Crimson

Euro-cult icon Paul Naschy plays Jack Surnett, leader of a criminal gang. After a botched heist, the gang heads for the hills, and Surnett is seriously wounded by police during the getaway. Only a brain transplant can save Surnett now, and, as fate would have it, there is a professor (Ricardo Palmerola) out there specializing in that sort of thing. Surnetts' gang goes out and steals a donor brain, from none other than Surnetts' biggest rival, a goon dubbed The Sadist (Roberto Mauri). Naturally, as Surnett revives, he comes under the influence of The Sadists' brain, becoming even more depraved & violent.

This sounded like it had the makings of a solid exploitation-crime flick (with a touch of horror), but alas it's all rather flat and unexciting. Director Juan Fortuny relates the story at a snails' pace, with too many unnecessary detours. Worst of all, this is a Paul Naschy film in which Naschy BARELY APPEARS, at least until the final 20 or so minutes as Surnett begins to unravel.

There is *some* decent gore, and there are certainly *some* amusing moments (such as two henchmen, Paul (Claude Boisson) and Karl (Victor Israel) getting squeamish in regards to severing The Sadists' head. So they wait for a train to do the job for them!

The cast is good, although the English dubbing is pretty cheesy as it is for so many of these types of movies. Carlos Otero is especially effective as the pathetic Doc Ritter, while Israel, sporting glasses and a bushy mustache, amuses as the weaselly Karl.

This likely won't appeal to Naschy fans across the board, although I *will* say that, yes, it is indeed an atypical effort for the Spanish genre star. People bemoaning the dearth of sex & nudity should be aware that there IS an alternate cut running about 10 minutes longer that has more of what they want.

Six out of 10.

I am a Paul Naschy fan and he is always worth watching.

No, this will not garner any awards, but I bet it is on Quentin Tarantino's shelf. A perfect combination of crime and horror and a bit of Frankenstein thrown in, this is the perfect film to sit around and get drunk to with a group of friends.

Silvia Solar, Euro-trash veteran, and remembered for her role in at least one video nasty, is the wife of a mad scientist (Ricardo Palmerola), called upon to save Naschy, who was injured in a botched robbery.

They have to find a brain for a transplant. These hardened killers don't want to cut the head off the person they found, so they put him on train tracks to let the train do it. LOL Gilda Arancio (Zombie Lake) plays Naschy's girl, and plays a crucial part in getting the head they need, as she used to be the girlfriend of The Sadist (Roberto Mauri), the man who's brain they took.

Things don't turn out as planned - do they ever? The Sadist brain turns Naschy into a madman.

Just pure fun.

I have been a great fan of the late Spanish Horror/Exploitation legend Paul Naschy for a long time now. While not all of his films can be described as great (though some can), they are entirely entertaining. Juan Fortuny's "Las Ratas No Duermen De Noche" aka. "Crimson, the Color of Blood" (I bought it under the title "The Man With The Severed Head") of 1976 is doubtlessly one of the cheesier and more confused flicks in Naschy's wide repertoire, and yet it is an amusing little film that my fellow fans of the man might enjoy.

During a heist, a gangster (Naschy) is shot in the head. In order to safe the man's life, the members of his gang force an obsessed doctor to perform an operation which requires parts of another human being's brain. Not so cleverly, they choose to take the brain of their biggest rival, a criminal aptly named 'The Sadist'...

The film, which starts like a heist-flick, is, more or less, a Spanish 70s take on a concept popular in the classic Horror era. Films such as Karl Freund's fantastic "Mad Love" of 1935 (starring Peter Lorre) or "Black Friday" of 1940 (starring Boris Karloff and Bela Lugosi) had topics about body parts being replaced with those of brutal criminals, which inevitably lead to fatal results. Unfortunately, "Crimson" is an overall rather messy, yet very predictable film that features no surprises and a regrettably short screen-time for its star Paul Naschy. The film still guarantees a fun time, however. There are some moments of gore as well as some sleaze and female nudity (depending on which version you see). Naschy is cool as always, though his screen time is limited. One should try and get hold of the Spanish version, since the English dubbing is one of the most horrendous I have ever heard (which, then again, contributes to the 'camp' factor of the film). Overall, "Las Ratas No Duermen De Noche" is cheesy fun that is mildly recommended to my fellow Naschy-fans.

¨Las ratas no duermen de noche¨ is starred by Spanish legend Paul Naschy. A group of thieves, led by Jack Surnett (Paul Naschy) and his henchmen Henry (Olivier Mathot), Karl (Victor Israel) and Paul (Yul Sanders), are pursued by the police after a failed attempt. Of stealing a safe with jewelry. While fleeing, Surnett is shot in the head. To try to prevent his certain death, his criminal cronies take him to the drunken doctor Dr. Ritter (Carlos Otero), who owes the gang favors. Unable to help him due to the severity of the injury, he turns to a scientist friend, Professor Teets (Richard Palmer), who works on scientific research on brain transplants, with the help of his wife Ana (Sylvia Solar). But the experiment making Surnett even more dangerous and murderous than before. To carry out the strange transplant surgery, the criminals, with the help of Surnett's girlfriend, Ingrid (Gilda Anderson), decide to pursue a rival enemy known as "El Sádico" (Roberto Mauri), to eliminate him and use his brain. However, they will have to face the vengeful fury of the rival gang formed, among others, by second-in-command Willy and the sadist's girlfriend, Barbara (Evelyne Scott). The transplanted mobster boss begins to experience side effects with mental instability, now becoming even more violent, dangerous and unpredictable.

