Recensioni degli utenti

It was really weird to see Tom Selleck and the black guy from Magnum P.I. in a movie together considering I have never seen either one of them in anything else. Do they always work together or was this the only time? I'll probably never know. Anyway, I wasn't expecting much from this movie and I was pleasantly surprised.Strangely, they start the movie with a news team and make it look like they will be a big part of the story but their part is done before the opening credits roll. I assume it's an original plot, although it's very similar to how Australia became a country. The fight scenes we're a bit weak, you could easily see that nobody was really getting hit, but the story was good enough to make up for it. It was a little predictable too but most movies are. I thought it was weird that there was so much nudity and so little swearing, they usually go hand in hand.It was also a bit weird that the woman who was the main character for most of the movie isn't even in the final few minutes but maybe it was just an editing mistake. This is a good movie, watch it.

The Supreme Court outlawed the death penalty. California created Terminal Island from San Bruno Island to exile the death row inmates. Bobby killed his bank robbery posse. Lee Phillips blew up a bank. A.J. is a cop killer. Bunny Campbell killed her parents with an ice pick. Julian Dylan is a biker. Joy poisoned her husband. Dr. Norman Milford (Tom Selleck) committed a mercy killing. Roy Teale is a serial killer. Carmen is the new inmate sent to Terminal Island. Bobby rules the main camp with an iron fist and Monk (Roger E. Mosley) is his second in command. The women are used as sex slaves.

I wanted to check this out after Selleck mentioned it on a late-night talk show. It's a violent low-budget exploitation T&A B-movie. There is a surprising number of hot babes serving death sentences. It's cheesy bad but it is almost watchable for its badness. The acting is generally weak and the overall filmmaking is poor. Selleck has a full beard. It doesn't keep my interest all the way to the end.

... doesn't really do anything interesting with the premiss, IMHO.

Escape From New York took a similar idea and did much more with it; there are also echoes of Lord of the Flies in what they *do* decide to do with the plot but, again, the latter did this better.

Also, despite it being cited as some sort of feminist allegory, the early nominal centre of the film (Carmen) gets rapidly sidelined once the women are freed from the main group, whereupon it's mainly two "guy gangs" - one nominally good, the other unambiguously bad - against each other, with lots of bad acting and cheap effects.

Not recommended.

Minor drive-in classic concerns the replacement of capitol punishment with exile to a guarded island. Men and women alike must fend for themselves in this rugged terrain(which looks like paradise to me).

TERMINAL ISLAND takes full advantage of it's many opportunities to present titties and sexual situations. If, for some strange reason, that doesn't manage to hold your attention, there's equal portions of violent action for good measure...it's a more professionally appointed example of it's type, and should manage to please many folks outside the trash-cinemaphile radius.

A sleazy, cheesy champion of drive-in splendor. 6/10.

I can't believe all the reviews that are so positive about this terrible movie.

The only interesting aspect is that it stars a young Tom Selleck.

There's gratuitous nudity, unconvincing gore and 'action' sequences which are laughable.

The story is stale with a plot that has been reworked many times.

There's nothing new or worthwhile to recommend this movie.

There's no tension to be found in the story. It has a very unrealistic premise and ending.

There's also a real misogynistic theme in this movie as the women are nothing more than 'ass' for the men to share. And while the men are all scruffy and dirty, the women are perfectly coiffed with their breasts spilling out of their ill-fitting clothes.

I guess if you're a 12-year-old boy, you might get your jollies from this insipid movie but anyone with an IQ over 100 will be bored by this POS.

The early 1970s B picture "Terminal Island" has an effective premise with which to work. In the "future", the Supreme Court has declared the death penalty unconstitutional. In its place, criminals are now dumped on an island 40 miles off the American coast. Here they're (mostly) left to fend for themselves. The latest arrival is a young woman, Carmen (Ena Hartman), who's just in time to witness an uprising. Some of the convicts are tired of the tyranny of their "leaders" Bobby (Sean Kenney, "The Corpse Grinders") and Monk (Roger E. Mosley, "The Mack"). So a small group splits off from the main group, and plots revolution.

