Rising Damp
- Serie TV
- 1974–1978
- 30min
VALUTAZIONE IMDb
7,7/10
3010
LA TUA VALUTAZIONE
La sordida vita dominata da un proprietario terriero meschino, vanitoso, vanaglorioso, codardo e razzista e dai suoi longanimi inquilini.La sordida vita dominata da un proprietario terriero meschino, vanitoso, vanaglorioso, codardo e razzista e dai suoi longanimi inquilini.La sordida vita dominata da un proprietario terriero meschino, vanitoso, vanaglorioso, codardo e razzista e dai suoi longanimi inquilini.
- Ha vinto 1 BAFTA Award
- 1 vittoria e 3 candidature totali
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Recensioni in evidenza
'Rising Damp' was recently repeated on I.T.V.-1 in an afternoon slot, and some chump wrote an angry letter to 'Teletext', claiming that the show 'was axed due to its racist content'. Nobody bothered to correct him. 'Rising Damp' ran for four successful seasons in the '70's, only coming to an end because it had reached the end of its natural life. Yes, 'Rigsby' is ignorant when it comes to foreign cultures, but a racist? I think not. If he were, he'd never have tolerated Philip in his house, son of a chieftain or not. Besides, the complainant seems to have overlooked Frances De La Tour's wonderfully prissy 'Ruth', Don Warrington as the clever and charming Phillip, the late Richard Beckinsale as naive medical student 'Alan' and, of course, the magnificent, much-missed Leonard Rossiter as the seedy landlord 'Rigsby'. This superb cast, combined with the fabulous scripts by Eric Chappell, made 'Rising Damp' a classic, one that has not diminished with age. I pity those unable to appreciate its greatness.
It is one of the funniest shows ever made, I can watch Rising Damp and instantly lose a bad mood, if I'm honest it's down to the sheer hilarity of Leonard Rossiter. I am aware that the show comes in for stick for being racist, Rigsby was definitely ignorant, and seemed to hate everyone in equal measure, a victim of the 70's class society, but a Racist, I don't think so. Rigsby was always the butt of the joke, always made to looks idiotic by Philip, who was intelligent, cool and charming, all that Rigsby was not. Miss Jones was a delight, so prim and proper, but underneath strong passions burn, and of course Alan, played with such innocence by the wonderful Richard Beckinsale.
So many funny episodes, Pink Carnations, The Permissive Society, Moonlight and Roses, to name a few, but all time funniest episode must be Things That Go Bump in the Night, which stands up to this day as one of the funniest things I've ever seen.
The scripts are superb, but it's the comedy timing and sense of awareness from the entire cast that gets me every time I watch it, I always moan about modern day sitcoms, and why they're not funny, maybe it's not just the scripts, perhaps it's the comic actors. If you want to watch comedy masters at work, then watch Rising Damp.
So many funny episodes, Pink Carnations, The Permissive Society, Moonlight and Roses, to name a few, but all time funniest episode must be Things That Go Bump in the Night, which stands up to this day as one of the funniest things I've ever seen.
The scripts are superb, but it's the comedy timing and sense of awareness from the entire cast that gets me every time I watch it, I always moan about modern day sitcoms, and why they're not funny, maybe it's not just the scripts, perhaps it's the comic actors. If you want to watch comedy masters at work, then watch Rising Damp.
10jsouth-3
Looking back now it is clear that most of the great comedies of the 1970s were made by the BBC. The commercial ITV network often had hit shows but few seem to have stood the test of time. In addition its nature as a patchwork of different companies perhaps made it difficult for comedies to grow and find an audience. Rising Damp is an exception to this; a comedy made by one of the ITV comedies that approached moments of pure genius and is just as funny now as when it was made.
A top rate cast worked well together to create characters that are funny and believable. In addition top quality scripts make every episode a gem.
A later film version simply did not work and should be avoided.
A top rate cast worked well together to create characters that are funny and believable. In addition top quality scripts make every episode a gem.
A later film version simply did not work and should be avoided.
Rigsby was the third of the golden trio of bigots on British TV sit coms in the 70's, the others of course being Alf Garnet and Eddie Booth. Alf Garnet was an obnoxious and overbearing loud-mouth who never knew when to shut up ( he mellowed a bit by the 1980's in the revamped IN SICKNESS AND IN HEALTH). LOVE THY NEIGHBOUR was a comedy centered at all times on blatant "in your face" racial goading as well as infantile boorish insults that even back then was tiresome .
I can't say this about RISING DAMP or the main character Rigsby. Sure racial remarks were part and parcel of Rigsbys repertoire.For example in one episode you only had to look at the expression on Rigsbys face to see what he was thinking when Philip said he did not like the color of an ashened face sick tenant, or the episode when Rigsby mocked hunger and poverty in Africa!
