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"The Proud and The Damned" is a western that should be seen by any big western fan. You know the good guys from the bad guys by the way the dress (Good guys wear different clothes and the bad guys wear a funny-looking blue uniform with a red scarf around their necks). This film should have won an award for "best costume design" because every time i saw the bad guys running around in those unique, blue, western leisure suits, I laughed my head off and was immediately blown away with the artistic talent and creative efforts in thinking of those uniforms. We all know mexicans didn't wear those kind of clothes. The film has it's "shoot-outs" with cannons, it's original dialogue ("Hey Will, do you think they'll be waiting for us over by that hill of mud?...."You bet your tail!"), and it's daring anti-climax (The good guys lose) that makes it a very realistic piece of american/mexican cinema. Watch for Cesar Romero's final scene as he demands that Chuck Connors pays for the food that he and his men has eaten in a mexican whorehouse....( Cesar Romero)- "Pay for your food mister!" (Chuck Connors) - "The women and the sex we pay for but the food's free, Mr. Mayor cuase I say so." Marvelous

Chuck Connors is featured in this western about a group of American civil war veterans traveling in South America. After being run out of one country they wind up as the "guests" of a Columbian General intent on conquest. In a situation where they don't have a lot of choice, they agree to go to the town of San Carlos to spy out the city and report back to the General. While in San Carlos they wind up being the "guests" of the mayor played by Cesar Romero. Two subplots unfold involving women and the group, leading to predictable conflict and violence, with a surprising twist for the group's leader, played by Connors. Ultimately battle breaks out with elements of treachery and surprise. Marred by some dumb dialog, this film is recommended only for die-hard western lovers.

Released in1972, "The Proud and the Damned" tells the story of five ex-Confederate soldiers, led by Sgt. Will Hansen (Chuck Connors), trying to find a new home in South America after losing the war. A Napoleon-wannabe "general" (Andres Marquis) hires them to reconnoiter a village where the guys either party it up or romance local gals (Maria Grimm & Anita Quinn). Cesar Romero plays the mayor of the town while José Greco & Nana Lorca are on hand as dancing gypsies. The rest of the ex-Confederates are played by Aron Kincaid, Smokey Roberds, Henry Capps and Peter Ford.

This is a low-budget and relatively obscure Western that doesn't get very good ratings, and I can understand why. Some of the acting is dubious and a few of the action sequences are less than convincing, not to mention there's zero build-up to the romance. It's overall a mediocre Western with some lambasting it as subpar or even "unforgiveable trash," as one critic put it.

If you can overlook these flaws, however, there are several items that make the movie worth catching: Connors is a quality Western protagonist; the Columbian locations are scenic and authentic (say what you will, but quality locations cost money); the Latin-styled Western music by Gene Kauer & Douglas M. Lackey is quite good; this is a unique Western in that it takes place in South American (presumably Columbia); and the six protagonists are likable with good camaraderie. I say SIX because I'm including the honorable Capt. Juan Hernandez, played by Conrad Parham.

I also like how unpredictable the movie is despite the predictability of the plot. In other words, just because you THINK you have the story figured out doesn't mean it's necessarily the way it's going to pan out. Also, despite the palpability of the low-budget I found myself involved in the story & the characters by the second half. Lastly, I can't help but respect the audacity of the unexpected and puzzling Climax.

The film runs 96 minutes and was shot in Columbia.

GRADE: C

The Proud and Damned is written and directed by Ferde Grofe Jr. It stars Chuck Connors, Cesar Romero and Andres Marquis. Music is by Gene Kauer and Douglas M. Lackey, and cinematography by Remegio Young.

1870 and five ex Confederate mercs arrive in South America and become embroiled in another Civil War of sorts...

Pretty poor offering, a pic that was completed in 1969 but wasn't released until three years later, one can only think that after viewing it, some financial backer saw it for the dud it is and refused release! The plot principal is sound, the fact it's a Western filmed in Columbia and set in South America (the place unnamed) is an interesting point of note, plus Connors and Romero at least have fans from which to launch potential for cult fandom. But hopes of a good film are dashed quite early.

Is being boring a valid criticism? Well yes it is, and this is a snore bore. The cast turn in auto-cue acting, all of them saddled with direlogue, the editing is messy, and the musical score irritating as it fluctuates between sorrowful guitar to bandido marching music, with some flamenco type jolly that's out of place as well, and what little action there is is laughably constructed. A bold turn of events in the narrative is worth a point at least, as is the outcome of it all - though it doesn't really make grounded sense - but ultimately this is one that deserves to stay obscure. 2/10

THE PROUD AND THE DAMNED is an odd, zero-budget western that was filmed in Colombia. That novelty value is about the only thing this has going for it as otherwise it's a completely routine oater that feels like a low-budget, low-effort riff on THE MAGNIFICENT SEVEN. The storyline involves a group of rather dull mercenary types who hole up in a small village during a revolution and soon find themselves getting involved in the action.

Although there's plentiful action in this movie, none of it is very good. It doesn't help matters much that the quality of the print I saw was absolutely pitiful, one of the worst-looking westerns ever. The Colombian locations are effective but the direction is very poor and this feels like an old 1930s-era film rather than a '70s movie. Chuck Connors and Cesar Romero co-star.