Zardoz

Filmmaker John Boormans' follow-up to "Deliverance" is admittedly not to all tastes. Boorman, who also produced and wrote the film, gives us a one of a kind experience that, ultimately, is better seen than described. Words like "weird" and "provocative" come to mind when viewing it, because it's full of ideas.

It depicts a world of the future (the year 2293, to be exact) where a sly master intelligence, Zardoz, has contrived a way to keep unruly lower classes in line. One of the lower class people is an "exterminator", Zed (Sean Connery), whose job is to kill, period. One day Zed decides to seek truth, and hitches a ride in a great stone head, where he's transported to a "vortex", or environment, where the bored upper class, a group of immortal intellectuals, don't know what to make of him. He shakes up their world as much as they shake up his.

The most striking element of "Zardoz" is the visual approach. Filmed on location in Ireland, it takes us from one surreal set piece to another, with deliberately stylized dialogue. The cast plays the material with very straight faces. Connery looks fairly embarrassed, and considering the fact that his costume partly consists of a red diaper, one can hardly blame him. (He wasn't too happy about having to wear a wedding dress, either.) Charlotte Rampling, Sara Kestelman, John Alderton, Sally Anne Newton, and Niall Buggy co-star; of this group of actors, Buggy does manage to inject some humour into the proceedings.

This is sedately paced and short on action, but it's compelling in its own offbeat way, provided one is able to stick with the story. While it's not likely to be very appealing to a mainstream audience, it's not something easily forgotten for devotees of cult cinema.

Seven out of 10.

This movie is truly awful, but at the same time it's got to be one of the BEST SCI-FI MOVIES I'VE EVER SEEN!

There are so many concepts to digest: Civilization's end, immortality, genetic manipulation, artificial intelligence, time control, psychic power, space travel, and on and on and on. If you're the least bit interested in science-fiction, there's more for you in this one movie than you'll find in a year's worth of Star Trek conventions!

Then why do I say it's awful? Well, within this movie's running time are some of the most cheesy moments ever captured on celluloid!

From the opening shots of the hairy-backed, leather-thonged, gun-toting Sean Connery (who at least manages to wear more than most of the rest of the cast), to the catch-cry of the Giant Hovering Stone Head ("The gun is good! The penis is bad!"), as it spews out a torrent of weapons and ammo from its mouth. What about the Eternal's predilection for studying erectile tissue function, by flashing up images of naked mud-wrestling? Or that crazy "wobbling-hands" thing that they do when in some sort of telepathic communion? Completely laughable!

Despite these moments of "cheesy-ness", Zardoz tells an utterly engaging and compelling story. The moment of revelation of the meaning of "Zardoz" took me completely by surprise, even though all the clues had been under my nose right from the beginning! (The Magritte painting "La chateau des Pyrenees", hanging in Frank's house, reminiscent of the hovering stone head, for example.)

If you like hard-core science fiction, and can put up with a few minor flaws, then I think you'll really enjoy Zardoz! It's weird, it's brilliant, it's unique! (Just make sure you watch it while you're wide awake, though, or you may drift off from time to time!)

9 out of 10!

jon :-)

The supremely visionary gifts of imagination of director/writer John Boorman rival those of legendary Arthur C. Clarke in this production, one even more amazing today than it was nearly thirty-seven years ago. Almost a template of what social engineering has wrought as a model for our future, depopulation and protected environment exclusively for the elite (with even a presumption of immortality thrown in) Zardoz is about manipulation through myth and where any ultimate conclusion to inherently confined and opportunistic "unnatural selection", as opposed to that natural selection of evolution, leads. This leap in inevitability is thus an utter inspiration inspired by profound wisdom in the acknowledgment of the complex that makes humankind unique in their adaptability. The very thing social engineering most frequently overlooks, in its mindless service to the elite.

The performances of Sean Connery as, Zed and that of Charlotte Rampling as, Consuella are among this film's many gifts, not the least of which is its beautiful setting, choreography, special effects, and scene changes. Be all this as it may, however, the value of this movie in expressing a potential for the future wholly untenable for most to at once conceive at the time it was made....now, which is becoming more and more apparent, at least in intent, is worthy of utmost praise. JCH

This movie came out when I graduated from high school and I first viewed it with the awe and admiration of a young man seeking intriguing concepts of what the future might be like. Zardoz did not disappoint me. The question of what would happen to mankind if all our physical needs were met and we were thereby allowed to expand intellectually is fascinating. We are constantly striving to make life easier, better and to live longer. Do we really need a struggle to exist or is it merely a leftover animalistic aspect of our evolution? Personally I like living in a climate controlled surrounding versus a cave where I have to kill something with my bare hands in order to eat. For what it's worth, I saw it again as a middle aged adult and I am still impressed with some of the concepts of the movie. My 13 year old daughter was not so much impressed. I'd still give it a good review and wouldn't mind owning it for my personal collection. I guess it takes a sci-fi geek to not be so bored with it and, of course, a bare breast thrown in gets my attention just as it did back in 1974.

I read that Boorman woke from a dream with the entire film whole in his head, as opposed to, say, Terminator, which started out as one scene(rising from the flames and advancing once again) and was written in both directions. Zardoz was a last gasp of the 60's and had flaws, but it is so unique a vision that it still stands out artistically. Most sci-fi film is marred by the same problem: avid older readers have seen these ideas since the 30's and not much can improve on a good idea, so all that's left is to pile on more special effects. The only film I still use as a benchmark is Forbidden Planet. But Boorman had James Bond in a diaper, the incredible Charlotte Rampling, minimal effects, nudity and attitude to bring this solid-sender to you. 7/10