Su un pianeta lontano dove governano i giganti blu, gli umanoidi oppressi si ribellano contro i loro leader simili a macchine.Su un pianeta lontano dove governano i giganti blu, gli umanoidi oppressi si ribellano contro i loro leader simili a macchine.Su un pianeta lontano dove governano i giganti blu, gli umanoidi oppressi si ribellano contro i loro leader simili a macchine.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Barry Bostwick
- Adult Terr - Narrator
- (English version)
- (voce)
Jennifer Drake
- Tiwa
- (voce)
Eric Baugin
- Young Terr
- (voce)
Jean Topart
- Master Sinh
- (voce)
Yves Barsacq
- Om
- (voce)
Madeleine Clervanne
- Additional Voices
- (voce)
- (as Madeleine Clervannes)
Recensioni in evidenza
Having just completed watching this film, I can say it was worth the wait. It will please fans of hard-core science fiction (not fantasy), and will seduce fans of animation (not just 3D animation, animation in general terms) with its mix of Czech style animation and illustration.
It is a good movie, but not a masterpiece. The narrative treads the science fiction tropes too strictly and ends up painting characters and events predictably when the setup seems to suggest something more interesting. In fact, I was very disappointed that the most developed and interesting relationship in the whole film is traded off for a kind of boring resistance story that does its best to not let the audience make connections with the characters. It is not picked up or revisited later... and none of the subsequent character interplay is as interesting or meaningful.
Where this film excels is in its weirdness and imagination. Strange and horrible creations are brought to life and move/eat/gestate/exist in ways that will make you go 'ew' and 'wow' at the same time. This is helped by the strong European styling of the animation (mostly limited in movement) and illustration, which reminded me of studio Zagreb..
There is something so mysterious about the atmosphere of this film - it may just grab you. Definitely watch it for the disturbing and somehow touching relationship between Tiva and Terr - you'll only wish there was more of it.
It is a good movie, but not a masterpiece. The narrative treads the science fiction tropes too strictly and ends up painting characters and events predictably when the setup seems to suggest something more interesting. In fact, I was very disappointed that the most developed and interesting relationship in the whole film is traded off for a kind of boring resistance story that does its best to not let the audience make connections with the characters. It is not picked up or revisited later... and none of the subsequent character interplay is as interesting or meaningful.
Where this film excels is in its weirdness and imagination. Strange and horrible creations are brought to life and move/eat/gestate/exist in ways that will make you go 'ew' and 'wow' at the same time. This is helped by the strong European styling of the animation (mostly limited in movement) and illustration, which reminded me of studio Zagreb..
There is something so mysterious about the atmosphere of this film - it may just grab you. Definitely watch it for the disturbing and somehow touching relationship between Tiva and Terr - you'll only wish there was more of it.
What a great movie! I had completely forgotten about this film -in fact, I hadn't seen it in over 20 years. Well, I rented 'The Cell' and while I was watching the scene where Jennifer Lopez is in her house with the television on, I noticed those blue aliens and the memories came rushing back! Of course, I came to IMDB to figure out what the title of the film was (it was in the trivia section of 'The Cell' review), and I was pleasantly surprised to find the title. I went and bought the DVD, which is truly outstanding! The basic premise of the movie is that a race of aliens keeps domesticated humans as pets, while eliminating their feral brethren in the wild. The story centers around Terr, who is rescued from a pack of cruel alien children by the daughter of a high-ranking official. Eventually he runs away and ends up meeting the humans living in the wild. They become tired of the treatment they suffer at the hands of the alien race, and seek to exact revenge on their captors.
This movie was made nearly 30 years ago, so the animation is not really comparable to modern-day animation, but the story and the plot transcend time. The premise of the film is as valid today as it was in the 70s.
The DVD edition of the movie comes with three additional animated shorts by Rene Laloux, and they are just as entertaining. This is a real gem of a movie...truly beautiful. My kids love it as well. A true masterpiece.
9/10.