Typical crime thriller with suspense, intrigue, red herrings, shootouts and in which a delinquent is undergone a weird surgical operation. This is more of a thriller than your typical Paul Naschy horror film. It's a routine movie basically about two gangs at war and the leader of one of them who suffers a brain transplant with fatal consequences. Crimson - The Color of Terror is a police thriller with a dispute between rival gangs of criminals with a basic idea of horror and messy science fiction only as a backdrop, through the element of the "mad scientist" and the brain transplant experiences for the supposed good of humanity. A mad doctor performs a head transplant on an injured criminal, but the already fearsome aggressor Surnett, after being transplanted with the enemy's brain. It has little violence and no blood , which does not justify the choice of the title, which emphasizes the color of blood, and the deaths occur almost exclusively in shootouts. The atmosphere of horror is discreet and limited to the moments in the scientist's strange laboratory and Surnett's transformation into an even more ruthless killer. There is an unnecessary scene, which contributes nothing to the story, with a dance number by a woman and two men in a nightclub, which seems more like a way to complete the film's footage. As a trivia, the film's story is similar to and was certainly inspired by "Black Friday" (1940), a black-and-white "Universal" production starring horror icons Boris Karloff and Bela Lugosi. Here Paul Naschy has little presence, appearing on the scene only at first in the failed robbery attempt, and then is undergone a surgery resulting in a huge psychopathic behavior provoked by the influence of the brain of his enemy. There'are some attractives faces in the cast, most of them regulars in the 60s, 70s, 80s co-productiones (Terror, Spaghetti, Euro-spy, softcore), such as : Silvia Solar, Olivier Mathot, Evelyne Scott, Víctor Israel, Cesar Ojinága, Carlos Otero, actor/director Robert Mauri and Ricardo Palmerola who he played for director Fortuny: Palmer ha muerto, Las aventuras de Taxi Key, El pobrecito Draculin.

This mediocre flick results to be a low budget co-production between Merqueriz (Juan Fortuny's production company) and Eurociné of Marius Lesoeur. Among the different alternative titles, it is known in Spain as ¨Las ratas no duermen de noche¨and other titles: Le viol et l'enfer des X (France) L'homme à la tête coupée (France) Crimson, the Color of Blood (World-wide, English title) The Man with the Severed Head (Canada, English title) Crimson (United States), "Rats don't sleep at night" (international title). The motion picture was regularly directed by Spanish filmmaker Juan Fortuny . This Catalonia director was an artisan who wrote/produced/directed some so-so films. He directed and photographed various movies in all kinds of genres , some of them co-producing with other countries as France and Panama , such as : El pobrecito Draculín , Marchands de femmes , Huyendo de sí mismo, Palmer ha muerto , Las aventuras de Taxi Key , Delincuentes , La melodía misteriosa, El rey de la carretera , Huyendo de sí mismo , Unas páginas en negro , Legión de héroes . Rating: 4.5/10 . Only for the satisfaction of collectors and connoisseurs of European fantasy cinema. Very mediocre.

I remember stumbling upon this film a couple of years ago on a cheap looking DVD edition under the appealing title "The Man with the Severed Head", but without any type of additional info like cast members, year of release or plot synopsis. Since I couldn't trace the film around here on this website, or any other website for that matter, I didn't want to risk a blind purchase. Now I found this film with the exact same cover image, released under the acclaimed "Euroshock Collection" label and with the box proudly exclaiming Paul Naschy's name as the lead star, so this time there weren't any more excuses not to watch it! I consider myself to be a big fan of Paul Naschy, in spite of his gigantic ego and his often terribly inept and gratuitously sleazy Spanish film productions. In case you are just even slightly familiar with Naschy's usual repertoire, you will notice straight away that "Crimson" is an extremely atypical film for him. Naschy literally loves himself and he's always profiled as a powerful, strong and womanizing type of anti-hero. Here in this film "Naschy" hardly has anything to do or say, as his character lies half-dead in bed most of the time because most of his brains were blown out by the police during a failed jewelery theft. I honestly wonder why Naschy even accepted this type of inferior role in a movie he didn't even co-wrote or directed himself.

"Crimson" isn't necessarily a bad film, but horror and Euro-sleaze fans should definitely beware as there are hardly any gore elements and absolutely no nudity. Yeah, I have no idea what that's all about neither. This was mid 70's and European exploitation production, right? Instead of all this, writer/director Juan Fortuny attempts to come up with an ambitious and extremely convoluted mixture of heist movie, revenge thriller and mad scientist shlock. Following the heist gone wrong mentioned here above, Jack Surnett's gang members don't want their leader to die and force a drunken doctor to come up with a solution. He brings the whole posse to a secluded place in the countryside, where a brilliant scientist and his wife are on the verge of accomplishing a breakthrough in their brain transplant experiments. As the involuntary brain donor, the gangsters select Surnett's arch enemy – a guy named "The Sadist" and acting like one too – and hope that a happy ending will ensue. Needless to say the operation doesn't go as planned and Surnett doesn't wake up as the man he once was. "Crimson" is an odd and difficult to categorize exploitation effort. It's reasonably fast-paced and mildly compelling, but still there's a lot of redundant footage and unnecessary dull sub plots (like the love history between the scientist and his wife, the distrust and hostility between the gang members mutually, etc…). The absence of actual horror aspect and bloody killing sequences is a huge disappointment, especially since the DVD cover showcases some promisingly bloody tableaux. The delirious jazzy soundtrack is great and some of the supportive cast members deliver splendid performances, like The Sadist and the double-crossing dude with the sleazy mustache. Worth a look if you're into curious and offbeat European exploitation cinema, but nothing really special.