Pepper Anderson agente speciale

Here's another example of a higher plane of quality 70's crime drama. Police Woman has much more believable scenarios, and better actors, say to other shows around that time, or T.J Hooker, if you want another example. The casting was something I really liked with this show. What actually pi..es me off here, is that of the measly screen time of the great Charles Dierkop, the older moustached guy of the undercover squad. He was the killer/cop in that good sleazy exploitation pic, Roots Of Evil. Again, here was a show where you saw a lot of 'before they were famous' actors, one being T.J Hooker, himself. Of course, the foxy AD as the female cop heroine, one lady cop you'd really like to save you, probably the best female acting cop performance to other ones around that time. The t.v. show's music score, is something I probably remember most, about this great cop show, as I was only a nipper. Another 70's cop show, gone, but not forgotten.

In the Summer of 1975, not so long ago, this was the NUMBER ONE show on television, and was the TOP SHOW in many of the countries around the world in which it aired.

How many people know this? Today, almost nobody... Younger audiences haven't even seen it, or, in many cases, haven't even heard of it, or know it's success essentially inspired the advent of "Charlies Angels". (It was also TV's first successful drama series to feature a woman in the title role). When "Police Woman" premiered in fall 1974 it was, admittedly, a quite different show than it would end up four seasons later. Angie Dickinson was the slinky undercover cop, sexy but tough-- convincing on both fronts-- and the show was produced (in the beginning) with the very obvious idea in mind of doing something "good" and distinctive, while tossing in a dash of T&A in their for "kick".

Like with any show, in the very early episodes the series is trying to find it's identity, but by the last half of the first season, the show had taken on almost a cinematic sense of bigness that was REALLY working-- the show (at least for the standards of the day) had begun to feel like a movie, full of gravity and portend, decidedly not just another cop show and not just an undercover-hooker formula thing (although they didn't shy away from that). No wonder the show was, briefly, at the top of ratings at this time-- or in the summer reruns immediately following.

But the feminists, Goddess bless 'em, put a lot of pressure on the network about "Police Woman", unhappy with the go-go dancer assignments and the "oooo-ain't-she-sexy!" dialogue that sometimes permeated the program. They wanted the character de-sexualized... Perhaps one can understand their point about that, but all they seemed to see was Angie in spandex and fishnets, and some of their demands were rather odd (prior to the second season, they even demanded that "Pepper" only be shot by female assailants in the future.... Huh?!?!?... Since 99% of most gun violence is perpetrated by guys, this seemed a tad strange). In any event, as sophisticated and intelligent as "Police Woman" was becoming by the end of it's first year, it didn't really need the "sex-crutch" anymore anyway, yet excess caution was taken with the second year to "reign in" Angie's natural effervescent demeanor. Curiously, what turned-out happening was that the energy was sucked out of the star and the show very quickly, her character weakened considerably... and yet, the hooker assignments continued.

What?? Now we had the reverse of what should have happened.

Within 6 months "Police Woman" went from Number One in the Nielsen Ratings to, maybe, Number 30 (an unwise timeslot change didn't help). In fact, NBC kept moving the show so much one wondered if it was one of those 'let's-try-and-lose-it' type of corporate decisions.

Suffice it to say, the show never really recovered. Angie's confidence seemed surgically removed after the first year, and the scripts and direction followed suit; only about half the episodes from seasons 2 and 3 had enough energy and focus to really work, and even then there's a constant feeling of the program "holding back" --- or holding-back Angie. And season 4, the series' final, was largely a misfire... And in SUCH contrast to the dynamic, volatile first season--- well, it's like a completely different program.

And ever since a brief rerun period after it's initial network run, the show has been utterly buried--- like it never even existed!

While not the first show to depict a female police officer on tv, Police Woman was the first to show how she does it in an hour. The show, which ran for four seasons and has seen popularity in reruns and on dvd and streaming, stars Angie Dicksinson, once married to Burt Bacharach and whose daughter commited suicide at the age of 40, who is still alive and kicking at 88. The music is memorable and is one of the first TV shows to be distributed by Columbia Pictures Television, as Screen Gems in its previous form released the TV movie, which was a hit a year before. David Gerber produced the show, which did good in its first season but ratings fell due to changes in politics, speaking of which Gerald Ford loved this show but ABC cancelled it a year after Charlie's Angels became popular.

I am a huge Angie Dickinson fan. I was very young when Police Woman aired on NBC but I remember bits and pieces of it. I always thought Pepper was just tops. She had FAR more ability than the Angels did...IMO the Angels got made too easily...

I have season one on DVD and I love every episode. I know that the quality of the show went down after s1...thanks to politics and idiotic big bosses...BUT...I've seen some eps of the later seasons and EVEN THOUGH Pepper was tamer than in season one...there are still scenes in these eps where Pepper shines...in fact it seems that the most important dialogue in said eps come from Pepper....so let's not dismiss the other seasons because the quality is not as good as the first season.

Like someone else said...Police Woman covered MANY topics that were deemed risqué' or just weren't covered at that time in television. In the episode Bloody Nose, the subject is the battered husband...something we didn't hear about back then...and is REALLY just now getting news. And then I had forgotten the one with the battered wife that moves into Pepper's apartment complex.

And I like the observation someone else wrote about the little things like Pepper's condo and I would add her wardrobe...both something you'd see someone with her salary living in and wearing.

It really is a shame that this show doesn't get the props it deserves. Yes, it was flawed in the later seasons...but it doesn't take away from the fact that it was a good show with good topics...and it didn't have to get all sleazy like TV has become today.

I hope SONY gets the point and releases the rest of the seasons on dvdsets.

After I graduated from college, had a job, I'd sit in my single-girl's apartment, watching this show about a single woman working. In 1977-1978, the network would show Policewoman, Kojak and another cop show after the late night news. Angie was right up there with the boys. That pretty much sums up her image. Pepper liked being one of the guys. The media focused on her sexy qualities, especially the first half of the first season, but Pepper really evolved into a great character. The topics were often ahead of their time. I remember one episode that began with Pepper and her boss watching that French dance act where the man slaps the woman around. Pepper didn't like it. Darned if a new neighbor in her apartment complex stops by, showing signs of being slapped around. Spousal abuse! This was before Farrah Fawcett starred in the TV movie, "The Burning Bed", the TV movie that brought this issue to the mainstream. In two other episodes, Pepper supported the wife or ex-wife of one of her coworkers diagnosed with cancer. The '70's were a decade when women ceased to hide their medical ailments, including disfiguring ones like breast cancer. These episodes showed that the Police Woman supported women as well as men. Back to Pepper's apartment, it was one a city employee could afford, unlike the spectacular, designer decorated living quarters one usually sees like in Will & Grace, Living Single, etc.