This movie was made nearly 30 years ago, so the animation is not really comparable to modern-day animation, but the story and the plot transcend time. The premise of the film is as valid today as it was in the 70s.
The DVD edition of the movie comes with three additional animated shorts by Rene Laloux, and they are just as entertaining. This is a real gem of a movie...truly beautiful. My kids love it as well. A true masterpiece.
9/10.
This is the masterpiece of René Laloux. Was an almost big success in France, was shown only 2 or 3 times in the past 20 years and is now a kind of "Cult" movie for sci fi addicts. This sci-fi movie is far much better than the two other from the same director: "Gandahar" and "Les maitres du temps" (Time Masters). René Laloux always works with great and original comics artists. He worked with "Moebius" Aka Jean Giraud on "Les maitres du temps". This artist is also credited on "Alien" , he created the space suits. He worked with "Caza" an other great comics artist for "Gandahar"
He worked wit "Topor" on "La planète sauvage". Roland Topor is a french artist with a great sense of fantasy. He designed most of all you can see on the screen. The animation was produced in Czechoslovakia because there always have been excellent animation studios in this country, and also because producing in France was far too expensive. This story takes place in the past. It is a metaphor of the man's history. The small characters are called "Oms". This word is pronounced like the french word "Hommes" that means "man". It tell us when man had to leave the original heaven. Man had to fight against his old masters to be independent and free, then he had to find his place in the universe. This is the universal story ... and that's why this movie is timeless (despite the 70s Wha Wha guitars ... ;o)
He worked wit "Topor" on "La planète sauvage". Roland Topor is a french artist with a great sense of fantasy. He designed most of all you can see on the screen. The animation was produced in Czechoslovakia because there always have been excellent animation studios in this country, and also because producing in France was far too expensive. This story takes place in the past. It is a metaphor of the man's history. The small characters are called "Oms". This word is pronounced like the french word "Hommes" that means "man". It tell us when man had to leave the original heaven. Man had to fight against his old masters to be independent and free, then he had to find his place in the universe. This is the universal story ... and that's why this movie is timeless (despite the 70s Wha Wha guitars ... ;o)
It's like something out of a Salvador Dali painting, but on screen in a science fiction movie. A film where humans are merely pets and insects to a more advanced, giant race of alien beings. The film is pretty awe inspiring and makes one quite philosophical after watching it. It's definitely a masterpiece of its own accord, creatures of strange designs never before seen in any other film that I know of. I would definitely recommend the film to any science fiction enthusiast.
A huge ball of cultural references. Greay music. And so familiar themes than it becomes less comfortable scene by scene. Because the story is just about us, like a large parable about racism, dictatorship, technology, survive, hate and contempt. I do not know than it is a beautiful film but it is a very useful one. A film about present, in precise details . Fascinating for craft and for message.
Lo sapevi?
- QuizOne reason the coproduction took so long to complete is that in 1968 the Russians invaded Czechoslovakia which caused a delay.
- Blooper(2016 remastered original, English subtitles.) According to Terr, one week in a Draag's life is as long as one Om (human) year. But he also says that his owner Tiwa (the Draag that raised Terr from infancy) loses interest in Terr "as she grew into her teens". By that time Terr would almost certainly be in his late middle years, at the very least -- yet Terr appears to be still no older than his twenties.
- Citazioni
[first lines]
Draag child 1: It doesn't move.
Draag child 2: What a shame we can't play with her any more.
- Versioni alternativeIn the German version, the humans aren't called "Oms", they are simply referred to as Menschen (humans) or Menschen-Tiere (human animals). Terr's name is also given a different origin. In both the original French and English versions, Tiwa names her pet Om Terr because his father says he behaves like a "real terror". In the German dub, Tiwa settles on the name after his father compares her pet to a struggling termite.
- ConnessioniFeatured in The Cell - La cellula (2000)
- Colonne sonoreDeshominisation (I+II)
Written and Performed by Alain Goraguer Et Son Orchestre
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 2704 USD
- Tempo di esecuzione1 ora 12 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1
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