Co-written by James Barnett, producer Charles S. Swartz, and director Stephanie Rothman ("The Velvet Vampire"), "Terminal Island" is pretty good for this kind of exploitation fare. It fulfils its requirements - violence, sex, nudity - adequately, and is simply beautifully shot (by Daniel Lacambre, "Humanoids from the Deep") on some pretty locations. While it naturally has its trashy moments, it never really wallows in unpleasantness, and it does have a sense of humour, to boot. (Watch how the horny character, Dylan (Clyde Ventura, "'Gator Bait") is dealt with.) The story is a little thin, but is also provocative on occasion. (Dr. Milford, played by a young Tom Selleck, was convicted of the mercy killing of a patient.)

The cast is full of then-stars, stars-to-be, and familiar character faces. Also appearing are Don Marshall ("The Thing with Two Heads"), Phyllis Davis ("Beyond the Valley of the Dolls"), Marta Kristen ('Lost in Space'), Barbara Leigh ("Junior Bonner"), Geoffrey Deuel ("Chisum"), James Whitworth (Papa Jupe in Wes Cravens' "The Hills Have Eyes"), Richard Stahl ("Nine to Five"), Sandy Ward ("Cujo"), and Albert Cole ("The Incredible 2-Headed Transplant"). The film gained newfound attention when Selleck and Mosley found later fame on 'Magnum P.I.'. Kenney and Mosley are particularly fun as the antagonists of the piece.

Full of solid squib action and some satisfying explosions, "Terminal Island" is worthy of discovery by devotees of the B pictures of decades past.

Seven out of 10.

This style of Penal Colony movie was very popular in the 70's. The only high point is Tom Selleck and Roger Mosley starring in the same movie, 7 years later they would team up for almost a decade on Magnum P. I, one of the most popular detective shows in the early 80's.

Okay so this film is not Lord of the Flies caliber and it will never be included in the Criterion Collection, but I will give credit to female director Stephanie Rothman for her fortitude for completing this action/drama/thriller that includes a few female characters that are not total bimbos. Director Rothman does follow the action themed "good guys versus bad guys" and yes the women in this film are exploited both physically and mentally but the difference is sometimes in Ms. Rothman's film the girls get the better of the hardened criminal men and I did find myself rooting for the women.

The film starts off rather slow as we are introduced to a broadcast news crew who want to do a news story on this new law discipline that sends like-minded convicted murderers on to an island to fend for themselves, and to fend off one another mainly to survive. Thus the film title Terminal Island would indicate that as a convicted criminal murderer your days are numbered once you land on Terminal Island.

Yes it has that typical '70's era dull cinematography feel, a pretty redundant music score but it also has one known star for the time in Don Marshall (known for TV's Land of the Giants) as well as some up and comer TV actors such as Phyllis Davis, Roger E. Mosley, and the well known now geriatric actor Tom Selleck, who back in 1973 was a TV commercial male model hunk looking for his first big break. No doubt, Terminal Island gave Tom Selleck the break that he needed to become a bona fide television star in first Magnum P.I. for 8 seasons along side Roger E Mosley who played TC. More recently Tom Selleck has been starring in the highly rated prime time TV police series Blue Bloods for the past 7 seasons. So Terminal Island was recognized by the astute TV producers that there is some good talent coming out of Terminal Island that was well worth pursuing.

I liked Terminal Island because it deliberately stayed clear of overdoing any sex and gore and tried to execute a film with a pretty good plot that was both creative and not easy to execute on a small budget for a B movie at best. So yes, it is worth watching and I will say that I did enjoy it. Maybe you will too?

I give it a 7 out of 10 rating

Right, well "Terminal Island" is a movie that is two years older than I am. But of course something like that is not going to keep me from watching a movie. And as I had the opportunity to sit down and watch "Terminal Island" here in 2021, of course I did so.

The concept idea here, as written by James Barnett, Charles S. Swartz and Stephanie Rothman was certainly interesting. However, the transition to the screen made for a lukewarm movie experience. Yeah, the movie was watchable, sure, but this was hardly a hidden cinematic gem that I had been missing out on.

