VALUTAZIONE IMDb
7,4/10
2093
LA TUA VALUTAZIONE
L'immigrato italiano Nino cerca fermamente di diventare un membro della Società Svizzera, non importa quanto terribile diventi la sua situazione.L'immigrato italiano Nino cerca fermamente di diventare un membro della Società Svizzera, non importa quanto terribile diventi la sua situazione.L'immigrato italiano Nino cerca fermamente di diventare un membro della Società Svizzera, non importa quanto terribile diventi la sua situazione.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 vittorie e 3 candidature totali
Geoffrey Copleston
- Boegli
- (as Geoffrey Copplestone)
Cyrus Elias
- Michele, the thief
- (as Ciro Elias)
Recensioni in evidenza
This film about the struggles of an Italian immigrant in Switzerland generates bizarrely conflicting emotions; indeed at times you don't know whether to laugh or cry! I saw this years ago when I was at university and I expect it has dated in the sense that the status of immigrants has changed a lot since then. It may even be disquieting at times for those who have grown-up believing that they must never laugh at particular social groups, but the film is clearly sympathetic to those whose dignity is compromised daily by their circumstances of life. I defy anyone not to cry with laughter at the restaurant and chicken-coop scenes.
If all the film-festival awards this movie has won haven't convinced you to see it, then my review probably will not either. Regardless, it is important to know how well-done this movie truly is. Nino Manfredi does an absolutely stellar performance as a poor Italian immigrant trying to fit in in a world which dislikes him and his kind. From the start, this seems like a regular enjoyable comedy, but quickly transitions into both a comedy and a drama. On the one-hand, Manfredi's Chaplinesque "loveable loser" character is both endearing and hilarious. On the other hand, the film offers true insight into the problem of immigrational bias and cultural dissimilarity, and a stabbing insight into the premise of a national identity; how it is both meaningless and yet extremely important. This film deserves every award it received and then some.
Bread and Chocolate is a very humanistic movie that mixes funny with sadness. The way the Brusati shows us the way foreign people are welcome to Switzerland is somehow not the saddest way but in addition it has some humor. This makes the audience, like people said before, cry and laugh at the same time. It can also be based on a real person and not fictitious as people like Nino would do anything to stay in a country where they have opportunities. Excellent job for Brusati, it is the first Brusati film I have seen and I am looking forward to see another one.
Although a bit too long,"Pane e Cioccolate" features moments of unquestionable brilliance,of sheer genius ,which make him a classic of the Italian cinema any day.
The scenes in the chicken cop are terrific and include idea to rival the best of the Italian cinema of the seventies ,which is saying something.It's so terrific I have to search my memory to find such terrifying scenes as those of the poor wops turning into poultry.And as if it weren't enough,those purple passages are followed by the irruption of posh young people,rich kids,who look like E.T.s .
It's Italian directors' forte to walk a fine line between comedy and drama (the drag act),a thing French movies simply can't achieve ,with a few exceptions.Much more accessible than his stodgy "disordine" ,"pane" is Brusati's (and Manfredi's ) triumph :it's updated Chaplin -the scene when the hero chews his sandwich when elegant ladies are serving cakes and enjoying classical music - An immigrant will always be "tried out" .Everywhere he shows,he will be the perfect loser .
Like this? try these.....
They're a weird mob (Powell,1966) America America (Kazan ,1963) The immigrant (Chaplin,1918)
The scenes in the chicken cop are terrific and include idea to rival the best of the Italian cinema of the seventies ,which is saying something.It's so terrific I have to search my memory to find such terrifying scenes as those of the poor wops turning into poultry.And as if it weren't enough,those purple passages are followed by the irruption of posh young people,rich kids,who look like E.T.s .
It's Italian directors' forte to walk a fine line between comedy and drama (the drag act),a thing French movies simply can't achieve ,with a few exceptions.Much more accessible than his stodgy "disordine" ,"pane" is Brusati's (and Manfredi's ) triumph :it's updated Chaplin -the scene when the hero chews his sandwich when elegant ladies are serving cakes and enjoying classical music - An immigrant will always be "tried out" .Everywhere he shows,he will be the perfect loser .
Like this? try these.....
They're a weird mob (Powell,1966) America America (Kazan ,1963) The immigrant (Chaplin,1918)
I saw this film when it first came out and fell in love with it.
Having spent some time in Switzerland, I knew the truth of the rejection of foreign workers, and I saw the places where they lived in great poverty, in the midst of rich, glittering inter- national crowds. The bigotry was (and still is to a great
extent) painfully true.
This is one of those marvelous films that makes one cry and laugh, almost simultaneously. As many have said before, it is Chaplinesque.
I especially appreciated hearing the various languages actually spoken by the characters - German, Italian, Greek, Turkish. The subtitles help the viewer very well indeed, but the sound of the actual languages enhances the verisimilitude of the story.
Just recently I have, after more than 20 years of searching, discovered that this film is on video tape, and I can't wait to acquire it - at long last!
Having spent some time in Switzerland, I knew the truth of the rejection of foreign workers, and I saw the places where they lived in great poverty, in the midst of rich, glittering inter- national crowds. The bigotry was (and still is to a great
extent) painfully true.
This is one of those marvelous films that makes one cry and laugh, almost simultaneously. As many have said before, it is Chaplinesque.
I especially appreciated hearing the various languages actually spoken by the characters - German, Italian, Greek, Turkish. The subtitles help the viewer very well indeed, but the sound of the actual languages enhances the verisimilitude of the story.
Just recently I have, after more than 20 years of searching, discovered that this film is on video tape, and I can't wait to acquire it - at long last!
Lo sapevi?
- Quiz"Bread and Chocolate" won the New York Film Critics Award for Best Foreign Film in 1978, four years after the films production, because the film wasn't released in America until 1978.
- BlooperWhen Nino attempts to revive his inert industrialist boss with coffee, he inadvertently switches on the massage feature of the bed, dousing himself, but he is splash-free when he leaves to fill an ice bucket with water and shown dripping with the coffee after he returns to the bedroom.
- Citazioni
Giovanni 'Nino' Garofoli: You're Italian, and I'm Italian. But is it enough to make us alike? Am I like you?
- ConnessioniEdited into Bellissimo: Immagini del cinema italiano (1985)
- Colonne sonoreSekt Mit Sugar
Written Guido Patrizio (as G. Patrizio) and Daniele Patucchi (as D. Patrucchi)
Sung by Guido Patrizio
Orchestrated and directed by Daniele Patucchi
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Bread and Chocolate
- Luoghi delle riprese
- Dear Studios, Roma, Lazio, Italia(Studio, as Studi Dear - Roma)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 56 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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