However, by contrast with RISING DAMP you could also laugh at Rigsbys Scrooge like and eccentric behavior over money and his shortcomings when dealing with women; i.e his narcissistic obsession over Miss Jones is point in case. No matter how hard he worked he couldn't get this man hungry spinster to take an interest in him! In addition his pre WWII upbringing and social values were often at odds with the social changes in 1970's, i.e long haired students living on a grant. Also his insensitivity and impatience towards his tenants and their problems provided an extra dimension of comedy.
In one episode he was trying to reason with a suicidal tenant to come down off his roof rather than jump then asked him while up there if he could straighten the TV aerial to improve the reception. This was a real party piece that had a Tony Hancock style of incompetence to it rather than it being mean spirited.
He was not well educated but he was likable and despite obvious flaws in his character, when forced to, often displayed loyalty towards Alan and Philip despite there different values. For example in the episode PERMISSIVE SOCIETY he stood up and confronted an irate father of one of Alans girl friend's also, in the episode NIGHT OUT he stood no nonsense and made a fool of the waiter and insulted the owner.
Lastly, women were not spared Rigsbys rudeness, the episode WINE AND ROSES he runs into an old battle-axe who he mistakingly thinks is his blind date. "I've never been so insulted in all my life" she barks, "well you should try to go out more often!" Rigsby snaps -- utterly hilarious. I.e. he spread his ignorance and rudeness evenly across class and gender boundaries! Politically incorrect? Of course, what isn't nowadays, yet, certainly watchable today which I can't say for TILL DEATH AS DO PART or LOVE THY NEIGHBOUR.
I can't say this about RISING DAMP or the main character Rigsby. Sure racial remarks were part and parcel of Rigsbys repertoire.For example in one episode you only had to look at the expression on Rigsbys face to see what he was thinking when Philip said he did not like the color of an ashened face sick tenant, or the episode when Rigsby mocked hunger and poverty in Africa!
However, by contrast with RISING DAMP you could also laugh at Rigsbys Scrooge like and eccentric behavior over money and his shortcomings when dealing with women; i.e his narcissistic obsession over Miss Jones is point in case. No matter how hard he worked he couldn't get this man hungry spinster to take an interest in him! In addition his pre WWII upbringing and social values were often at odds with the social changes in 1970's, i.e long haired students living on a grant. Also his insensitivity and impatience towards his tenants and their problems provided an extra dimension of comedy.
In one episode he was trying to reason with a suicidal tenant to come down off his roof rather than jump then asked him while up there if he could straighten the TV aerial to improve the reception. This was a real party piece that had a Tony Hancock style of incompetence to it rather than it being mean spirited.
He was not well educated but he was likable and despite obvious flaws in his character, when forced to, often displayed loyalty towards Alan and Philip despite there different values. For example in the episode PERMISSIVE SOCIETY he stood up and confronted an irate father of one of Alans girl friend's also, in the episode NIGHT OUT he stood no nonsense and made a fool of the waiter and insulted the owner.
Lastly, women were not spared Rigsbys rudeness, the episode WINE AND ROSES he runs into an old battle-axe who he mistakingly thinks is his blind date. "I've never been so insulted in all my life" she barks, "well you should try to go out more often!" Rigsby snaps -- utterly hilarious. I.e. he spread his ignorance and rudeness evenly across class and gender boundaries! Politically incorrect? Of course, what isn't nowadays, yet, certainly watchable today which I can't say for TILL DEATH AS DO PART or LOVE THY NEIGHBOUR.
The sitcom was indeed one of the best from Uk. A lot of people in Britain will be surprised to learn that the sitcom is often on TV in countries in Africa. I fell in love with it a long time ago when I first saw an episode in Africa. Just watched an episode on ITV today (2015) and could not stop laughing. Rigsby got into a boxing match with Philip. The plot was hilarious. I can understand why some people find the comedy racist in today's PC world.
In my view the writers were using the sitcom to educate people with views similar to those of Rigsby back then. If they succeeded in changing the thinking a few such people then they achieved a lot. That crusade is still relevant today.
I don't find it racist even after years in the Uk as a black man. Art is a great way to initiate change and in my view to seek to remove from TV anything that we perceive as controversial or uncomfortable is a wrong approach.
In my view the writers were using the sitcom to educate people with views similar to those of Rigsby back then. If they succeeded in changing the thinking a few such people then they achieved a lot. That crusade is still relevant today.
I don't find it racist even after years in the Uk as a black man. Art is a great way to initiate change and in my view to seek to remove from TV anything that we perceive as controversial or uncomfortable is a wrong approach.
Lo sapevi?
- QuizThe series was recorded entirely in the Yorkshire Television studios, in front of an audience, and featured no scenes on location.
- Citazioni
Rupert Rigsby: [Describing the state of the nation] This country gets more like the boiler room of the Titanic every day. Confused orders from the bridge, water sloshing around our ankles. The only difference is they had a band.
- ConnessioniFeatured in 40 Years of Laughter: The Sitcoms (1995)
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By what name was Rising Damp (1974) officially released in India in English?
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