The movie does have signs of being 48 years old, sure, but there are still aspects of "Terminal Island" that are applicable today, and things that does leave you with something to ponder about.

However, from an entertainment viewpoint, then "Terminal Island" just fell short of providing me with a proper movie experience. I just had a difficult time submerging myself into the movie, despite it having a good concept.

The movie did have an okay cast ensemble, I will say that much, with the likes of Tom Selleck and Roger E. Mosley starring here.

My rating of director Stephanie Rothman's 1973 movie lands on a less than mediocre four out of ten stars.

Curiously, most of the cast members come across as if they don't belong in this movie. Tom Selleck was obviously unknown at the time. He is completely ineffectual as a "doctor." The only point of interest is also having Roger E Mosely in the cast, as he and Selleck went on to star in Magnum PI. The biggest disappointment is the way beautiful Marta Kristen is wasted here. Her role is quite generic. Nothing that any other actress couldn't have done just as well. Also, Marta has genuine competition here, strictly in terms of "looks." There are not many women who could have ever given Marta Kristen a run for her money, but Phyllis Davis does just that. Not only are they both beautiful women, but they look like they could have been sisters. There is some nudity. Not enough, and none of it is by Marta! WHY NOT??!! Overall, the movie is watchable, but more violent than sexy. Should have been the other way around.

It didn't help that I wound up watching the censored version of this film as, honestly, nudity is about the only thing that could have brought any life to this lame mess. So if a woman gets pregnant on Terminal Island, the innocent child gets punished by default? And clearly the punishment factor for women on such a place would be much harsher than it would be for a man, but why bring up logical questions? Because, when you set up a premise ripe for exploitation that doesn't even come close to delivering the shlock it should, you start to nitpick at how dumb and unrealistic the whole concept is. The level of dehumanization, abuse, torture, and general nastiness that one would expect from such a set-up is barely addressed in this flop and, instead, you kind of get this let's-build-our-own-society / romance shtick that is boring as hell and doesn't work. I've seen worse, but this movie basically blows.

The one funny part was where they build the typical Rambo-style spring trap where the sharpened stakes are tied to a small tree and impale the guy who trips it, the major flaw being the tree used as the spring is about one inch in diameter and wouldn't even have enough force to drive a thumb tack, let alone a wooden spike. It's almost symbolic of the movie itself: lame and weak.

After the Supreme Court outlaws the death penalty, California circumvents the ruling by sending murderers to a secluded island, where they are declared 'legally dead' and expected to kill each other off. Four intrepid ladies spend some miserable time in the hierarchical sexist work camp on one side of the island, then run off to join the liberated comrades on the other side. There's some pretty big statements waiting to happen in there, and they come through loud 'n' brassy, but they are made in the firm confines of a rockin' 70s drive-in action movie. This is a co-ed prison flick on a cheaper set, with a great bunch of weirdo characters floating around and future Magnum P. I. cast members sweetening the pot. Smart and well made too.

For an exploitation flick that seems to make itself up as it goes, TERMINAL ISLAND begins creatively enough, much like the same years' WESTWORLD with random interviews about the title location...

In this case, based on the actual California death penalty being overturned (making The Manson Family eligible for parole soon after), random people are asked what they think of the prison island alternative, like ESCAPE FROM NEW YORK after while based on the infamous Devil's Island, where murderous convicts are left to their own devices...

Providing a terrifically intense/lovely lead actress in DAN AUGUST black secretary Ena Hartman, with enough blaxploitation/woman-in-prison Pam Grier-esque gusto to completely rule her own feature...

But a real life injury curbed her starring role... plus there are more men on the island, including a monotone, horribly misplaced Tom Selleck as a passive doctor and his future MAGNUM PI chopper pilot Roger E. Mosely, better suited as one of the bullying alpha-males using the women like sexual slaves...

But by the time this urgent plot-line develops, providing Hartman a dilemma she must overcome, quickly, she and other starlets... including spacey brunette Barbara Leigh and intense blondes Phyllis Davis and scene-stealer Marta Kristen (in the Roberta Collins-style tough girl role)... are rescued by black gentleman Don Marshall, leading into what what feels like another movie altogether...

