Welcome bastardi!

The Proud and the Damned is an historical-fiction western starring Chuck Conners and a relatively unknown, but not bad, cast. The film appears to have been filmed in the Chihuahuan Desert, though the setting is inexplicably identified as South America early-on.

Conners leads a group of refugee confederate soldiers traveling through a country in the middle of its own civil war. Apparently, Conners' boys have taken a few odd jobs as mercenaries en-route, and both sides in the present conflict want their help.

The film is essentially an American-made spaghetti-western, without the plot convolutions and tension (or Clint Eastwood) that made this genre so interesting. About mid-way through the story, the film meanders and seems fated to fizzle into oblivion rather than going out with a bang, but it does eventually wander back to its track. The script is occasionally bloated, but not bad. Once in a while, the film actually presents some interesting anthropological points. The acting is surprisingly OK. And the sets, scenery and cinematography are good.

It won't kill you. This is a much more entertaining western than I had anticipated. However, I will limit my recommendation to fans of western movies.

After the Civil War has ended 5 Confederate soldiers led by "Sergeant Will Hansen" (Chuck Connors) have left the United States in search of a new home somewhere in South America. After being chased out of one country they find themselves caught between two rival armies involved in their own civil war. One side belongs to "General Martinez" (Andres Marquis) who demands that these 5 soldiers spy on his enemy for him or risk death. Not having much choice they agree and ride into the village of San Carlos to gather as much information as they can on the other army led by "Dom Miguel" (Cesar Romero). While doing so a couple of them meet two attractive women named "Maria" (Maria Grimm) and "Carmela" (Nana Lorca) who impact their lives in ways neither man can imagine at the time. Anyway, so much for the plot. As far as the movie was concerned I thought some of the characters were too shallow, the action sequences were rather dull, it wasn't well-written and the story just seemed to fall flat. That said, I honestly wasn't too impressed with the overall finished product and as a result I rate this movie as below average.

THE PROUD AND THE DAMNED is an odd, zero-budget western that was filmed in Colombia. That novelty value is about the only thing this has going for it as otherwise it's a completely routine oater that feels like a low-budget, low-effort riff on THE MAGNIFICENT SEVEN. The storyline involves a group of rather dull mercenary types who hole up in a small village during a revolution and soon find themselves getting involved in the action.

Although there's plentiful action in this movie, none of it is very good. It doesn't help matters much that the quality of the print I saw was absolutely pitiful, one of the worst-looking westerns ever. The Colombian locations are effective but the direction is very poor and this feels like an old 1930s-era film rather than a '70s movie. Chuck Connors and Cesar Romero co-star.

"The Proud and the Damned" is a film that was made in 1969 but not released until 1972. This means, most likely*, that the powers that be knew it was a stinker of a film and would lose money...so it just sat in limbo for three years before ultimately being released. Because of this, I had very low expectations for the picture.

The film is about a group of Confederate soldiers who decide to become mercenaries after the US Civil War ends. So, they head to war-torn South America where their services might be needed. Unfortunately, the local authorities seem to know why they are there and order them to leave the country. However, a local mayor (Caesar Romero) sees need of their services and he invites them to stay as his guests. What exactly does he want them to do? See the film...or not.

So is it any good? Well, it's not terrible...but it is, at times, terribly dull and a bit cheap. It's certainly not as bad as I expected....though I expected the worst. Cheap looking despite it's location shoot in Columbia, South America.





*In at least 90-95% of the cases, being shelved is a sure sign of a terrible film. One exception was "Arsenic and Old Lace". When the studio made it, they agreed not to release this Cary Grant film until the play ended its Broadway run. Surprisingly, it was such a hit that it, too, was shelved for a few years until the play closed.

Released in1972, "The Proud and the Damned" tells the story of five ex-Confederate soldiers, led by Sgt. Will Hansen (Chuck Connors), trying to find a new home in South America after losing the war. A Napoleon-wannabe "general" (Andres Marquis) hires them to reconnoiter a village where the guys either party it up or romance local gals (Maria Grimm & Anita Quinn). Cesar Romero plays the mayor of the town while José Greco & Nana Lorca are on hand as dancing gypsies. The rest of the ex-Confederates are played by Aron Kincaid, Smokey Roberds, Henry Capps and Peter Ford.

This is a low-budget and relatively obscure Western that doesn't get very good ratings, and I can understand why. Some of the acting is dubious and a few of the action sequences are less than convincing, not to mention there's zero build-up to the romance. It's overall a mediocre Western with some lambasting it as subpar or even "unforgiveable trash," as one critic put it.

If you can overlook these flaws, however, there are several items that make the movie worth catching: Connors is a quality Western protagonist; the Columbian locations are scenic and authentic (say what you will, but quality locations cost money); the Latin-styled Western music by Gene Kauer & Douglas M. Lackey is quite good; this is a unique Western in that it takes place in South American (presumably Columbia); and the six protagonists are likable with good camaraderie. I say SIX because I'm including the honorable Capt. Juan Hernandez, played by Conrad Parham.

I also like how unpredictable the movie is despite the predictability of the plot. In other words, just because you THINK you have the story figured out doesn't mean it's necessarily the way it's going to pan out. Also, despite the palpability of the low-budget I found myself involved in the story & the characters by the second half. Lastly, I can't help but respect the audacity of the unexpected and puzzling Climax.

The film runs 96 minutes and was shot in Columbia.

GRADE: C