Petrocelli

Spun-off from the movie "The Lawyer" (qv), "Petrocelli" is a great, one hour courtroom drama starring Barry Newman as the displaced New York Lawyer in the desert, Tony Petrocelli. In the late 1990s there was something of a revival in its popularity in the UK, when the BBC began screening it daily in their early afternoon (2pm) slot. It was certainly more entertaining than the show it replaced, "Quincy MD", although perhaps it did not scale the heights reached by the champion of that particular timeslot, "Columbo". "Petrocelli" became the all time favourite tv show of my University friend and housemate Neil, who would often miss lectures to catch the daily afternoon dose of legal drama. I wouldn't go that far, but I'd still say it's great entertainment. When compared to some of the lame legal dramas out there today ("The Practice", anyone?) the writing here is positively superb.

"Petrocelli" is a lawyer show that was on NBC during the 1974-76 seasons. It was based on a movie called "The Lawyer" (1970), which also starred Barry Newman as Anthony Petrocelli.

Petrocelli is a Harvard educated lawyer who inexplicably moved to rural Arizona (it was filmed in Tucson but the show never said it was in this town...and Tucson was much, much smaller in 1974). Why he moved there and why his wife supported this move is something the show never really talked about in any detail.

Each week, Petrocelli defends someone for a murder that they invariably didn't commit. The notion of a lawyer only defending innocent people is something this show and "Perry Mason" promote...and I am sure real life lawyers find this very funny. Often, Petrocelli gets people to impeach themselves on the witness stand...admitting they did the killing--something that just doesn't happen in real life. But more often he introduces reasonable doubt by proposing an alternate theory about how and who committed the killing. And, invariably they are acquitted. The perfect lawyer with a perfect record part was ridiculous and had the show gone beyond two seasons, I don't know how they could have continued in this vein.

So is it any good? Yes...and quite enjoyable despite it's heavy reliance on lawyer cliches. But a few other things kept it from being better. Not only was Petrocelli always right but he was often shot at, threatened and/or beaten up and never used a body guard. Again...this is a cliche and cliches are reasons I never thought it was among the very best shows of its type...but it is fun to watch and many episodes can be found on YouTube.

By the way, if you watch you may notice that Petrocelli parks pretty much anywhere and couldn't care less about parking laws. I can only assume this was added to the show to make him appear more like he was from Boston (which he's supposed to be), as the city is notorious for double-parkers.

I was in high school when this show was new, and I got interested only when it was already in its final of 2 seasons. I remember how they would dramatize several differing accounts of what had taken place, but I always thought the trial/hearing was too easily resolved when Tony P. gave his version. And it wasn't even in the 'final summation' stage. He just said something like, "I'm going to share with the court the only way this crime could have happened..." and the case would be dismissed. That's just too simplistic, and it's hard to believe any judge would let him do that-- and the prosecutor does not even object.

There were some running gags and sub themes that helped make the show interesting. Unlike Perry Mason, we see quite a bit of Petrocelli's after-hours. I don't even remember if it was explained why he lived where he did, so I assume he just wanted to be away from the big city, have land and build a house of his own; which he and Maggie did, though not apparently with much speed. If they had gotten more done on that house I wonder if that would have made any difference in the show's popularity. Maggie (Susan Howard) was his secretary/bookkeeper, as well as his wife, and she managed to get into jeopardy as much as Tony and Pete (his easy-going, less scrupulous cowboy investigator) did. And he liked root beer, was sensitive about his name being mispronounced as PETroSELLee instead of PETroCHELLee, correcting anybody who did that, or else deliberately mispronouncing THEIR name. And he often alluded to his Italian heritage and being brought up poor; which often compelled him to sympathize with poorer clients. The town where he kept his office was San Remo, another Italian reference. In one episode he told Maggie that his mother could prepare meatballs in 10 minutes, implying that she should be able to do that. Then she brought his lunch in a bag, he took it out and there was a can of meatballs and a note, "Here's your 10-minute meatballs." Not a belly-laugh, but amusing if you know the characters.

But Barry Newman and Susan Howard were very good actors. I wish the series had lasted 5 years, so it would have been syndicated in more markets and for longer. I would probably have every available episode on tape or disk it that had been the case.

Barry Newman brought a Jewish profile to a Boston Italian lawyer and pulled it off perfectly. Great pathos on Mr. Newman's part, especially once a week when he would sneer up his lips on one side of his face and say, in a long drawn out drawl,...'yyeaahhh', "Pete" (his P.I., the Underrated Albert Salmi... or "Maggie" if he was talking to his wife)..this kid's innocent...we'll prove it." And his perfect presentation at the end of each episode..."Your Honor, I would like to offer yet ANOTHER version of the events of that night...) It was a great show which, just like "Harry O" in the same time frame, was lost in the mass of more popular Crime Dramas and prematurely cancelled.

This became a staple diet of my Fresher's year at uni (1997). This show took over from Quincy in the post neighbours slot on bbc1 and was a massive hit in my student flat.

I'd advise anyone to give this series a go, it has an awesome charm and Newman is fantastic. As far as I can remember, Pete never managed to get paid and Tony didn't finish his house - although it did progress upwards from the foundations throughout the two series.

They did mess around with the format a bit towards the end, which was a little disappointing and they became increasingly obsessed with kidnappings. Having said that when Tony was stuck in the desert with a criminal and two blokes trying to shoot them it was pretty cool even if it wasn't sticking to the usual format.

"You gottta tell me the whole story"