Two actually, within two separate camps: the bad and the good, and neither really connect...

Although former Roger Corman collaborator Stephanie Rothman directs in an intense enough manner so that the survival sequences are partially intriguing...

Making TERMINAL ISLAND several half-decent islands to themselves - despite ultimately becoming atoll on the audience.

Remember Escape From New York? Eight years previously, in 1973, Terminal Island did the exact same idea. Not nearly as well, but hey - being first count for something, too! TI is an exploitation film when being an exploitation film was cool. As such, it has certain shortcoming inherent to the genre, such as street talking tough black guy, the psychotic white chauvinist pig, and the heroic woman, overcoming oppression with sagacity and perserverence. I can live with those stereotypes, but I can't bear the background music leftover from a 1970's porn movie!

Marta Kristen finally gets to play the part of an action hero - quite a leap from the laid back Judy Robinson role she is best known for. She fights and blows things up and knows how to create gunpowder from nature. Very cool.

This movie takes place in the near future after a Supreme Court decision that has outlawed all capital punishment which leaves the state of California forced to subsidize the incarceration of murderous criminals for the rest of their lives. Rather than accept this enormous loss of revenue a solution is adopted which exiles all of them to an uninhabited island where they are forced to fend for themselves with no assistance from the outside except a boat which delivers a small amount of provisions every so often. It's during this time that a female prisoner named "Carmen" (Ena Hartman) is sentenced to spend the rest of her life on this island. When she gets there she discovers that the male population out-numbers the females by a ratio of over 10 to 1 and as a result the few women there are reduced to physical and sexual slavery. Now rather than reveal any more of this movie and risk ruining it for those who haven't seen it I will just say that this film had a pretty good premise to build upon and succeeds to a limited extent more or less. That said, while some of the scenarios weren't that realistic the actors performed adequately enough and the movie at least managed to keep my attention for the most part. Accordingly, I rate it as slightly above average.

This movie was fine, great, if you're a Tom Selleck fan. Personally, I like Phyllis Davis (who starred later in "Vegas" with the late Robert Urich). The "DVD" version; which is available from Canada, produced by Legacy Entertainment, is a "ripoff" (if you'll pardon an old slang word). It is cut for language, and other material, featuring Ms. Davis, and another actress (separate scenes, not together), involving nudity. I know, because a) I have a book called "The Bare Facts" by Craig Hosada, which reviews these scenes. b.) I have a tape called Famous T & A, I'm not making it up, which features an uncut/uncensored excerpt from the movie which shows what was cut. I am getting a VHS, used, from another place, from a different manufacturer, and hoping it hasn't been "cut". Although rated "R" originally, and even though it says it's been edited (which I didn't look to see, until after I viewed the movie; which if I had done, I'd have returned it) I feel I was cheated. So, this is a warning to any potential buyers. If editing doesn't bother you, then, by all means, buy it. In fact, I'm trying to resell my copy, as it was played once.

Selleck (playing a doctor before his stint on "Friends") and Mosley appear in this one seven years before the Magnum, P.I. TV series. (It is amazing how a person can play one character and be so right for so many different roles).

California has abolished the death penalty (before it was reinstated) and the golden state empties death row onto "Terminal Island". Here, the inmates run the show and the only "guard" is a Navy frigate that prevents escape. Basically, this is a standard prison movie without the bars, but since there are no rules, the inmates can do whatever they want from what they can improvise on the Island.

A social order has arisen where a dorky murderer along with his black enforcer(Mosley) force everyone to work while he has his way with the women (other males get their turn, as well).

A "revolutionary" band of renegades (lead by Don Marshall(II) from "Star Trek" and "Buck Rogers in the 25th Century") roam the island and basically steal what they can from the "establishment". They treat their people only slightly better.

A war erupts when some guards delivering a new prisoner are overwhelmed and their machine guns are stolen. All manner of improvised weapons are also used as well.

This movie is a very good allegory for the VietNam war and how determined ingenious under dogs can defeat a militarily superior power.

Also, as expected in seventies exploitation flicks, a lot of chicks go topless and nude--unfortunately not Selleck or Mosley.