully overlooked today. Most of the great science fiction themes had been exhausted during the early Cold War era, when fears of alien invasions and nuclear holocaust were rampant. It was the horror genre, if anything, that enjoyed a resurgence in the 1970's, with such notable offerings as The Exorcist and Jaws, and television programs like Dark Shadows. By contrast, the 70's were lean years for sci-fi - the classic motifs of the 60's were dead, and successful 80's tech-shows like Knight Rider were still on the shelf.

But Col. Steve Austin virtually redefined the genre with his story of bionic implantation. His character was indisputably TV's first cybernetically enhanced human being of any significance. In fact, rarely did even the silver screen feature a cyborg in a major role before TSMDM debuted. After its long run at the top, Hollywood began churning out its subtle rip-offs, which spawned such diverse characters as "Bishop" in Alien, The Terminator, "Data" and the dreaded Borg from Star Trek TNG, and a host of mediocre Austin clones in Van Damme-style B-movies.

Further, TSMDM was competent in its own right. The show was a household name during its reign, and gave birth to the kind of merchandising mania - action figures, board games, etc. - more typical of a big-budget motion picture than a television series. There wasn't a young boy anywhere in North America who didn't mimic the Colonel's slow-motion antics in the schoolyard, and even parents inevitably ended up enjoying the program as much as their kids (name another show that can make that claim!).

The cast was well-chosen and usually convincing, with Majors' understated but charming persona leading the way. The special effects were acceptable for the time, if not particularly ground-breaking. Best of all, the episodes were reliably action-packed, well developed and truly imaginative in their diversity and execution. The program touched on alien visitors, military themes, espionage, romance, and never lost its sense of perspective or sheer fun.

My only complaint with TSMDM is that no station in my part of the world carries the show any longer. Amazingly, the Space Channel sees fit to broadcast garbage like Beauty and the Beast and Lexx, but turns its back on a genuine pioneer of the genre. It's confounding. Shows like this cannot be allowed to simply rot away in some vault. They must be preserved, just as legends in their time like Star Trek clearly have. I'd love for my children to share in the awe and excitement I felt when TSMDM was new and fresh, and, quite frankly, I wouldn't mind feeling like a kid again myself!

The Six Million Dollar Man was a show that was entertaining and it actually taught me about romance. I was about six when I first started watching it. I was enthralled by the action and the feats that this man could perform. He had a bionic right arm, two bionic legs, and a bionic eye that could enable him to see great distances. His strength was more than that of ten men. He could run faster than a car and he was a super intelligence agent. Along the way he meets a variety of interesting characters and ones that I have never forgotten about. There was Barney, the seven million dollar man who lets his bionics take over his mind and he uses them for his own benefits instead of that of his agency. Then there was the probe. The probe was a machine that was designed to go to space but never made it there. On Earth, it wreaks havoc and Steve has his hands full with it. Then of course there was Jamie Summers. She was Steve's girlfriend that has a tragic parachuting accident. Steve, blinded by love demands that she is given bionics. She receives them but she has amnesia. There love is tragically put on hold and it is this plot line that for the first time in my young life, I was taught about the power and tragedy of love.

But the best of all the episodes of Steve Austin was the one's centering around Bigfoot. This also introduced the world to Andre The Giant. The Bigfoot episodes were scary. Here is this huge creature that is also bionic and he is a little stronger, a little faster and a little more vicious than Steve Austin. It is some of the best T.V. I've ever seen and it is one that will have a lasting impression on me for the rest of my life.

I remember that I asked my mom how they did all those things. How a man could jump that high, how he could lift a car and such. It was then that my parents explained to me that this was all make believe. That this is what is known as magic. Well it was from that moment on that the movies and TV captured my imagination. And for that I will be eternally greatful to The Six Million Dollar Man.