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7,6/10
1147
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDocumentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singe... Leggi tuttoDocumentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.Documentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.
- Premi
- 1 vittoria e 1 candidatura in totale
Deborah Manning Thomas
- Self
- (as Debra Manning)
Sonny Warner
- Self
- (as Little Sonny Warner)
Recensioni in evidenza
This is one great film not only because of the classic concert footage, but because of the fact that the cameras went out into the community and showed how life was and, for the most part, still is in the inner city. Of course, I am a little biased due to the fact that I live in Los Angeles. In fact, the non concert footage could stand alone as a separate film due to the fact that they show various aspects of African-American life. Also, it is quite sad to see Richard Pryor in this film. This was before the years of abuse began to take their toll and probably helped contribute to the Multiple Sclerosis, which would contribute to his death years later. However, the concert footage is what pushed this film over the top, especially the footage of Issac Hayes. You pretty much could see why he was inducted some 30 years later into the Rock and Roll Hall of Fame. This not only a great concert film, but a great commentary Black America.
This rarely seen gem has Richard Pryor running on all twelve cylinders, stashed in a Watts bar, rapping with his buddies, the high point of a fascinating unvarnished view of ghetto life that slid down a black hole. This is one of a kind.
I only heard of this movie recently, bought it yesterday, and watched it this evening. Wow! I'm old enough to remember 1972, but I was very removed from the feel of this film at the time.
The musical performances are magnificent, and the attempt to capture the feel of the people in the audience is admirable, but I wonder if "Isaac the Bartender" from "The Love Boat" was actually a Watts resident or if he was an actor hired to evoke a mood (same deal for "Woodrow" from "Sanford and Son").
I suppose it's good that we would consider the Reverend Jesse Jackson enticing 100,000 black people to shout "I am somebody!" not so significant today, but in 1972 it was probably considered radical.
Rufus Thomas is an absolute gem. It's amazing to see how smoothly he works crowd control, completely eliminating the need for police intervention, by appealing directly to the masses. And of course it's always a treat to see the Staple Singers perform.
I recommend this movie first for the fabulous musical performances, and second for its capturing of the feel of the time and place. I give it an 8 instead of a 10 simply because I wish I could have seen ALL of the performances in their entirety.
The musical performances are magnificent, and the attempt to capture the feel of the people in the audience is admirable, but I wonder if "Isaac the Bartender" from "The Love Boat" was actually a Watts resident or if he was an actor hired to evoke a mood (same deal for "Woodrow" from "Sanford and Son").
I suppose it's good that we would consider the Reverend Jesse Jackson enticing 100,000 black people to shout "I am somebody!" not so significant today, but in 1972 it was probably considered radical.
Rufus Thomas is an absolute gem. It's amazing to see how smoothly he works crowd control, completely eliminating the need for police intervention, by appealing directly to the masses. And of course it's always a treat to see the Staple Singers perform.
I recommend this movie first for the fabulous musical performances, and second for its capturing of the feel of the time and place. I give it an 8 instead of a 10 simply because I wish I could have seen ALL of the performances in their entirety.
Back when being black , meant being proud .Melvin"Sweet Sweetback's Baaaadass song"Van Peebles came along with Wattstax. This was the Woodstock for soulbrothers and soulsisters held in 1972 at the L.A. Coliseum.This was the kind of show that made you wnat to jump out your skin and dance up a storm. Rance Allen's "Lying on the Truth" makes a man wanna go to church. Unfortunatly this movie hasn't made its way out on DVD or even VHS as of yet.The only way we can hear the legendary performances is to get the Wattstax soundtrack on cd.There is actually more than one soundtrack out, Wattstax and Wattstax 2. The first one made the leap to cd..while its latter partner in crime is stuck in vinyldom. I can say I have Wattstax 2 and it makes me thank Gd for a turntable...soulfully decadent.
This is an absolute gem and a richly textured time capsule in so many ways. Growing up making Hip-Hop in the 80's and 90's I used to wish I was a teenager in the late 60's and early 70's just to be around all of that great music. Seeing this movie now has solidified that dream. I should mention the scene when Rufus Thomas comes on and the crowd literally 'bum-rushes' the field in what today would be considered a riot but as the swarm of people descend from the stands to the sound of Rufus's opening number 'Funky Chicken', the riot is a dancing, feel good frenzy! I don't think anywhere in the world in today's society could so many people swarm into a small space like that and there not be any violence. They were just itching to dance and boy did they ever!!! Then, after Rufus wrapped it up he playfully instructed them to kindly move back to the stands and like angels, every single one of them did as requested in unison! OK one drunk guy stayed but Rufus joked with him and then told the crowd to 'go get him' and on cue some of them rushed the field to 'playfully' scurry him back to the stands.
You've really got to see this movie! Very addictive; I watched it three times within a week of first seeing it. Far out and solid!
You've really got to see this movie! Very addictive; I watched it three times within a week of first seeing it. Far out and solid!
Lo sapevi?
- QuizOriginally The Bar-Kays were going to enter the L.A. Coliseum riding in horse-drawn chariots. However, when the executives of Stax Records heard what the group had planned they ordered them not to do it. It turned out that the reason they didn't want the group to do it was so that they wouldn't upstage the concert's headliner, Isaac Hayes.
- Versioni alternativeThe 2003 restoration includes the original ending; Isaac Hayes performing the songs "Theme From Shaft" and "Soulsville", which were removed from the film following the 1973 Los Angeles premiere due to the threat of a lawsuit from Metro-Goldwyn-Mayer (MGM) over the use of those songs in a motion picture. The replacement ending, Isaac Hayes performing "Rolling Down A Mountainside" (recorded on a Los Angeles soundstage months after the concert) has been removed and is included as extra material on the 2003 DVD release.
- ConnessioniEdited into Richard Pryor: I Ain't Dead Yet, #*%$#@!! (2003)
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Botteghino
- Lordo Stati Uniti e Canada
- 16.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.000 USD
- 8 giu 2003
- Lordo in tutto il mondo
- 16.155 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Proporzioni
- 1.85 : 1
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