Pane e cioccolata

If all the film-festival awards this movie has won haven't convinced you to see it, then my review probably will not either. Regardless, it is important to know how well-done this movie truly is. Nino Manfredi does an absolutely stellar performance as a poor Italian immigrant trying to fit in in a world which dislikes him and his kind. From the start, this seems like a regular enjoyable comedy, but quickly transitions into both a comedy and a drama. On the one-hand, Manfredi's Chaplinesque "loveable loser" character is both endearing and hilarious. On the other hand, the film offers true insight into the problem of immigrational bias and cultural dissimilarity, and a stabbing insight into the premise of a national identity; how it is both meaningless and yet extremely important. This film deserves every award it received and then some.

I was four when Bread and Chocolate played at a small theater in San Francisco. My mother decided to take me(no babysitter). The story I've heard many, many times was that I was upset with her that she wouldn't (although now I realize it was more that she couldn't) read the subtitles to me. I eventually became frustrated with her and moved two isles over. My mom has said that she would turn to watch me and although I couldn't truly read the subtitle or comprehend the language, I laughed continually throughout the movie. She said I truly enjoyed Bread and Chocolate. Many years later I rented the movie and it's amazing. It's exactly as I remembered it. Truly a gem of a movie, though the second time around I was able to fully grasp the meaning of this movie. It's universal and it's timeless. I now own this on DVD and have enjoyed sharing it with my family and friends. Certainly a must see movie!

This movie brilliantly and movingly, but always with a lot of irony, describes the plight of an Italian migrant laborer in Switzerland. Some scenes are among the best in the history of cinema.

A group of migrant laborers are doing some filthy work in a ramshackle barn. Through a small window they see some beautiful young Swiss adolescents riding on horse back. These youngsters look like gods compared to the poor ants in the barn!

In another scene the hero of the film has been trying very hard for some time to assimilate, to become even more Swiss then the Swiss themselves. But he can't suppress his deep feelings of identity for ever. One day he enters a pub and watches a soccer match between Italy and Switzerland. At a certain moment he can't control himself any more and starts shouting to encourage the Italian team. He makes such a nuisance of himself that the Swiss throw him out.

Utterly brilliant!

Although a bit too long,"Pane e Cioccolate" features moments of unquestionable brilliance,of sheer genius ,which make him a classic of the Italian cinema any day.

The scenes in the chicken cop are terrific and include idea to rival the best of the Italian cinema of the seventies ,which is saying something.It's so terrific I have to search my memory to find such terrifying scenes as those of the poor wops turning into poultry.And as if it weren't enough,those purple passages are followed by the irruption of posh young people,rich kids,who look like E.T.s .

It's Italian directors' forte to walk a fine line between comedy and drama (the drag act),a thing French movies simply can't achieve ,with a few exceptions.Much more accessible than his stodgy "disordine" ,"pane" is Brusati's (and Manfredi's ) triumph :it's updated Chaplin -the scene when the hero chews his sandwich when elegant ladies are serving cakes and enjoying classical music - An immigrant will always be "tried out" .Everywhere he shows,he will be the perfect loser .

Like this? try these.....

They're a weird mob (Powell,1966) America America (Kazan ,1963) The immigrant (Chaplin,1918)

Great tale about the "joys" of being an immigrant in 70's Switzerland and being rejected from their society for anything other than for labor.

It's all in the title, no connection to the popular "pane e Stella" Italian snack here, rather the bread is a metaphor for the immigrants who have little choice but working abroad to put bread on their families table, while the chocolate refers to the luxury Swiss product and symbolizes that country's wealth. It's bread and chocolate as in rich and poor, as in eating for survival as opposed to eating for pleasure, as in immigrant and swiss, etc.